Screen print and block print from workshop
I'd rather be in outer space 🛸
Sweet Seals For You, Always
dirt enthusiast
Stranger Things
Not today Justin

Discoholic 🪩

JVL
almost home
noise dept.
KIROKAZE
we're not kids anymore.

Andulka
let's talk about Bridgerton tea, my ask is open

Product Placement
Xuebing Du
Lint Roller? I Barely Know Her

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Today's Document
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Peter Solarz
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@bat-tigerstuff
Screen print and block print from workshop
Figure drawing drop in session
Figure drawing drop in session
Portland, Oregon by petitechelle
“Sunshine (proof)” - 4-color (CMYK) intaglio (drypoint on plexiglass), 10inx8in, with photos of the print process
For our new exhibit curated by Allison Fischbach, “1876 Centennial Exhibition Chromolithography Proofs,” Meredith Moore scanned and animated a few of the proofs to show the different stages involved!
Developed in the 19th century, chromolithography, or “chromo-printing,” was a color printing method that used multiple flat stones or zinc plates to apply layers of color to a print. The process was incredibly labor intensive and high quality prints could take months to produce. Printers and shop workers were highly skilled in all aspects of development, from applying images to plates, to etching, to printing final proofs.
Contained in this very special volume, Treasures of Art, Industry and Manufacture Represented in the American Centennial Exhibition at Philadelphia 1876 Proof Book (T825 .P45 N678 1876 Cage) are proofs outlining the entire printing process from base layers of color, to fine detailed highlights. Developed for the 1876 American Centennial Exhibition in Philadelphia, this collection was printed by Cosack & Co. of Buffalo, N.Y. In the preface editor C.B. Norton explains the impetus for this commemorative collection was to show items of art, industry, and manufacturing presented at the exhibition from countries around the globe.
Check out the exhibit June 13 – July 30, 2016!
Drawings from an old sketch book
Vatican Museums (Part 1)- Rome, July 2015
Artist & Illustrator:
Maya Pixelskaya
“Anna Pavlova”
Pencil on Paper
linoleum block print of all animal people blocks. No actual carnival just a print. Required lots of carving out linoleum
Just framed these drawings. #111franklin #newyorkacademyofart #nyaa #newyorkartist #asianartist #ink #inkart #inking #inkartist #inkdrawing #drawing #art #artist #brush #sumi #sumiart #sumiink #sumiinkdrawing #artfair #abstract #asianart #abstractart #expressionism #impressionism #figurative #figuredrawing #figurativedrawing (at New York Academy of Art)
A Very Long Engagement with Etching.
Semester two project, Dara Mcgrath. 15/3/16
Process of reduction woodcut. Started with print idea then worked on woodcut. Cutting out white spaces first then other light colors till leaving darkest colors last.
DOMESTICATION OF A PYRAMID ( VIENNA - BERLIN - WARSAW )
by Magdalena Jetelová
Second color proof of Pletikosa (Hagar in the Wilderness), hand-printed in eight colors from four interchangeable color blocks on Kozo Okawara, and produced at my studio at ulica Szeroka-Kazimierz.
PRINTS!
1 - Drypoint on anodized aluminum plate based on photo from street in portugal
2 - batman print, drypoint on plastic plate with chine colle and monoprint. from my favorite batman comic the dark knight returns
3, 4 - chine colle with drypoint on copper plate and monoprint. Playing with geometric patterns