(finishes watching 3-Z ginpachi sensei) the problem with yaoi is it's not enough of a clown show
year two of play

shark vs the universe
Misplaced Lens Cap
cherry valley forever
2025 on Tumblr: Trends That Defined the Year
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art blog(derogatory)
tumblr dot com
trying on a metaphor

Origami Around
Monterey Bay Aquarium

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Kiana Khansmith

if i look back, i am lost
I'd rather be in outer space 🛸
TVSTRANGERTHINGS

#extradirty
Aqua Utopia|海の底で記憶を紡ぐ
Three Goblin Art
almost home
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seen from Poland
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@bacchuschucklefuck
(finishes watching 3-Z ginpachi sensei) the problem with yaoi is it's not enough of a clown show
year two of play
for the merciful
wave-pattern
this comic could have been a text thread dot png
transcript:
heiji's eyes in your art style are everything to me
thank u he is my most beautiful son. souvenir picture of him
what kind of favorite food is "barbecue" lmao
(finishes watching 3-Z ginpachi sensei) the problem with yaoi is it's not enough of a clown show
Twice-Rended Heart's Tale
hello, this might be a weird compliment, but I really like how you draw Conan's glasses in your au. I like how the light reflects off it.
hey thanks! i love drawing glasses lol. funny enough the kaidou's shades are supposed to obscure even more of his face than conan's glasses would but i also love drawing facial expressions focusing on the eyes so i have quite literally set up a wile e. coyote trap for myself
Hello! I found your detective Conan art and it looks really cool! It seems like you have made an AU out of it? It all seems like to have the same tag rice wine dead.
May I ask more about this rice wine dead universe ? I would like to know more about this. :)
hi,
in all this first you must know about justice pao (1993) and the idea of a period procedural show. but bacchus chucklefuck, you'd say, that sounds preposterous. what procedure was there to procedural about in early song dynasty? i would then nod and say, yeah, that is really interesting isn't it. the main character was the Best one they ever got back then and man was like "a murder must be paid with a murder". he had three different guillotines in court for three social classes. he's canonically a bodhisattva. i fucking love that show, because it is so incredibly aware of what it's peddling, how the stories it tells ram up against the ceiling of their context, and how "justice" is actually built and constructed and the people who built and constructed "justice" will keep affirming their vision continually every day. it is also the most procedural a show can ever be. it's like columbo. you usually know who did the thing right as the episode opens, and the main cast's involvement is mostly in legwork investigation and court play, and it's light on forensics but pretty damn heavy on clerical fraud which i adore. turns out there were so many procedures but also a few you'd think are crucial to a judicial system weren't there at all, and all of it actively plays into how cases are solved and sentences are handled in the show. it's a show that is very, very, very aware of what it's working with, and it never makes an effort to conceal that. and through that it makes me obsessed with the, like,
physical distance
that created "justice". how small worlds actually are in a physical sense when you don't have a reliable mode of transportation. when roads don't fully exist yet, and your land is too wet and densely vegetated for horses, and every time your child leaves to attend the national exam it can very well mean you'll never see him again. and if you marry your daughter to someone whose hometown is too far away you'll probably never see her again. and if you're a child and you're a currency what chance do you have of leaving? "justice" might be codified into laws that are upheld around the minister's mansions, but you're not gonna be able to send men and horses to every village as things happen. it'll take days if not weeks. isn't that awesome to think about?
the era of detco i enjoyed the most was the early days up until around the vermouth/masquerade ship arc, because instant communication was still novel and limited at that point. i find the logistics of communication and coordination in this era of procedural stuff interesting. rice wine dead is so much about that actually - even the magic is like, there's no trace-back spells or whatever the fuck. you'll never know if this magic is called upon by someone specific unless you catch them in the act or you find evidence of them doing a ritual or whatever. it's around the turn of century, roads are just now being built, it might be the end of your ability to disappear and show up as someone else. right as you can travel and survive on your own the hands that seek might grow big enough to crush you regardless. as you can fathom leaving home, maybe home will expand to catch up to you. meanwhile you'll witness people build "justice" in front of you and you'll try to make whatever that is survivable for yourself and you will succeed or fail.
the other half of rice wine dead is of course about perpetual childhood and the kind of violence we do to children even as we think we're "protecting" them, especially in regards to autonomy, but that's for another time. thank you for coming to my theodore discourse