MARCH14

#extradirty
Peter Solarz
Sade Olutola

blake kathryn
Alisa U Zemlji Chuda
i don't do bad sauce passes

Andulka
No title available

Origami Around
🪼
we're not kids anymore.
No title available

Product Placement
art blog(derogatory)
PUT YOUR BEARD IN MY MOUTH
"I'm Dorothy Gale from Kansas"

Kaledo Art

❣ Chile in a Photography ❣
will byers stan first human second

Kiana Khansmith
seen from United States

seen from Canada
seen from Iraq
seen from Germany

seen from France
seen from Morocco

seen from France

seen from France
seen from Netherlands

seen from Singapore

seen from Canada

seen from Malaysia
seen from Germany

seen from France
seen from United Kingdom

seen from Singapore
seen from Mexico

seen from France
seen from Türkiye
seen from Türkiye
@artlunch
MARCH14
(via Hale)
nest/cocoon/safe/safe house
William Paterson University Presents: Ben Phelan
artist in a slump? watch…
From the Lecture and Presentation, “Tradition & Contemporary: The Evolution of Chinese Ink Painting” by Dr. Huangsheng Wang From Wednesday, 2:30 - 4:30 PM, October 9th, 2013 For more information about this event, or about the Center for Chinese Art, please call the Center at 973.720.2799 or email [email protected].
Marina Abramović at the Smithsonian’s Hirshhorn Museum and Sculpture Garden
tw: talk about depression and suicide
'swim'. guinevere van seenus by paolo roverso for w magazine, august 2008.
Guinevere Van Seenus for LOVE Magazine
Jeff’s living room
I’m feeling weird
Mariacarla Boscono in “Express Yourself” by Mikael Jansson for Interview Magazine, September 2010
Protection
palace of tears, nelly agassi, 2002
at the center of the exhibition space stands a young woman, wearing a simple skin-colored dress; hundreds of strips made of similar fabric are suspended from various points on the four walls surrounding her. some trail on the floor, reaching her feet, others look as though they are already, somehow, connected to her dress. she bends, picks up a strip of fabric from the floor, sews it onto her dress, and so on and so forth. strip after strip, hour in hour out, in a cyclical, sequential act, until no more fabric strips remain on the floor, and she appears inseparably connected to the walls of the exhibition space.
Bizzare grotesque sculptures by artist Chen Wenling from 2012. SUPER CREEPY