assemblage

This site is no longer active. Read me at meganliberty.com or follow me on twitter @meganlib

[assemblage2011]

No longer active

Please visit my website www.meganliberty.com

[assemblage2011]

"The Tactile Pull of Keith Smith’s Book Art," Hyperallergic

Long before the ubiquity of digital technologies transformed the book, artist Keith Smith was engaged in prescient redefinition and innovation. 

[assemblage2011]

"The Clever Concrete Poetry of a Benedictine Monk," Hyperallergic

Dom Sylvester Houédard, friends with the beatniks, littered his texts with references to god and prayer, and had a peculiar sense of humor.

[assemblage2011]

Review of <i>An Atlas of Rare & Familiar Colour</i>, The Brooklyn Rail (Jun 2018)

The Forbes Collection dates back to the mid 18th century, but the publication of this book comes at a time when many others are exploring what’s behind our unconscious color associations. 

[assemblage2011]

Nick Mauss, Whitney Museum - George Platt Lynes photographs hanging against a shear curtain with a live performance behind it 👌🏽

[assemblage2011]

When your review copy arrives and you discover you're quoted in the back. Guess I'm a real critic now! 💫

[assemblage2011]

PREACH 🙌🏽 Adrian Piper last night @themuseumofmodernart #wednesdaymood

[assemblage2011]

Camae Ayewa at The Kitchen

[assemblage2011]

Review of Mirtha Dermisache's <i>Selected Writings</i> and Renee Gladman's <i>Prose Architectures</i>, The Brooklyn Rail (Mar 2018)

The writings and drawings of Mirtha Dermisache and Renee Gladman imagine writing as a purely visual endeavor without linguistic or syntactical meaning.

[assemblage2011]

Suzanne McClelland in conversation at Printed Matter launching her artist book Net Worth 3.1.2018

[assemblage2011]

Robert Gober at Matthew Marks, NY

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Bill Viola at James Cohan Gallery, NY

[assemblage2011]

Deana Lawson at Sikkema Jenkins

[assemblage2011]

"A Magical 1970s French Comic Book Finally Translated Into English," Hyperallergic

[assemblage2011]

"The Book as Technology," Los Angeles Review of Books

Many of the artworks in Internal Machine demonstrate how aspects of digital reading and making are similar to hardcopy production, and vice versa.

[assemblage2011]

"Chris Ware’s Annotated Visual History of His Comics Career," Hyperallergic

In Chris Ware’s latest book, Monograph, he confronts his past self through various ephemera and remembrances.

[assemblage2011]

"A Stamp Designer Makes His Mark with Cheeky Designs," Hyperallergic

Vincent Sardon’s The Stampographer, published by Siglio Press, collects the witty designs he makes with rubber stamps, which are sometimes several feet long.