Ohhhhh yes! Amazing Grace- Tim Eriksen (by batfancy)
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@banjoblood
Ohhhhh yes! Amazing Grace- Tim Eriksen (by batfancy)
Rob Stenson & Vulfmon — Over the Waterfall / Ducks on the Millpond (by Jack Stratton)
Nice clucking!
Quick comparison of my old banjo (a prototype Grafton popular #2, which I love dearly) and the new one - a GoldTone OT800 LN which is just amazing. 3 recordings: Firstly the Grafton, then the Gold Tone with a capo on the 3rd fret to bring it up to the G tuning of the standard length Grafton, then lastly the Gold Tone in its native E.
Not sure the recordings really capture the difference between the two instruments in the same key, in the flesh it's pretty clear, although the Grafton does pretty well, the OT really sings, even with the capo on. However, the power of those lower notes definitely comes through on the open E recording. Played loud and hard in open Em it sounds incredible - some of that to follow
Pete Seeger Banjo Bridge, And Other Stuff (by propinquity5)
Gold Tone OT800 and White Ladye
Couple of days ago I discovered that the main UK distributor of Gold Tone Banjos was right here in Norwich! Have been looking to buy a new banjo for a while now so I headed down there and met Simon at Banjos Direct and tried a few out. I'm specifically in the market for a long neck banjo, and never having never laid my grubby mits on one before before I was quite excited.
I tried out a beautiful Bob Carlin signature BC-350 normal length fingerboard but with a 12" pot. Heavy as a land rover but fantastic bling and a really lovely bright sound. But that was a distraction, albeit a very pleasant one: what I really wanted to do was to compare the two decent banjos in the Gold Tone range which come in long neck flavours, the White Ladye 250 and the OT800, the main differences being a tubaphone tone ring (rather than a white layde) and a bracket band on the OT.
It wasn't a completely fair comparison as Simon didn't have a long neck OT so I was comparing a normal length with a long neck white ladye. However, I assume that the white ladye with a capo at the 3rd fret would be pretty comparable with its normal length equivalent. The White Ladye was lovely, particularly at full length - the depth of sound from those lower notes on the long neck are amazing! It was surprisingly light and sounded woody and rich. I was pretty amazed by it.
But it wasn't a patch on the OT. As well as feeling a bit sturdier than the White Ladye it felt tighter and more responsive somehow, and whilst it still had the richness and depth that the White Ladye had, it had so much more. It was wonderfully bright sounding, with so much attack, all the plunk and twang you could wish for and bags of sustain. It was so powerful played hard that all the other instruments in the shop were resonating as I played. Long story short: I loved it, so I ordered a long neck one! Hopefully will be here within the month.
One postscript to this. My current banjo is, I believe, a prototype of what is now the Grafton Popular #2 that I got from Andy Banjo 3 and a half years ago. Certainly it looks near identical, with a single cast alloy pot, which also acts a a tone ring. As detailed in an earlier post I tightened up the head over christmas so it was sounding near it's best when I took it along to compare it to the Gold Tones. And it really held it's own. Not as lovely sounding as either of them, but also not sounding like it was between only a quarter and half the price of those models. Where it lost out was in the depth of the sound, but I'd say it probably beat the White Ladye on brightness and plunk. No frills, but a great banjo that I will certainly continue to play. Hard as nails too, as I can testify having bashed the crap out of it at various gigs over the past year!
One nice sounding banjo. Hopefully going to get play a long neck one tomorrow
Ducks on the Millpond (by GoldtoneInstruments)
All the scales, modes and compatible chords...
... in a range of tunings. Bang on!
http://www.musicopedia.com/scales/0-banjo.php
really useful tool
Christmas banjo maintenance
Christmas presents of a new banjo stand and strap from my lovely wife Lisa, combined with having a bit of time to spare over the past few days inspired me to do a bit of badly needed banjo maintenance. As well as being filthy (including blood splatters on the head from where I've shredded my frailing finger!), the head is 4 years old and the fibreskyn covering has delaminated from the plastic and is tearing off in pieces. A new one is badly needed! I've been putting off getting a new one as I worried about putting my banjo out of action for an extended period. The reason being taht I needed to dismantle the pot to get the head off so I could measure it. In the end it only took about half an hour to get it off (and an hour to get it back to playable condition afterwards, so I could have done it ages ago without too much worry.
Anyway, I've ordered a new head, but I would certainly have mis-measured and ordered the wrong size were it not for the great little diagram from eagle music, who are brilliant and really helpful (http://www.eaglemusicshop.com/products.asp/SubcatID/237/banjo-heads-vellums.htm):
Note that the diameter of the head is the INTERNAL diameter of the metal band! New head on order so I'll let you know how it goes. However, just taking the old one off, cleaning off the loose fibreskyn and putting it back on nice and tight has made a world of difference to the sound of my banjo - it's both brighter and twangier. I had the feeling that my banjo had been sounding more like a guitar than a banjo, and that has been well and truly remedied. Can't reccommend a good head tighten enough. The head had obviously been too loose for ages - I'll be less sheepish about tightening up the new one and keeping it nice and tight.
This is video (the first half of it at least) is what inspired me to learn the banjo - Peggy Seeger on the BBC's excellent Folk Britannia, which is well worth a watch, even if you aren't a geeky folky like me! Can take or leave Pete Seeger in the second half myself. He's kinda the American Ewan Macoll - huegly important figure in the folk revival, but not massively cool or great. He did share a flat with Woody Guthrie and Leadbelly, which is about as cool as it gets :-o
Not a proper banjo (!) but lovely vibe on this secret session vid
Fiddle wisdom from Dave Swarbrick! (by BrightYoungFolk)
This blows my mind. As I'm mostly a frailer I'm way behind on all this business.
Banjo Lessons - Syncopated Forward Roll. (by robbourassaguitarist)
Dead pleased with this
How Do I Love Thee? by The Penny Bloods (by PennyBloods)
Hells yeah. These guys are AMAZING