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#extradirty

Kiana Khansmith
macklin celebrini has autism

Love Begins
styofa doing anything

⁂
noise dept.
Today's Document
Cosimo Galluzzi
trying on a metaphor
he wasn't even looking at me and he found me
Sweet Seals For You, Always
cherry valley forever

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I'd rather be in outer space 🛸

@theartofmadeline

Kaledo Art

❣ Chile in a Photography ❣
Three Goblin Art

titsay
seen from United States
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@tookmypearl
residence
learning
marseille
Lynette Yiadom-Boakye (British, 1977), Minotaur To Matador, 2022. Oil on linen, triptych, each: 43 1/4 x 27 5/8 in.; overall: 43 1/4 x 86 5/8 in.
Edward Burra, The Watcher, c. 1937, Watercolour on paper, Scottish National Gallery of Modern Art, © Estate of the Artist, c/o Lefevre Fine Art, London.
Charles Demuth (1883–1935) was an American painter well known for his watercolors and oil paintings in a style of Precisionism, a modern art movement influenced by Cubism and Futurism. He was a forerunner to later movements, including Abstract Expressionism and Pop art.
In Paris, Demuth found more acceptance and freedom as a gay man compared to living in the United States, and he repeatedly visited Paris in the late 1910s and early 1920s. Demuth became a part of a vibrant Parisian artistic community that accepted his homosexuality. He created a number of paintings depicting the gay subculture of the postwar period in Paris, though he never intended to show them in public. One of his favorite Parisian venues was the Lafayette Baths, the setting of this 1918 self-portrait.
Demuth was instrumental in developing a modernist form that had distinctly American perspectives, combining Cubism with American urban and industrial landscape. His watercolors have a lightness that combines immaculate lines with an air of sensuality.
Turkish bath with self-portrait Demuth, Charles, 1883-1935, American [artist] Watercolor 11 x 8 ½" American 1918 Repository: Kennedy Galleries, New York City, New York, United States HOLLIS number: olvwork94957
Mirza Cizmic (Bosnian, b. 1985), Stolen Memories (Gang Shower), 2021
Hilma af Klint, The Ten Largest; Childhood (1–2), Youth (3–4), Adulthood (5–8), Old Age (9–10)
Yellow Magic Orchestra: Winter Live 1981
Marlene Dumas (South African/Dutch, b. 1953) Second thoughts, 1994. Watercolour, wax crayons, black chalk and decollage on paper, 65 x 50 cm.
“Tête-à-Tête” (1977).
~ Boris Talberg
(1930-1984)
Ascension Mikhail Nesterov⏤1895
In the Realm of the Senses (1976) // dir. Nagisa Oshima
Perfect Blue (1997) dir. Satoshi Kon