“I don’t give a shit what you are,” Vivienne responded quickly and coldly. “And I don’t care what you want. This place is not meant to cater to you, it was created to cater to people like me. You have no rights, no say in anything,” she snarled. The vampire was extremely stubborn when it came to her feelings, she never admitted to anything that wasn’t her being rude to someone. She knew deep down she thought the girl before she was gorgeous and she wanted to have a taste, but she wouldn’t give in to her desires yet.
“You seem to not know a lot of things. It’s probably because of that hollow head you have, no brain to catch information. It just goes through one ear and comes out of the other,” she said before grabbing the brunette’s wrists through the bars, “If you like to kiss the pain better then I suggest you prepare your lips because I’m about to make this evening unbearable for you,” she whispered to her before motioning for the guards to open her cell.
When the woman begins to fling insults, she has to blink.  Blink: again and again.  As if her eyelashes might catch the tears that threaten to spill forth and run down her cheeks—she does not have the words to fight back, and for a moment she begins to believe them.  Believe them: because who is she to assume what this place means, who is she to know that sort of rights that are intended for the whole of humanity here.  She wants to say—this isn’t right—but instead she keeps her mouth closed, bites down on her lower lip and gnaws at it with her teeth.
She feels embarrassed, but she also feels on fire: her cheeks are flushed, her breath is coming heavier now. Â She feels shame, but she revels in it. Â (Like she needs this from the woman, like she yearns to be belittled.)
“But you’re wrong,” she finds her voice again, “you’re wrong because I’m smart, because I’m kind, because I have a head full of creativity.”  It is bold, and she knows it, but she isn’t ready to give in to the voice in the back of her head.  (The voice that says: you need this, you need to be ruined.)
When the door begins to open, she moves back so that her spine is pressed against the furthest wall, eyes wide at the woman—she is scared, she is in terror.
“I promise I won’t ask questions, I promise I’ll do whatever you want if you... Can’t you see, that your heart is too kind for this?” she tries, resorting to what she knows—resorting to what makes her feel comfortable here.