fuck off johnny utah, turn my pages bitch

Vale, 22. architecture student with a profound love for cinema

[artfilmfan]

Long Day’s Journey Into Night (Gan Bi, 2018)

cinematography: Yao Hung-i, Jingsong Dong & David Chizallet

[derekjarman]

Crash (David Cronenberg, 1996)

[auxdictateurs]

[germanpostwarmodern]

House “De Rusthoek” (1962) in Paterswolde, the Netherlands, by Architectenbureau Van Linge

[marzipandildo]

Il demonio [Brunello Rondi, 1963]

[lottereinigerforever]

Cannes 2019 last days by Julien Mignot, Paolo Verzone, Greg Williams & Cyril Zannettacci

[valleyboypta]

Inherent Vice (2014) | dir. Paul Thomas Anderson 

Doc could never figure out what Shasta might’ve seen in him, besides being just about the only doper she knew who didn’t use heroin, freeing up a lot of time for both of them. And it wasn’t any clearer about what had driven them apart either. They each gradually located a different karmic thermal, watching the other glide away into different fates. Does it ever end? Of course it does. It did.

[driflloon]

yumi lambert for vogue portugal july 2018

[roserosette]

Jane B. for Agnès V., 1988, Agnès Varda

[cinemuki]

Through a Glass Darkly (Såsom i en spegel) (1961) - dir. Ingmar Bergman

My life is my work and dedicated to my love for you.

[365filmsbyauroranocte]

[hiamabbass]

Olivia Colman photographed by Philip Montgomery for The New York Times Magazine

[chipsandbeermag]

[filmhall]

Romy Schneider in L'important c'est d'aimer

[bongjoonhoe]

Let’s go to the other side. The view will be better there.

Cold War (2018) dir. Pawel Pawlikowski

[collinear]

You can make it disappear as if it never existed.

Burning (2018) dir. Lee Chang-dong

[052399-archive-deactivated20181]

I always know where I am by the way that the road looks. Like I just know that I’ve been here before. I just know that I’ve been stuck here, like this one fucking time before, you know that? Yeah. There’s not another road anywhere that looks like this road - I mean, exactly like this road. It’s one kind of place. One of a kind. Like someone’s face… like a fucked up face.

My Own Private Idaho (1991) dir. Gus Van Sant