oozey mess
@theartofmadeline
Origami Around
Claire Keane
Discoholic šŖ©
Mike Driver
ē„ę„ / Permanent Vacation
Monterey Bay Aquarium
Sweet Seals For You, Always
Love Begins
One Nice Bug Per Day
JVL
#extradirty
Three Goblin Art
Misplaced Lens Cap
Not today Justin
d e v o n
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izzy's playlists!
JBB: An Artblog!
seen from Argentina
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@baudelheiress
š»š¾š¾šŗ š°šš°šĀ ! !Ā Ā Ā āĀ Ā [Ā ā¦Ā ]Ā Ā independentĀ &Ā exclusiveĀ blogĀ forĀ violetĀ baudelaireĀ ofĀ aĀ seriesĀ ofĀ unfortunateĀ events.Ā nearlyĀ entirelyĀ novelĀ basedĀ withĀ minorĀ pullsĀ fromĀ theĀ onĀ -Ā screenĀ adaptationsĀ asĀ wellĀ asĀ someĀ originalĀ takes.Ā Ā portrayedĀ byĀ chasen.Ā [Ā ...Ā ]Ā šššš¢ššššĀ āĀ Ā šššššššššĀ āĀ šššš
i said it before and i'll say it again, handler's obsession with lolita is so woven into asoue
Rentre Gaia dress
SzĆ©p leĆ”nyok, ne sĆrjatok! (Donāt Cry, Pretty Girls!) - MĆ”rta MĆ©szĆ”ros - 1970 - Hungary
secret thoughts of flying animalsĀ
Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980
stranger things s4 starters
ā how are you feeling today? ā Ā ā what have you done? ā Ā ā you speak of monsters, superheroes. thatās the stuff of myth and fairytales. ā Ā ā are you stalking me or something? ā Ā ā i know itās a lot of blood, but youāre going to be okay. ā Ā ā itās like youāre not even here anymore. itās like youāre a ghost. ā Ā ā i can only help you if youāre truthful. if you open up to me. ā Ā ā itās okay to not be okay. ā Ā ā even with it staring you in the face, you canāt admit it. canāt admit youāre wrong. ā Ā ā itās just scary to open up like that. to say how you really feel. especially to people you care about the most. ā Ā ā i think maybe a part of me died that day too. ā Ā ā it looks like a fairytale. a dream. ā Ā ā everyone looks at me likeā¦like iām a monster. ā Ā ā you start to believe all the things they say. that this place is cursed. ā Ā ā do you ever feel like youāre losing your mind? ā Ā ā look, iām just trying to turn that frown upside down. ā Ā ā this year is my year. i can feel it. ā Ā ā iām afraid you can become lost in the darkness. ā Ā ā why do you keep pushing me away? ā Ā ā i want today to be about me and you. ā Ā ā if they wanna find out who you are, they will. ā Ā ā please, just go away. ā Ā ā only by facing all of ourselves, the good and the bad, can we become whole. ā Ā ā i play that moment back in my head all the time. ā Ā ā so much has happened since you left. ā Ā ā did i survive? no, i assure you, i am still very much in hell. ā Ā ā you are scared. youāre tired. you are injured. ā Ā ā youāre not what i thought youād be like. ā Ā ā i just want to say thanks for saving my ass back there. ā Ā ā hey, we donāt need to do this. ā Ā ā you think because you demonstrate some talent that youāre somehow immune to the rules? ā Ā ā why is this on me? why am i the bad guy? ā Ā ā never tell me the odds. ā Ā ā i donāt even know how to describe it. iāve never seen anything like it. ā Ā ā thereās nothing to worry about. okay? ā Ā ā sorry. didnāt mean to scare you. ā Ā ā now, where does it hurt? ā Ā ā this place and the people here are not what you think. ā Ā ā i am different. i do not belong. ā Ā ā so, um, are we just not gonna talk about it? ā Ā ā just try to take some deep breaths. ā Ā ā if i show you something, you wouldnāt tell anyone, right?Ā ā Ā ā people just change, okay? thatās it. ā Ā ā you gotta stop pretending to be someone else. ā Ā ā i was so excited to see you, it was hard to breathe. ā Ā ā iāll smile as i watch them die a slow, agonizing death. ā Ā ā thirty seconds or i leave without you, okay? āĀ Ā ā well, well. arenāt you a sight for sore eyes? ā Ā ā iā¦i didnāt mean to scare you. ā Ā ā looks like itās gonna be up to us again. ā Ā ā iām sorry. iām having trouble understanding any of this. ā Ā ā i believe you are our best hope. our only hope. ā Ā ā youāre bright red in the face right now. ā Ā ā i think itāll be easier if weāre a team. ā Ā ā you canāt run from me. ā Ā ā weāre running out of time here. the world is running out of time. ā Ā ā everyone i love, i hurt. ā Ā ā you donāt even seem nervous. iām impressed. ā Ā ā what if iām not good? what if iām the monster? ā Ā ā do you flee or stand your ground and fight? ā Ā ā in dark days like this, we need something to believe in. ā Ā ā what youāve been through, what youāre still going throughā¦itās a lot for anyone. ā Ā ā iām not moping. ā Ā ā thereās not that many. we can take āem. ā Ā ā you remind me of someone. someone i used to know very well. ā Ā ā we have a big fight ahead of us. ā Ā ā so, that is it? you give up, then? ā Ā ā did you get some rest? i have a feeling youāre gonna need it. ā Ā ā itās okay. you can admit it. no more lies. ā Ā ā sounds too good to be true, yes? ā Ā ā youāll have to excuse the staring. youāre a bit of a celebrity. ā Ā ā do you really expect me to believe anything you have to say? ā Ā ā the way you looked at me. youā¦you were scared of me. ā Ā ā small world, isnāt it? itās a small world. ā ā i promise iām gonna stop asking this, butā¦youāre seeing that too, right? ā Ā ā iāve really missed that. your laugh. ā Ā ā i will do anything for you. ā Ā ā you have demons in your past. ā Ā ā you have more important things to worry about. ā Ā Ā Ā ā i actually thought youād be kinda mean and scary. ā Ā ā i donāt want you to go. ā Ā ā iāve given you everything you asked for. iāve compromised my principles. iāve risked my life. ā Ā ā you didnāt think it would be that easy, did you? ā Ā ā or what? are you gonna shoot me? ā Ā ā theyāre laughing. at you. they think youāre weak. ā Ā ā i know. youāre frightened of me. ā ā like i saidā¦weāre alike, you and i. ā Ā ā who knew something so small could cause so much trouble? ā Ā Ā Ā ā you know, i think thereās a part of you, buried somewhere deep, that wanted me to die that day. ā Ā ā if you want to make it out of here alive, you must do exactly as i say. ā Ā ā i understand the stakes quite well. ā Ā ā you canāt hurt me more than they already have. ā Ā ā whatever comes out of thereā¦hold your ground. ā Ā ā youā¦youāre not supposed to be here. ā Ā ā you know you can talk to me. ā Ā ā i know what itās like to be different. ā Ā ā you helped me. now i help you. ā Ā ā i donāt believe in all that supernatural crap, all right?Ā ā Ā ā why are you staring at me? ā Ā ā imagine what we could do together. ā Ā ā the more you move, the more this is gonna hurt. ā Ā ā no one ever comes out here. weāre safe. ā Ā ā iām going to try to forget you said any of that. ā Ā ā my heart canāt take it anymore. ā Ā ā for a while i tried to be happy. normal. ā Ā
Louise GlĆ¼ck | Becca Stadtlander | Kendra DeColo | Monica de la Torre | Lois Dodd | Tjawangwa Dema
Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā @ocaptainsāĀ Ā Ā //Ā Ā Ā Ā to go on a long walk together .
dampĀ Ā airĀ Ā hangsĀ Ā aroundĀ Ā themĀ Ā inĀ Ā softĀ Ā vaporsĀ Ā āĀ Ā theĀ Ā rainĀ Ā hadĀ Ā onlyĀ Ā justĀ Ā letĀ Ā upĀ ,Ā freeingĀ Ā theĀ Ā pairĀ Ā forĀ Ā theĀ Ā walkĀ Ā backĀ Ā toĀ Ā baudelaireĀ Ā mansionĀ .Ā Ā itĀ Ā wasĀ Ā lateĀ .Ā herĀ Ā parentsĀ Ā mustĀ Ā beĀ Ā worriedĀ Ā butĀ ,Ā envelopedĀ Ā inĀ Ā theĀ Ā shimmerĀ Ā ofĀ Ā adolescentĀ Ā longingĀ ,Ā violetĀ Ā couldnātĀ Ā findĀ Ā theĀ Ā concernĀ Ā inĀ Ā herĀ Ā toĀ Ā speedĀ Ā stepsĀ Ā alongĀ .Ā theĀ Ā ribbonĀ Ā inĀ Ā herĀ Ā pocketĀ Ā burnsĀ Ā withĀ Ā ideasĀ Ā Ā āĀ Ā Ā subtleĀ Ā waysĀ Ā toĀ Ā stretchĀ Ā theĀ Ā momentsĀ Ā outĀ .Ā somethingĀ Ā cleverĀ Ā toĀ Ā sayĀ Ā toĀ Ā makeĀ Ā himĀ Ā smileĀ .Ā fingerĀ Ā tipsĀ Ā strokeĀ Ā theĀ Ā silkĀ Ā &Ā Ā herĀ Ā thoughtsĀ Ā carryĀ Ā herĀ Ā awayĀ Ā fromĀ Ā himĀ .Ā (Ā forĀ onlyĀ aĀ momentĀ !Ā )Ā Ā theĀ Ā wasteĀ Ā ofĀ Ā itĀ Ā burnsĀ Ā suddenlyĀ Ā &Ā Ā renewsĀ Ā herĀ Ā presence. Ā Ā Ā Ā Ā Ā Ā Ā āā Ā willĀ youĀ missĀ yourĀ curfewĀ ?Ā walkingĀ meĀ backĀ thisĀ lateĀ ?Ā āā Ā Ā Ā Ā Ā theĀ Ā grainĀ Ā ofĀ Ā hisĀ Ā coatĀ Ā shitĀ Ā sleeveĀ Ā barelyĀ Ā kissesĀ Ā acrossĀ Ā herĀ Ā armĀ .Ā freeingĀ Ā herĀ Ā handĀ ,Ā sheĀ Ā dropsĀ Ā itĀ Ā toĀ Ā herĀ Ā sideĀ .Ā hyperawareĀ Ā Ā -Ā Ā theĀ Ā warmthĀ Ā ofĀ Ā himĀ ,Ā theĀ Ā filmĀ Ā ofĀ Ā moistureĀ Ā likeĀ Ā aĀ Ā cloudĀ Ā aroundĀ Ā themĀ ,Ā theĀ Ā softnessĀ Ā ofĀ Ā hisĀ Ā breathingĀ Ā (Ā herĀ ownĀ caught,Ā dumbstruck,Ā inĀ hallowedĀ chestĀ ).Ā Ā Ā Ā Ā Ā āā Ā maybeĀ fatherĀ canĀ callĀ &Ā letĀ themĀ knowĀ whatĀ happened.Ā theyāllĀ understandĀ Ā Ā āā
What could I have said to you? If I had told all I had to tell, it would have taken volumes.
Fyodor Dostoevsky, from a letter to Mikhail Dostoevsky, written c. April 1948 (via writemeanna)
olaf IS cartoonish and campy but he was a very real and consistent threat to the baudelaires and i hate how much heās sort of downplayed? throughout those books olaf is murdering people and terrorizing the orphans in genuinely scary ways (particularly violet who he and his associates constantly comment on her being pretty and who he was Especially predatory toward) that tends to be glossed over because of his theatrics. it was good he didnāt have a real redemption and that his last act beingĀ ānobleā is so minor and he makes a point of saying he didnāt apologize and showed no remorse and the baudelaires (and kit) did not forgive him, because at the end of the day, despite the major theme of the book, olaf is unforgivable.Ā
Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā š šš”š¢š§š¤ š'š¦ š”ššÆš¢š§š š šÆšš«š² ššš«š«š¢šš„š šš”š¢š„šš”šØšØš š¦š²š¬šš„š. Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā independent & exclusive. novel based.Ā š§.š§.š§.
We believe in an aristocracy. Not an aristocracy of power, based on rank or wealth, but an aristocracy of the sensitive, the considerate, and the plucky. Our members are found in all nations and classes, and all through the ages, and there is a secret understanding between us when we meet. We represent the true human tradition, the one permanent victory over cruelty and chaos. We're an invincible army, but not a victorious one. We've had different names throughout history, but all the words that describe us are false, and all attempts to organize us fail. Right now we're called V.F.D., but all our schisms and arguments might cause us to disappear. It won't matter. People like us always slip through the net. Our true home is the imagination, and our kingdom is the wide-open world.
ocaptainsĀ·.
Ā Ā Ā Ā š¼š Ā ššš¾š¼š°š²š· Ā šššøššš.Ā Ā Ā nauseaĀ andĀ iĀ areĀ wellĀ acquainted,Ā Ā Ā andĀ theĀ sharpĀ tasteĀ ofĀ acidĀ fillsĀ myĀ mouthĀ asĀ nervesĀ flare.Ā Ā Ā iĀ swallowĀ itĀ allĀ downĀ reflexively,Ā Ā Ā fidgetingĀ andĀ pinkĀ -Ā faced,Ā Ā Ā toddĀ justĀ beingĀ toddĀ again.Ā Ā Ā everythingĀ inĀ meĀ wantsĀ toĀ bolt;Ā Ā Ā scrambleĀ fromĀ theĀ Ā divanĀ andĀ homeĀ asĀ ifĀ bothĀ hadĀ suddenlyĀ caughtĀ aflame.Ā Ā Ā butĀ despiteĀ itĀ all,Ā Ā Ā thereāsĀ theĀ tenderĀ swarthĀ ofĀ herĀ handĀ toĀ myĀ cheek,Ā Ā Ā whereĀ sheĀ brushesĀ awayĀ teaĀ dropsĀ withĀ littleĀ toĀ noĀ care.Ā Ā Ā (Ā Ā Ā Ā asĀ ifĀ sheĀ hasĀ noĀ ideaĀ whatĀ herĀ presenceĀ doesĀ toĀ meĀ Ā !Ā Ā Ā )Ā Ā Ā Ā theĀ blushĀ inĀ myĀ faceĀ brightens,Ā Ā Ā āĀ Ā Ā nĀ Ā -Ā Ā no,Ā Ā Ā iĀ Ā Ā āĀ Ā Ā iāmĀ fine.Ā Ā Ā āĀ Ā Ā iĀ flounderĀ inĀ wordsĀ andĀ actionsĀ alike,Ā Ā Ā reachingĀ upĀ clumsilyĀ toĀ takeĀ aĀ holdĀ ofĀ theĀ delicateĀ groveĀ ofĀ herĀ wrist,Ā Ā Ā toĀ herĀ hand,Ā Ā Ā andĀ squeeze.
Ā Ā Ā Ā Ā outĀ ofĀ theĀ cornerĀ ofĀ myĀ eye,Ā Ā Ā theĀ piecesĀ ofĀ shatteredĀ porcelainĀ gleam.Ā Ā Ā aĀ rushĀ ofĀ dreadĀ peals,Ā Ā Ā iĀ drawĀ awayĀ fromĀ violetĀ beforeĀ iĀ canĀ reconsider,Ā Ā Ā temerariousĀ glanceĀ riskedĀ toĀ theĀ elegantĀ archĀ ofĀ theĀ entryway,Ā Ā Ā whereĀ iĀ presumeĀ baudelaireĀ parentsĀ resideĀ forĀ theĀ afternoon.Ā Ā Ā Ā āĀ Ā Ā doĀ youĀ thinkĀ yourĀ parentsĀ heardĀ that?Ā Ā Ā iĀ canĀ payĀ forĀ theĀ cup.Ā Ā Ā Ā ā
theĀ Ā cogsĀ Ā &Ā Ā gearsĀ Ā ofĀ Ā workingĀ Ā mindĀ Ā sputterĀ Ā toĀ Ā startledĀ Ā haltĀ Ā āĀ Ā theĀ Ā fleetingĀ Ā warmthĀ Ā ofĀ Ā hisĀ Ā handĀ Ā leavesĀ Ā herĀ Ā blinkingĀ Ā stupidlyĀ Ā forĀ Ā aĀ Ā numberĀ Ā ofĀ Ā wastedĀ Ā momentsĀ Ā (Ā Ā wideĀ Ā ,Ā Ā nearĀ Ā fretfulĀ Ā gazeĀ Ā fixedĀ Ā withĀ Ā affectionĀ Ā onĀ Ā guestāsĀ Ā sunlitĀ Ā faceĀ Ā ).Ā Ā Ā Ā Ā Ā Ā āāĀ iĀ doubtĀ it.Ā āāĀ Ā Ā Ā thisĀ Ā ,Ā Ā offeredĀ Ā withĀ Ā aĀ Ā smile.Ā Ā heartĀ Ā swellsĀ Ā &Ā Ā droopsĀ Ā withĀ Ā theĀ Ā sweetĀ -Ā acheĀ Ā ofĀ Ā ripeningĀ Ā affection.Ā Ā everyĀ Ā tumbleĀ Ā ,Ā Ā stutterĀ Ā ,Ā Ā &Ā Ā characteristicĀ Ā maneuverĀ Ā madeĀ Ā byĀ Ā schoolĀ Ā boyĀ Ā weighedĀ Ā onĀ Ā heiressāĀ Ā shoulders.Ā Ā thereĀ Ā wasĀ Ā nothingĀ Ā soĀ Ā paramountĀ Ā asĀ Ā easingĀ Ā hisĀ Ā discomfortĀ Ā āĀ Ā HOWĀ Ā BADLYĀ Ā SHEĀ Ā WANTEDĀ Ā TOĀ Ā REACHĀ Ā OUTĀ Ā ,Ā Ā toĀ Ā smoothĀ Ā hisĀ Ā hairĀ Ā !Ā Ā orĀ Ā ,Ā Ā lessĀ Ā daringlyĀ Ā ,Ā Ā toĀ Ā restĀ Ā aĀ Ā lightenedĀ Ā handĀ Ā besideĀ Ā his.Ā Ā violetĀ Ā doesĀ Ā neither.Ā Ā Ā Ā Ā Ā āā Ā itāsĀ onlyĀ aĀ cup.Ā āāĀ Ā Ā Ā Ā reluctantĀ Ā eyesĀ Ā driftĀ Ā toĀ Ā theĀ Ā jaggedĀ Ā ,Ā Ā porcelainĀ Ā shoreline.Ā Ā theĀ Ā worst Ā Ā ofĀ Ā theĀ Ā tideĀ Ā hadĀ Ā goneĀ Ā ,Ā Ā soakedĀ Ā intoĀ Ā agedĀ Ā wood Ā &Ā Ā darkenedĀ Ā likeĀ Ā a Ā bloodstain.Ā Ā girlĀ Ā risesĀ Ā ,Ā Ā drawing Ā Ā offĀ Ā toĀ Ā cutĀ Ā awayĀ Ā roomĀ Ā &Ā Ā returningĀ Ā withĀ Ā aĀ Ā smallĀ Ā handĀ Ā broomĀ Ā &Ā Ā pan.Ā Ā theĀ Ā teacupĀ Ā glittersĀ Ā &Ā Ā chimesĀ Ā asĀ Ā itāsĀ Ā sweptĀ Ā intoĀ Ā tin.Ā Ā Ā Ā āāĀ maybeĀ weĀ canĀ findĀ somethingĀ elseĀ toĀ doĀ ?Ā weĀ couldĀ takeĀ aĀ walk.Ā orĀ iĀ couldĀ showĀ youĀ myĀ workshopĀ !Ā iĀ doĀ Ā haveĀ aĀ fewĀ thingsĀ iāveĀ beenĀ workingĀ onĀ ā¦Ā Ā āā
FOUR LOOKS of Daisy Edgar-Jones as Marianne Sheridan in NORMAL PEOPLE (2020)
