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Professor Griff speaks on Prince Death, Beyonce, and The Fear of a Conscious Music Artist
DC Talent Development Workshop
âIf you have ideas for characters as iconic as Batman, Wonder Woman and Superman, stories that will inspire generations of readers for years to come, and the chops to work for the longest-running publisher of comics, then you want to apply for the DC TALENT DEVELOPMENT WORKSHOP.â
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https://www.instagram.com/p/BFBBsy8LzX_/ đâ€ïžđ @sweet.v3 wearing a custom lace choker. We currently have a one-off black lace choker on our website, head over to check it out! đč by hotepboutique Find a Black Yoga Teacher http://www.blackyogasuperstars.com/
Without memories, the future is impossible, not because the past can predict what will happen, but because it allows us see the movements and paths that we have unwittingly taken. It is memory that allows our stories to be recorded, to be written. Writing is itself a form of memory, as are visual records. From stone carvings to videodisks, people have always attempted to mark their passing, the movements of which they were a part. Yet, memory is itself always moving, changing one thing into another.âTeshome Gabriel
Teshome Gabriel, Ethiopian-born American cinema scholar, longtime professor at the UCLA School of Theater, Film and Television, and expert on cinema and film of Africa and the developing world.
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Natasha Ndlovu. London, September 2015. Photo by Anna Sandul.
LOLAWOLF - THREE AMERICANS IN LONDON âI just want to make music that makes me and other people want to dance.â says ZoĂ«. For Jimmy, is something around âWhen I was younger I wanted to make music that I liked right now; now I want to make music that Iâll like in  years.â James adds âThereâs nothing phony there, itâs got to be from the heart.â Photography by Zoe Lower & Words by Luna Cohen-Solal.
Iâve always been told to hide my curves. Not today, not today
New Post has been published on http://jamsphere.com/reviews/ptah-heru-golden-baby-pro-righteous-kingz-beams-with-emotion-diversity-substance-and-rich-production
Ptah Heru & Golden Baby Pro: âRighteous Kingzâ beams with emotion, diversity, substance, and rich production!
Coming out of Texas, is the Hip Hop artist Ptah Heru (Born in Houston, TX) and Golden Baby Pro (Born in Austin, TX) with their collaborative project âRighteous Kingzâ. Ptah Heru and Golden Baby Pro first met during their college years at University of Houston and have been pushing forward as artist ever since. Not since the golden age of hip-hop has a duo consistently and persistently produced truly classic, meaningful, hip hop as Ptah Heru & Golden Baby Pro on their 16-track album, âRighteous Kingzâ.
Here they deliver the raw essence of real hip-hop that not only uplifts but instills a powerful sense of belonging to something much larger than the hip-hop itself. The beats and lyrics roar across the airwaves right into your soul.
Ptah Heru & Golden Baby Pro equals an explosive combination, which is exactly what this album is: Explosive. The production on here is amazing and some of the most creative beats heard on any recent hp-hop album. Front to back the production here challenges works on par with the best producers in the world â underground or mainstream.
Sometimes epic, sometimes funky or soulful, there is lots of world music, ambient and jazzy sounds injected into these sonics which are very organic and warm. Pianos, strings, horns and guitars abound, along with the usual synths and drum beats. Hardly have I heard a hip-hop album this ambitious musically.
If only more people would open their minds and see that real hip-hop is not who has the most money, or who is pushing the nicest car. Hip-hop is about a microphone and the words that are spit into it. Almost every single track on âRighteous Kingzâ is a classic, with memorable melody and unforgettable lyrics.
Days after hearing the album in its entirety, I can still recall all the intricacies and most of lyrics of each track. This is one of those albums that you throw in and just let it ride. No need to skip tracks. Whatâs the last album you could actually say that about?
As long as groups like Ptah Heru & Golden Baby Pro represent it, the underground will never die. And thatâs exactly what I want to hear, underground rap and not the fake commercial radio hip-hop stuff. The problem is its really tough to hear underground recordings with major league production quality.
âRighteous Kingzâ could be a masterpiece from the music vibes alone. Every beat is truly noteworthy. And then when you switch over to scrutinize the lyrical depth, the results are just as mesmerizing.
Ptah Heru & Golden Baby Proâs lyrics are razor-sharp, the words are sure to penetrate your mind, and keep you listening. The duo switch between smooth and visceral flowing, each style perfectly complimenting the elegant beats, and together, the duo create an album that, while shifting between dozens of moods, and concepts, is as cohesive as anything thatâs come before, or will come after it.
There are 16 tracks on this album, and I can say without hesitation that each track is gold; something I donât believe Iâve ever been able to say about an album with such an exceedingly long track-list. If I had to choose just 5 tracks that left a lasting impression on me it would have to be, âSign Of The Timesâ, âStrangeâ, âSideways Sittin Crookedâ, âRighteous King Visionâ and âFrom The Mud To The Starsâ.
There isnât a single misstep taken by Ptah Heru & Golden Baby Pro, and no track overshadows the next, or falls below the standard set by the previous track; this is not just consistently dope, but as flawless as a hip-hop album can essentially be. âRighteous Kingzâ beams with emotion, diversity, substance, and rich production that encapsulate all that is hip-hop or should be. It is an essential recording.
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