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@asbury71
Portrait of a French cantinière during the Crimean War in 1855, by Roger Fenton
Photo by Roger Fenton in the Crimea.
BRITISH ARMY COMBAT DOCTRINE DURING THE AMERICAN REVOLUTION - MYTH AND REALITY
The image is a well-known one, reinforced by centuries of bad history and nationalistic nation-building. The American Revolution saw rifle-armed frontiersmen go up against the ruthless redcoats, sniping officers and decimating the densely packed red ranks, which swiftly fell into mindless confusion, were routed and, thus, eternally humbled.
The problem with such a narrative is that it simply isn’t true. The British Army had already experienced the difficulties of irregular warfare in the colonies two decades earlier. When the Revolution began it already had dedicated light infantry companies, marksman training and combined arms units.
Traditionally it has been said that the ability of British regulars to fire three shots a minute was the primary reason for their European battlefield victories, but they were unable to combat the colonists in their native woodlands. The Patriots certainly made excellent use of both terrain and artificial defences throughout the war, but this did not confound British generals, in fact the reverse is true. Even from the first major battle of the war, at Bunker Hill, British troops were ordered not to fire at the entrenched rebels, but to drive them off using their bayonets.The reason the initial attacks on the hill failed was down to the fact that the regulars, less experienced soldiers than the American militia, panicked and refused to charge, but blazed away ineffectively with their muskets.
Throughout the war the British came to rely almost solely on the use of bayonets. Many observers commented on the fear the rebels had for the weapon, which they viewed as savage and excessive.
A typical engagement would play out as follows - British troops would adopt open files, with as much as eighteen inches separating each man in the line. This was to assist with moving quickly through woods and difficult terrain, and to make the American sharpshooter’s job of hitting them harder. As soon as they came under small arms fire, the line typically broke out into a brisk trot, approaching the enemy at speed and increasing the pressure on them, often accompanied by shouts and huzzahs. They would either halt briefly to fire a single volley, or simply keep on going and break out into a bayonet charge. At several battles, such as Paoli’s Tavern and Overkill Road, the rank and file were actually ordered to remove the flints from their muskets, making them impossible to fire and forcing them to rely on their bayonets.
The loose formations used by the redcoats meant that they were as quick and maneuverable as their foes, but this came with a price. A loose line was less able to withstand sudden shocks, like a fully formed battalion of Continental infantry, or an unexpected (and rare) bayonet counter-attack. After being smashed at Cowpens, British officers complained their their leader, Banastre Tarleton, had relied too much on the loose, open files during the battle, which had ultimately led to their men becoming scattered and overwhelmed. Regimental flags and colours were also only rarely carried into battle, partly because they were impractical in woodland, and partly because they were difficult to defend when the men were so spread out.
The infrequency of British defeats in the Revolution underscores the fact that in reality the redcoats adapted well to fighting in America. If they had been as painfully incompetent as populist modern history portrays them, the war would have ended considerably sooner.
Is there any evidence to support the speculation that in order to achieve 3 rounds a minute that the redcoats were simply tamping with the butts of their muskets and not actually drawing rammers? I have never personally witnessed anyone achieve 3 live rounds LOADED AND FIRED in 60 seconds. The best I have seen was loading and then starting the timer when the first round was fired, and getting the next two loaded and fired (3 fired, 2 loaded in 60 seconds). Not saying it isn't possible, just never witnessed it myself.
The Patriot - 2000
Oh, the look of horror when one realizes tey’re trapped in a Mel GIbson movie.
"Does this mean that crimes perpetrated by German soldiers in the Second World War are instead going to be carried out by inaccurately costumed British soldiers in 1770’s America?" "I’m afraid so." "God help us."
"With an unrealistic amount of candles everywhere."
In the months since seeing that film I have realised literally every historical drama has TOO MANY DAMNED CANDLES
One of the reenactors told me about the nightmare it was to work on set at times. Gibson wouldn’t have anything to do with anyone, and they had been told not to say a word to him. The reenactors had brought period cannons, but Roland Emmerich (the director) said they didn’t make enough of a bang, and so, he commissioned a larger cannon be made. When it arrived on the flatbed truck, he insisted that the test firing be made, and to put an unrealistically large amount of powder in it. The cannon held, but the recoil destroyed the cab of the truck.
On a good note, Jason Isaacs, who plays Tavington, was a warm and wonderful person with a great sense of humor, and a go-to attitude (even after an accident had him hurtling over the head of his horse, and onto the ground). The reenactors really enjoyed working with him, as well as hanging out with him, which he did a lot of.
I enjoy the irony that real-life Jason Isaacs is more like Ban with his charm. Also, I heard that reenactors deliberately turned their heads away from the pan flash in their muskets in an effort to make the film even more inaccurate. A gallant protest.
I had several friends who worked on the film in York County, SC. According to them the larger cannons were cast fiberglass and after several discharges the barrels cracked, but they were patched and were still used anyway.
Probably the most laughable part of the whole movie was when the "freemen" were "liberated" (read: drafted) on Mel Gibson's farm. The audience I was in at the theater openly howled and laughed at the notion of an entire farm in SC during the 1770s being tilled entirely by "freemen ."
When all is said and done, I think some of the best commentary is from Dr. Walter Edgar, Professor Emeritus at the University of South Carolina -- probably the foremost authority on state history and a consultant on the movie. He said, "Is it a GREAT movie? No. But, if it gets people discussing the American Revolution and leads to more undergrads coming into my classes with even a cursory knowledge of the war, then I can live with it."
Infantry Officer’s Full Dress Tunic: Lieutenant Steele, Royal Fusiliers, British Army
c.1910-1914
Captain’s Uniform: National League For Women’s Service
1917
United States
Philadelphia Museum of Art
Classic