Leads the world ahead!

What I see when I look ...

[japaneseaesthetics]

Katsushika Hokusai: One Hundred Views of Mount Fuji, vol. 2, 1835

[japaneseaesthetics]

Ohara Koson: Diving Mallard, ca. 1910

[yama-bato]

Krajina na Jižní Moravě

Karel Otto Hrubý

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[pointandshooter]

Janet Echelman, 1.8 Renwick, 2015, knotted and braided fiber with programmable lighting and wind movement above printed textile flooring, 96 x 45x 40 ft., Smithsonian American Art Museum, Museum purchase made possible by the American Art Forum, 2017.7, © 2015, Janet Echelman

photo: David Castenson

[pointandshooter]

[japaneseaesthetics]

Ohara Koson: Small white egret

[japaneseaesthetics]

Hasui Kawase: Rainy Season at Ryoshimachi, Shinagawa, 1931

[gacougnol]

Manolo Mantero

Le Refuge

[japaneseaesthetics]

Hasui Kawase: Hakuhō Castle, Ueno, Iga. 1951

[japaneseaesthetics]

Utagawa Kuniyoshi: Nichiren going  into exile on the island of Sado

[japaneseaesthetics]

Tsukioka Yoshitoshi: Heron Maiden, April 1889

[iamjapanese]

Judith Bergerson（American）

Shoreline 2 acrylic/Stabilo 8008/ Graphite/colored pencil on 16″x 16″ stretched canvas via more

[japaneseaesthetics]

Katsushika Hokusai: The series Eight Views of the Ryukyu Islands

[photoshamanism]

Light bathing

[japaneseaesthetics]

Hu Sanniang from Water Margin, by Utagawa Kuniyoshi, 19th century

[fujiwara57]

New Designs for Applied Arts, créées par Tanaka Yohu et publiées par Yamada en 1892. 

[sandmoonyelse]

Cold Hours