Hans Baldung Grien, Schmerzensmann von Maria und Engeln beweint, 1513
Augustinermuseum, captured 28.07.2022

if i look back, i am lost

Kiana Khansmith
Aqua Utopia|海の底で記憶を紡ぐ

⁂
Keni
let's talk about Bridgerton tea, my ask is open

izzy's playlists!

#extradirty
styofa doing anything
NASA
RMH
Claire Keane
Sade Olutola

Kaledo Art
No title available
Xuebing Du

ellievsbear
we're not kids anymore.
i don't do bad sauce passes

Origami Around

seen from United States
seen from United States
seen from United Kingdom
seen from United States
seen from United States
seen from Malaysia

seen from Malaysia

seen from United States

seen from United States
seen from Germany

seen from France

seen from United States

seen from Türkiye

seen from Türkiye
seen from United States

seen from Malaysia
seen from United States

seen from France
seen from United States
seen from India
@artmuseumz
Hans Baldung Grien, Schmerzensmann von Maria und Engeln beweint, 1513
Augustinermuseum, captured 28.07.2022
Britta Marakatt-Labba
left: In the footsteps of the stars, 2021
right: Between the trees, 1986
Venice Biennale 2022, captured 07.05.2022
thinking about how words shape our sensory perception
music is architectural
coffee is fruity with notes of chocolate
chardonnay is buttery
do we experience these things independently or only through the influence of knowing, of the words twisting our sense of touch and taste and sound
left: Portia Zvavahera, Kudonhedzwa kwevanhu (Fallen people), 2022
right: Belkis Ayón, Sin título, 1999
Venice Biennale 2022, captured 07.05.2022
we report the presence of butterflies
Precious Okoyomon, To See the Earth Before the End of the World, 2022
Venice Biennale 2022, captured 07.05.2022
Roger Ballen, The Theater of the Apparitions, South African Pavilion, Venice Biennale 2022, captured 07.05.2022
Ignasi Aballí, Correction, Spanish Pavilion, Venice Biennale 2022, captured 08.05.2022
Cy Twombly, Poems to the Sea, suite of 24 drawings, 1959
muses’ faces
Elizaveta Potodina, from the exhibition OKHA
Fotografia, captured 15.04.2022
Amy Beager (British, b. 1988)
Lets Live Forever, 2021
Acrylic and oil on canvas
fire & water
fire: Latifa Echakhch, The Concert, Swiss Pavilion
water: Vladimir Nikolić, Walking with Water, Serbian Pavilion
Venice Biennale, captured 08.05.2022
eyes, at the Venice Biennale 2022
from top left:
Zsófia Keresztes, After Dreams: I Dare to Defy the Damage, Hungarian Pavilion
Ulla Wiggen, Iris XXIII Katarina, 2021
Belkis Ayón, Sin título (Sikán, Nasakó y Espiritu Santo) “…yo e sido la causa de tanto dolor…”, 1993
Josefa Tolrà, Cuaderno Primavera, 1946
Skuja Braden, Selling Water by the River, Latvian Pavilion
Jakob Lena Knebl and Ashley Hans Scheirl, Invitation of the Soft Machine and Her Angry Body Parts, Austrian Pavilion
captured 07.05.2022 and 08.05.2022
Myrlande Constant, GUEDE (Baron), 2020
Venice Biennale 2022, captured 07.05.2022
Małgorzata Mirga-Tas, Re-enchanting the World, 2022
Polish Pavilion, Venice Biennale 2022, captured 08.05.2022
Sonia Boyce, Feeling Her Way, 2022
British Pavilion, Venice Biennale 2022, captured 08.05.2022
Füsun Onur, Once upon a time…, 2022
Turkish Pavilion, Venice Biennale 2022, captured 07.05.2022
Skuja Braden, Selling Water by the River
Latvian Pavilion, Venice Biennale, captured 07.05.2022