Linda Pastan, The Months
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Linda Pastan, The Months
https://www.instagram.com/p/B9p-MTAnkfG/?igshid=1nuyo0g251ecw
/room_ferment/
âSome writing doesnât brush up against sentimentality as often as other writing. But whatever âbadâ edge your writing brushes up against, I think itâs important to touch it. You can always pull back from it, but at least you know where it is. Itâs like when I was a dancer, we were always encouraged to fall in rehearsal, so that you could know what the tipping point of any given movement was. That way, when you did it on the stage, you could be sure you were taking it to the edge without falling on your face. It sounds like a clichĂŠ, but really itâs just physics â if you donât touch the fulcrum, youâll never gain a felt sense of it, and your movement will be impoverished for it.â
â
Maggie Nelson, in response to âIs it important to risk sentimentality?â in an interview with Genevieve Hudson for Bookslut (via arabellesicardi)
Always, still, misquoting this in my head.Â
(via durgapolashi)
âWe donât know what madness is.âÂ
 Nostalghia (1983) dir. Andrei Tarkovsky
Flor GardunĚo, El arbol de Yalalag, Mexico, 1983.
o0bb_b
Hiroshi Yoshida (Japanese, 1876-1950) -Â Otenjo, 1926Â