field museum of natural history, chicago
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❣ Chile in a Photography ❣

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Noah Kahan
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Not today Justin
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One Nice Bug Per Day
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Jules of Nature
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@ascoiris
field museum of natural history, chicago
Industrial advertising influenced by modern art tropes. Aviation. June 1944.
🤢🖖🏿🤢
夜のとばりと京島玉ノ井 10 Kyojima, Tamanoi, Tokyo Rolleiflex 2.8D, FUJI PRO160NS 夜のとばりと京島玉ノ井シリーズ
y qué tal, cómo te despertaste hoy? pensás que ya está? cuándo pensás en decirle cuándo pensás explicarle cuándo pensás en contarle cuándo pensás solo en pensar cuándo pensás solo en accionar cuándo pensás construirlo? cuándo pensás decidirlo? cuántas veces lloraste? y cuándo te comenzó a picar? cuándo se comenzó a transformar? cuándo empezaste a ocultarlo? cuándo empezaste a esconderte? cuándo empezaste a mentirle? cuándo pensás que hay que reaccionar? cuándo pensás que hay que abrazar?
Brian Eno — Ambient 1: Music for Airports
We have this album on cassette tape in my living room. I discovered that on the inside of the cassette case is a fold-out with graphical representations of each track on the tape. It’s cool when artists try to tell me about their ideas in more than one way.
Also, I kind of want to listen to this in an airport now.
(listen here)
George Harrison, 1964 © Genesis Publications/Ringo Starr
Flamingos take refuge in a bathroom at Miami-Metro Zoo, Sept. 14, 1999 as tropical-storm force winds from Hurricane Floyd approached the Miami area.
Mad Men (2008)
The Velvet Underground - Peeled Banana US 1967
Paul McCartney with Paul McCartney at the Grammys.
By: WinstonPaul
Inspired by a edit posted eaerlier ( i didn’t like the grunge effect so i decided to do my oen version)
in love with little pieces of my town
1x08 The Hitcher
I went to the dressing room to say hi and pass on a copy of Arboretum, my soon to be distributed (McSweeney’s) book of tree diagrams. Juana was sporting a sort of unibrow made out of a brown pipe cleaner. I remember on tour her wearing Birkenstocks, the ultimate in uncool, yet with her it didn’t matter. Tonight she wore an extremely modest velvet no-fashion dress, like something one’s aunt might have worn in the 50s. High neckline and slightly puffy sleeves. She’s slightly peculiar and extremely intelligent. She’s performing solo, but with a sizable keyboard rig that she plays and creates loops and loops on top of loops using a free hand and pedals. There’s a tangle of cables coming out the back — how she can keep it all straight is beyond me. At one point she was having some problem with her monitor and she didn’t stop the song but began singing to the monitor engineer the instructions of what she wanted.
David Byrne on Juana Molina. Taken from his journal (via juanalikesmusic)