Pinax of Persephone and Hades from Locri. Reggio Calabria, National Museum of Magna Graecia. Sometimes death and regeneration are just one step away one from the other.
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@artofaeons
Pinax of Persephone and Hades from Locri. Reggio Calabria, National Museum of Magna Graecia. Sometimes death and regeneration are just one step away one from the other.
Art Nouveau gold and abalone pendant with an opal (via).
Hans Baldung, The Ages of Man and Death, c.1541-1544
Hans Baldung (1484 or 1485 – September 1545), also called Hans Baldung Grien, the “Grien” element being an early nickname after his preferred colour green, was a German artist in painting and printmaking who was considered the most gifted student of Albrecht Dürer. Throughout his lifetime, Baldung developed a distinctive style, full of color, expression and imagination. His talents were varied, and he produced a great and extensive variety of work including portraits, woodcuts, drawings, tapestries, altarpieces, stained glass, allegories and mythological motifs.
John Singer Sargent (American, 1856-1925), Gourds, 1908. Opaque and translucent watercolor with graphite underdrawing, 35.1 x 50 cm.
Italian Girl, 1872, Camille Corot
Saint Quentin Des Pres (Oise), near Gournay En Bray, Camille Corot
Medium: oil,canvas
https://www.wikiart.org/en/camille-corot/saint-quentin-des-pres-oise-near-gournay-en-bray
Autumn Landscape, 1914, Zinaida Serebriakova
https://www.wikiart.org/en/zinaida-serebriakova/autumn-landscape-1914
Medusa, Metropolitan Museum of Art: European Sculpture and Decorative Arts
The Milton Weil Collection, 1940 Metropolitan Museum of Art, New York, NY Medium: Onyx
http://www.metmuseum.org/art/collection/search/198633
Willows Lit Up by the Sun, Ivan Shishkin
Medium: oil,canvas
https://www.wikiart.org/en/ivan-shishkin/willows-lit-up-by-the-sun
Vitorchiano nel Cimino, 1925, M.C. Escher
Viking Gold Mounted Crystal Pendant, 9th-11th Century AD
A pendant comprising a piriform natural crystal pebble bead in a sheet gold sheath with punched pellets to the borders, ring-and-dot motifs, punched triangles with a pellet to each angle; wire loop to the underside, wire coil to the top and loop, twisted wire suspension hoop with coiled ends. 56mm (2 ¼")
Renato Paresce (Italian, 1886-1937), NATURA MORTA, 1926. Oil on canvas, 70,4 x 55,4 cm
Vase with Zinnias, 1886, Vincent van Gogh
Medium: oil,canvas
Reekie, Glasgow, John Atkinson Grimshaw
Fire in woods, 1883, Aleksey Savrasov
https://www.wikiart.org/en/aleksey-savrasov/fire-in-woods-1883
Oaks, 1855, Aleksey Savrasov
Medium: oil,canvas
Paris Omnibus, 1907, Maurice Prendergast
Medium: oil,panel