[tookmypearl]

[rifles]

[cumulonimbos]

Jo Spence and Rosy Martin: Libido Uprising, 1989

[violentwavesofemotion-deactivat]

when chelsea wolfe said “i don’t believe that you have to live a dark or unhappy life in order to create art that embodies darkness. i try to live a simple, positive life, but i take the world at large as well as the world around me as inspiration and there are plenty of dark thoughts that come from reality. i also recognize the contrasts though, and I see the beautiful and the horrific juxtaposed everywhere.”

[autumnsredglaze]

Franklin Mint Universal Monsters Coffin Knife Set(1998) A new thrift store obsession. I hope to find these in the wild someday. 

[goat-chain]

Virginie Demont-Breton (1895)

[microwave-rice-bag]

[k3rn3lpan1c-deactivated20230321]

antifascist action

[anlatfiruze]

[kansassire]

Das kleine Chaos, 1967, RW Fassbinder

[tachylyte]

*realizes I exist outside of my own perceptions of myself and that people probably talk about me sometimes* what the fuck

[kbas]

[dostevsky]

“[Artemisia] Gentileschi, however, brings out an element of the biblical story no male artist had ever dwelt on. In most paintings, including Caravaggio’s hallucinatory rendering, Judith has a servant who waits to collect the severed head. But Gentileschi makes the servant a strong young woman who actively participates in the killing. This does two things. It adds a savage realism that even Caravaggio never thought of – it would take two women to kill this brute. But it also gives the scene a revolutionary implication. “What,” wonders Gentileschi, “if women got together? Could we fight back against a world ruled by men?””

— Jonathan Jones, More savage than Caravaggio: the woman who took revenge in oil

[hadrian6]

The Wounded Achilles. 1789. Jean-Baptiste Giraud French.1752-1830. marble.    http;//hadrian6.tumblr.com

[nemfrog]

Legally dead. 1910. 

[tryppi]

Lindsay Anne Watson

[maryjblige]

[hipster]

find someone that knows how to calm your storms