Věra Nováková. After the End (Hic Iacet Omnipotens Homo Sapiens). 1952.

Kiana Khansmith
noise dept.
d e v o n
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if i look back, i am lost
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we're not kids anymore.
trying on a metaphor
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
DEAR READER

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Alisa U Zemlji Chuda

Origami Around

JVL
will byers stan first human second
occasionally subtle

Andulka

★
Cosmic Funnies
seen from United States
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seen from United States
seen from United States
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seen from United States
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seen from Kazakhstan
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@baltimorefootstomper
Věra Nováková. After the End (Hic Iacet Omnipotens Homo Sapiens). 1952.
Ernst Ludwig Kirchner, Combats - Agonies of Love, c.1915
The Films of Jan Švankmajer
Jan Švankmajer is a Czech filmmaker and artist whose work spans several media. He is a self-labeled surrealist known for his animations and features, which have greatly influenced other artists such as Terry Gilliam, the Brothers Quay, and many others.
remembering that you inhabit a body and that your physical appearance is inevitably tied into how people perceive you
I’m an introvert and I have to sit in the dark for 24 hours after ordering a coffee
oh so i guess millennial children are too busy eating avocado toast to enjoy a nice hearty detergent pod
Lush really did that omg
hi I work for the best and CUTEST fucking company xoxo
Using horror movies as foreplay.
Bob Odenkirk’s Hollywood
Shelley Duvall by Bert Stern, Vogue - March 1, 1971