Help Kickstart the Hexer Dusk indie graphic novel by Jan Duursema & John Ostrander! Thanks! https://www.kickstarter.com/projects/313324911/hexer-dusk http://thndr.me/39Y88h

if i look back, i am lost
Alisa U Zemlji Chuda
Xuebing Du
2025 on Tumblr: Trends That Defined the Year

Love Begins
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Mike Driver
Not today Justin
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Lint Roller? I Barely Know Her
art blog(derogatory)
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he wasn't even looking at me and he found me

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@awaveblueworld
Help Kickstart the Hexer Dusk indie graphic novel by Jan Duursema & John Ostrander! Thanks! https://www.kickstarter.com/projects/313324911/hexer-dusk http://thndr.me/39Y88h
A RESPONSE TO SEX, SUPERHEROES, AND “CENSORSHIP”:
I like sex.
Just to emphasize, so it’s extra creepy…
I’m very, very pro-sex over here.
I’m sure you are too. You’re human after all. At least I hope you are. Otherwise the twitter spam bots have won. Either way, be you flesh and blood or marketing algorithm that just sputtered out your first auto-tuned bleep bloop of sentience, if you enjoy comic books— I think what I have to say next holds.
See call me crazy but as much as I’m in favor of sex and it’s right to be expressed, I feel there is a time and a place where the sexual desires of a reasonable facsimile of a full grown adult don’t and should not matter. One of those places being when they’re applied to the characters young people read, or look up to, or project their own burgeoning fantasies on. Characters like the bulk of superheroes. Characters that much of my life is spent working on.
And yet for as seriously as I take that outlook, I still wrestle with the impact my sexual interests and desires have on my life and my work. Oh I’m not cutting my ears off for prostitutes or anything. Or really judging you if that’s in your thing. I’m even okay if you do it dressed as Batman and Robin when y’all do. But hey I think about sex. I act on it too. I feel and consider the consequences and rewards of both. Even when I misstep. Sometimes ESPECIALLY when I do. Because whatever the motivation is— guilt, self preservation, honest to go hope for the future— I think I should. How I feel about sex is very much a part of me, and of my self expression. And the fight against muting or dulling that self expression is part of what being an artist is.
Yet for all my choices, my flaws, and fetishes, and obsessions and desires— I have had the time, freedom and experience to determine for myself what I want of those outlooks and of myself to reflected in both my art and my entertainment.
Most young people have not.
And like it or not superheroes, are inherently appealing to them. They’ve been marketed that way since their inception and still are to this day. Even when the content has said other wise. Don’t buy it? Well young folks do. In the form of toys and video games and underroos. And yeah even sometimes as comic books.
So that’s the big problem. You’re not just selling sex when you draw a superhero or all ages character in an X-rated pose. You’re shaping an impression. You’re making a judgement call on what is of value. And in that position, for once in your life you’re not just any jerk. You’re the person that has the power to mold their favorite characters. You’re not just telling the audience what you value, but what they should value too.
Yeaaaaah. It’s a mind fuck creatively and a minefield professionally, I know. And it’s not just sex. It’s violence. It’s challenging ideas of all shapes and sizes. It’s a hazy and nuanced line. And so much of navigating it is just stupid, raw, gut instinct. Art’s subjective y’all. In all it’s shapes and forms. I mean some of y’all still think Ed Hardy is couture. Y’all know who you are.
But the key, I feel, is to accept that a lot of why we push against boundaries creatively is because we know they exist. Because we think it’s taboo to do so. When really it’s often just frustration. See, a lot of us work on Superheroes for hire. And like any job the need to project something of yourself into your work is always there. The need to leave a mark. Even the most popular and best paid among us feel that sting from time to time. That makes it very difficult to keep in mind that who we WANT to read and accept our work, is not always who does. Most of the time it’s the audience you don’t want or expect that seeks you out.
And no, I’m not saying you can or should keep sex from young people. Or erase it from art. It’s a lie to think you can. It’s indecent even. Besides kids are too smart not to know it’s missing. They’re built to seek it out. Because they see it everywhere else. They’re awash in it from birth.
But that IS why we CAN cut back on it. Or at least choose to actually explore it’s power and it’s meaning. Hell maybe even CHALLENGE our audiences to think about it’s effects. We can make it subversive. Because denial, and challenge, and exploration are all SEXY.
Because comics are still a hell of a lot more skillful at stimulating the imagination than just about any other medium. We’re built to do way more with way less. It’s our superpower.
In comics we CAN openly celebrate sex and the physical form without the thin pretense. Without always wrapping it in the costumes we sell to children on Halloween. Not because it’s wrong or perverse to be attracted to such things as a consenting adult, but because we’re aware that a drawing represents something greater than a human being.
Drawings represent ideas. They’re a vessel that viewers fill up with their own thoughts and feelings. To feel them, know them we have to imagine. And we can certainly treat that imagination and those ideas with more respect than very purposeful and public degradation. Especially when they were created with the intent to do the opposite.
And we can do a hell of a lot better than screaming “censorship” and blaming the audience when it boos. We can step back and realize that we’re the ones forcing them to shut their eyes when they walk or scroll past the work we often times actually intended to offend them. They’re not the ones selling anything. And they don’t owe us applause or a career.
See when we put pen to paper we make choices. And I don’t expect that everyone’s choices have to line up with mine. But I’m writing this so that you’re AWARE that my outlook exists. That the my point of view of has reasons and motive beyond just being “sensitive”.
I’m showing you my line, so that when you push across that boundary you’ll know you’ve actually done something provocative, or shocking, or funny, or wrong. Or maybe even brave. Because truthfully that’s not just my line. It’s a line we negotiate as a culture.
Without that line, without the threat of consequence, all the broken back poses and outrageous insults in the world are just boring and expected and sad. That’s because most of the time you’re not even into it, you just think other people will be. And that’s not art. It’s not even titillation. it’s not comedy. It’s not bravado. Because it’s not truly you. It’s fear. And that fear is an offense to your skill, and your talent and your potential.
See if you look around you’ll see that our world has options. More places to tell stories of all shapes and forms than ever before.
We don’t have to shoehorn things into clothes that don’t fit. We have the potential to reach an actual audience that will trip over themselves to buy as much sex and violence and straight up kinky ass spam bot sexting as you can create.
Take it from me, the redneck scum bucket who co-created SOUTHERN BASTARDS. I’m living proof that there IS a way to have your cake and eat it too. To exercise all that stuff that’s pent up and boiling over without trading in on someone else’s formative experience with our medium and our industry.
But it requires effort. And the choice to make one.
-Jason Latour
This past week we held the release part and debut of the Broken Frontier Anthology at Floating World Comics in Portland, OR.
On hand to sign the book were creators Robbi Rodriguez, Mike Lawrence, Justin Zimmerman & Tyler Chin-Tanner.
To read more, check out the full report on the Broken Frontier website.
Next stop on the BF Anthology tour will be Emerald City Comic Con (April 7 -10) and then we’re back in Portland for a signing at Excalibur Comics on April 16.
@robbirodriguez, @mikelawrenceart
TONIGHT is the night! The BROKEN FRONTIER ANTHOLOGY makes its print debut at FLOATING WORLD COMICS in Portland, OR. Join us for a signing with Robbi Rodriguez, Farel Dalrymple, Mike Lawrence, Justin Zimmerman & Tyler Chin-Tanner.
@robbirodriguez @popgunwar @mikelawrenceart @fictiondust
The Broken Frontier Anthology is now officially “in print” as the printed hardcover has now arrived and is filling up my garage.
The book looks great. The pages are really sharp and I can’t wait to show this off to people.
The book debuts tomorrow night at Floating World Comics in Portland, OR. Here’s a link to the facebook event page:
https://www.facebook.com/events/1705502236340013/
We’ll also be at Emerald City Comic Con coming up on April 7 -10, so look for us there!
Next week the Broken Frontier Anthology will be making its print debut at Floating World Comics in Portland, OR.
On hand to sign copies of the book will be creators: Robbi Rodriguez ( @robbirodriguez), Farel Dalrymple ( @popgunwar), Mike Lawrence (@mikelawrenceart), Justin Zimmerman & Tyler Chin-Tanner.
We’ll also have some exclusives available like the limited sketchbook and prints of the cover art.
See you there!
Broken Frontier Anthology Release Party at Floating World Comics on March 23
Broken Frontier Anthology Release Party at Floating World Comics on March 23
The Broken Frontier anthology unites over 50 of the most innovative talents in contemporary comics to share new visions of breaking boundaries and exploring the great unknown. From multiple award winners to the brightest up-and-coming voices, these creators have come together from all over the world to bring you 27 amazing stories about time travel, dystopian deserts, the edges of the universes,…
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Life can give you some ups and downs, but sometimes it gives you such a roller coaster in a single week, that you don’t know if you’ll ever be able to see straight again.
Last week started off AMAZINGLY, with the birth of my obnoxiously adorable son, William, on Sunday. Both he and his mom did an awesome job at the whole childbirth thing, and they’re both still doing great. On Tuesday I was a guest on the live comic book talk show, Comic Book Club, alongside Fabian Nicieza and Jordan White, to talk about our new Deadpool & Cable project, and discuss how wild it is to see so many Super Bowl commercials littered with superheroes we’ve been working on for years, and reading about for years longer. On Thursday I went to see the Deadpool movie with Fabian and Jordan, along with Heather Antos, Manny Smith and some friends, and was blown away by how great a job Ryan Reynolds and Co did, and how true it was to the spirit of the source material. I was also psyched to see Bob make an appearance, which puts me in the rare (but quickly growing!) group of comic authors who have seen characters they’ve created show up on the big screen. Saturday also had a great start, with a signing at East Side Mags with my friend and frequent collaborator Fred Van Lente.
But then came Saturday night. On Saturday night in Hoboken, a fire started a few buildings down the street from us, and quickly spread. My wife Shawna and I grabbed the baby and got out of the house, and watched from across the street as the fire moved from one building to the next, and came roaring out of the windows of the apartment directly next to ours. When smoke started coming from the roof of our building, we left for my grandmother’s house in Montclair. Thankfully, all the inhabitants of the buildings effected by the fire are safe and accounted for.
As luck would have it, the flames themselves had little direct effect on our building, thanks to the hard work of the Hoboken Fire Department on the coldest night of the year, as well as my landlord’s foresight in installing a firewall between the buildings. However, yesterday we learned that because of the firefighters doing their thing, and the amount of smoke that got into our apartment, there will be months of renovation to fix everything and repair the smoke and water damage in the building, particularly our apartment, which was on the top floor where the fire was the strongest. Almost all of our belongings were saturated in smoke, and although some things can be cleaned, a lot of things can’t be, like most of our clothes, books, and anything that belongs to the baby. It’s not healthy to have a newborn in contact with that kind of third-hand smoke. Honestly, when I saw the fire burning only feet away from our own apartment, I’d written the whole place off, so anything that we can recover I count as a blessing. Shawna and Will are safe, and that’s the most important thing.
Insurance will help us out a bit, but not enough to cover everything that needs to be cleaned, everything that needs to be replaced, as well as the moving expenses. I’m confident that we’ll figure something out one way or the other, but for the people who have asked how they can help, I’ll humbly direct you toward my art dealer’s site, www.AnthonysComicBookArt.com/artistgalleryroom.asp?artistid=1172 – a few extra sales there could go a long way. Also, I have a number of comic conventions and appearances coming up this year, and if you have a mind to get a commission from me, contact me through my website, www.ReillyBrownArt.com , with the name of the convention and the word “commission” in the subject line and I’ll put you on a reserved commission list. The money from those commissions will mean more to me now than they will at the time of the show. Also, I started an online Gumroad store, where I’ll be selling my convention sketchbooks, SKETCHES: THE ART OF REILLY BROWN vol 1 and 2, as downloadable PDFs for whatever price you wish to pay. Even if it’s just a dollar, every little bit will help. https://gumroad.com/reillybrown
Thanks everyone, I appreciate your support now, as I have over the years. One way or another, I’m sure everything will work out for the best.
The printing proofs for the Broken Frontier oversized hardcover are in! This is what 312 pages of proofs look like.
Sorting through some pages from the cover by Robbi Rodriguez and some stories including:
Dark, Dark World by Cullen Bunn @cullenbunn & Nathan Fox
In the Night, Mountains Grew by Marguerite Bennett & Varga Tomi (@vargatomi)
The Wreck of the Vesalius by Steve Orlando & Yaroslav Astapeev (@yaroslavers)
Phantom Limb Ghostpuncher by Greg Pak & Tom Raney
Stranger Than Fiction written by me with art by Ayşegül Sınav (@fictiondust)
The Wall with art by Toby Cypress (@tobycypress )
Flyer by Justin Zimmerman & Mike Lawrence (@mikelawrenceart)
Kismet: Man of Fate by A. David Lewis & Noel Tuazon
The Beard by Fred Van Lente & Alison Sampson (@alisonsampsonart)
Here are the final cover images for both the @brokenfrontier Anthology and the sketchbook that goes along with it. Both images are by @robbirodriguez and designed by Nicola Black Design, L.L.C.
The last few days have been super busy finishing these up, but it’s all been worth it as the files are at the printer as well as ComiXology meaning we'll have print and digital available in just about a month. The only snag I ran into was sending the pdf files directly to backers. Turns out dropbox wasn't psyched about the file size or amount of traffic. Been working through that and it’s going much better now. Frederik Hautain and I want to thank @nicolasays & Thomas Mauer for their amazing design/production work. And of course all the creators who I'll tag in future posts as we have more announcements. And most of all, thank you Wendy Chin-Tanner, Moo and Juice for putting up with some very busy nights. More soon!!!
Special Guest: Matt Furie
Linework NW is delighted to announce our first Special Guest of 2016: Matt Furie!
Matt Furie is a prolific illustrator, cartoonist, animator, and fine artist. His intensely detailed and pop-inflected art has been exhibited at Fecal Face Gallery, Giant Robot, New Image Art, 111 Minna, The Showcave, and many more.
His comics and books include Boy’s Club, Dungeon Family, and the children’s book The Night Riders (McSweeney’s). He is also the creator of Pepe the Frog, the character that sparked a 1000 memes.
Linework NW is proud to announce that Fantagraphics will be premiering the long-awaited Boy’s Club collected edition at Linework NW this year!
“Punk” Storm commission
Julia Gfrörer did this amazing Mohawk Storm commission for me. It came out looking great!
Interview with artist Scott Godlewski and I (via VERTIGO’s THE DARK & BLOODY Brings Southern Gothic Style To Kentucky By Way Of Iraq)
Don't forget to pre-order The Dark & Bloody from Vertigo. This book looks so good!
Broken Frontier announces its 2015 Award Winners! So many incredible comics and creators are honored here including:
Best Writer: Jeff Lemire
Best Artist: JH Williams III
Best Colorist: Jordie Bellaire
Best New Series: Midnighter by Steve Orlando and Aco
Best Limited Series: Lady Killer by Joelle Jones & Jamie S. Rich
Best Graphic Novel: Death of the Artist by Karrie Fransman & Jonathan Cape
Plus more! Check out the full announcement: http://www.brokenfrontier.com/broken-frontier-awards-2015-image-nobrow-jonathan-cape-avery-hill-publishing-drawn-and-quarterly-dark-horse/
PUNKROCK* JAZZ update: Just wanted to let people know that tobycypress has finished all the sketches for the preorders of his artbook and is now ready to take new orders if anyone still wants a copy. You can get the book on its own for $25, or signed with an ink sketch for $40. Available now at A Wave Blue World.
I also wanted to give you an update on the story that Toby and I are working on for the Broken Frontier anthology called, THE WALL. Here’s the hand drawn logo and page 3. The 10 page full color story will be available only in the Broken Frontier anthology, available for preorder here.
Finally finished up my interview with outofsteparts artist tobycypress at spx! Check it out!
tobycypress is interviewed at SPX. Check out the video!
Omega Men #4 with art by Toby Cypress
Available 9/2 from DC Comics
Be sure you come see Toby at the OOSA booth at SPX September 19-20th.
Hey Everyone,
Don’t forget that Omega Men #4 with art by tobycypress comes out today. Toby drew the variant covers for the first 3 issues, and comes on board with the interior art for this issue.
Be sure to pick it up!