Typographic Life

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Design by Timba Smits

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Bertoia poster for Knoll International c. 1968

FF “K”, Massimo and Lella Vignelli Papers Vignelli Center for Design Studies https://vignellicenter.tumblr.com/post/182483478672/here-in-rochester-ny-we-have-been-experiencing-a

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Senser Spirits

“A new range of non-alcoholic Plant Spirits, purposefully crafted to lift your mood, without clouding your mind.”

Design by Magpie Studios

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Centre du Théâtre d’Aujourd’hui

Campaign posters for the 2017–18 season of Centre du Théâtre d’Aujourd’hui Agency: Gauthier Creative direction: Shawn Bedford & Lisa Tremblay Artistic direction: Alix Neyvoz Photography: Christian Blais

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Poster Design by George Edwards Studio: Nomad (nomadstudio.com) Country: United Kingdom

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Typographic Process, Nr 4. Typographic Signs Design by Wolfgang Weingart, 1971-1972

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Poster for the International Design Center of New York (IDCNY) promoting the American Institute of Architects (AIA) 120th annual convention.

This was a design collaboration between Massimo Vignelli and Micheal Bierut in 1988. The red, black, and white used in this poster is Vignelli's signature color palette.

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Astrid Stavro — Cuadernos Postal Books (2009)

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Yale School of Architecture Lecture Poster | Fall 2014. Design by Michael Bierut, Pentagram

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Eighteen years later, Michael Bierut gets the opportunity to refresh his Yale Architecture poster series. Colour!

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3 Liberale Partei: Liste 3 (1959) Design: Karl Gerstner

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1979 Print magazine cover by Herb Lubalin

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From Letterpress Daily:

“36 line French Clarendon No. 2

This heavy, bracket-seriffed Antique derivative was first shown as wood type in 1873. The American type foundries had been showing unbracketed Antique faces called French Clarendon since at least 1867. In fact, a 1997 reproduction of a 1869 MacKellar, Smiths & Jordan specimen shows four sizes of a French Clarendon that is bracketless and significantly lighter than this wood version.

This H is from a complete, router cut, end grain, caps and figures font produced by Wm. H. Page & Co."

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Stranger & Stranger Christmas Absinthe

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 “Bananda” by Brent Schoepf

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Ian Fleming’s James Bond collection, designed by Michael Gillette, published by Penguin UK, 2008.

Source: http://flavorwire.com/238996/15-gorgeous-book-cover-redesigns/4

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John Kenneth Galbraith, El crac del 29 (The financial crash of 1929), 1969. Cover by Oscar Hernández.

Source: http://50watts.com/Lizards-Don-t-Eat-Cheese-Vintage-Cuban-Book-Covers