Diamanda Galás performing at St. John's Cathedral, New York City. Photographed by Ebet Roberts, 1990.
The Bowery Presents
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Game Changer & Make Some Noise
hello vonnie

roma★
Keni
🩵 avery cochrane 🩵
𓃗

oozey mess
occasionally subtle
Today's Document
Interview Vampire Daily

PR's Tumblrdome
$LAYYYTER
Cookie Run:Kingdom Official!

❣ Chile in a Photography ❣
Xuebing Du
Show & Tell
NASA

ellievsbear
seen from Slovakia
seen from Spain
seen from United States
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seen from Canada

seen from India

seen from United States
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@baalhisses
Diamanda Galás performing at St. John's Cathedral, New York City. Photographed by Ebet Roberts, 1990.
Naked Killer (1992)
Clarence Yiu-leung Fok
Nitzer Ebb at the Technoclub, Frankfurt, Germany 1989
Medea (1969) // dir. Pier Paolo Pasolini
WRAPPED BOUQUET OF ROSES
CHRISTO 1969
Every time some fash posts about Real Art vs Duchamp's Fountain it's like lol that urinal has been kicking your ass for a hundred years
Marcel Duchamp kicked the bucket 55 slutty, slutty years ago and you can't get him out of your head. You're half as old as he is dead and you are worshiping at his altar, you are drinking his piss. He won.
James Van der Zee
Maison Margiela spring 2024 couture
@georgiapeach30513
Makeup on candle wax 😍
Maison Margiela Artisanal 2024 by John Galliano, show on 25 January 2024.
Maison Margiela |Spring Summer 2024 Haute Couture
Pat McGrath Makeup for Maison Margiela by John Galliano SS24
Birth of the Antichrist from a dying woman via a caesare, 1475
Was I just some stupid fag who died of AIDS, or was I this troubled boy who never became a minister, and who lashed out and rebelled, and then in between took drugs and had promiscuous sex and contracted a disease and died? It's this frenzy to make it bigger, to make it more, to make it mean something... I see myself as being akin to a teenager slashing at myself. It has finesse but it's a temper tantrum.
Ron Athey, in Which As You Know Means Violence: On Self-Injury as Art and Entertainment - Philippa Snow (2022)
Sevillian School Head of St. John the Baptist
Polychrome terracotta, 27 x 20 x 20 x 16 cm; 4 x 45 x 31 cm (base), 18th century
pietra dura onyx cross and locket, 1860-70