the elves of orlais have a future. for the first time in centuries

Kiana Khansmith
Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn

❣ Chile in a Photography ❣
NASA

Origami Around

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Cosimo Galluzzi

#extradirty

Jar Jar Binks Fan Club
Fai_Ryy
Keni

Love Begins

ellievsbear

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d e v o n
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hello vonnie
PUT YOUR BEARD IN MY MOUTH
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@asexualcassandra-blog
the elves of orlais have a future. for the first time in centuries
support trans men and boys with visible breasts
not everyone can or wants to bind. just because his chest isn’t flat doesn’t mean you shouldn’t respect him.
to trans men: you do not have to bind to be valid! if you don’t have a safe way to bind or just don’t feel like it or WHATEVER, you are valid.
Cloudworks 2002—2013 Magriet Smulders
O, he is the courageous captain of compliments. He fights as you sing prick-song, keeps time, distance, and proportion
Reminder that Emily Wong’s canonical last words were “You want to see how a human dies? At ramming speed.”
rememeber when my entire art blog centered around Enjolras/Grantaire
i have no selfie confidence, so have a krem instead
happy tdov, thanks for all your continuous support. i love you.
writing tybalt as evil murder villain is so weak for the plot and romeo’s character development. if you start out with pure-of-heart good-guy romeo and tybalt slinking around dressed as the devil or whatever, there’s none of the twist. you expect tybalt’s murder and you excuse it. it’s the standard story and it doesn’t make you consider romeo’s character as much.
but if you present tybalt as a real live human being who has been severely influenced by the circumstances he was raised in and believes strongly in honor and his family, romeo is an actual murderer. and this blurs the lines between good and evil that so many directors establish when they shouldn’t. our protagonist straight-up murders two people. he is so incredibly flawed, and we shouldn’t be able to excuse that because “he was avenging his friend and tybalt was evil anyway.” we should be able to doubt him.
when good and evil are established so that we have the standard villain and hero, the ambiguity of the feud loses a lot of its meaning. we barely get any clues about why it started (possibly money reasons because of what romeo says to the apothecary) and that’s rly cool because we don’t have a historical reason to say they’re right and they’re wrong. we have to judge them on who they are now, but if we have “good guys” and “bad guys” there’s none of the consideration.
also if tybalt is presented as a total 100% bad guy, there’s this idea of being offended that romeo gets banished. we think oh man that shouldn’t have happened, he was doing the good thing. if tybalt is a fleshed out character with good and bad qualities, we understand the political conflict that the prince is facing.
a mage: templars are fucking!!! terrible!!
me, an innocent templar who was once nice to a mage: *burns my miniature pro-mage flag* i can't believe this... after everything i've done for them
Léa Seydoux by Marcel Hartmann, January 2014.
I was so touched by the feedback I got on my last Hawke/Isabela piece that I decided to make a follow-up. Based on The Bed by Henri de Toulouse-Lautrec.
You think you have memories. A farm. A family. An airplane. A crash. And then this place.
Spacer Brat | A mix for the children of the stars, those born and bred for the Alliance [listen]
Perhaps I should be afraid, facing the most powerful members of the Inquisition.
[get to know me meme] favourite otps: Dick Grayson and Jason Todd
psA: APRIL IS COMING UP SOON PLEASE DONT BREAK UP W PEOPLE AS JOKES DONT ASK PEOPLE OUT AS JOKES IT FUCKIN SUCKS MAN JUST RICKROLL THEM OR DRAW A DICK ON THEIR FOREHEAD WHILE THEY ASLEEP
also no screamers, epileptic inducing images, or fake messages of “insert person here” has died today on april 1, 2015. Just be cool; not offensive or harmful, yah?