This week in my Afrofuturism class, we read “Walking Awake,” which is a short Afrofuturistic story by N. K. Jemison. Throughout reading the novel, I was reminded of other Afrofuturistic works studied this quarter that embodied the themes the control and oppression. This is because Sadie, the main character, is oppressed by her “Master.” When her “Master” is taking Sadie to be “taken” Jemison writes, “Sadie swallowed, painfully aware of the passing seconds, of the danger of displeasing a Master, of Enri’s terrible unwavering stare.” This shows how oppressed Sadie really was and how fearful she is of the consequences of displeasing her oppressor, someone that is above her. This reminded me of other Afrofuturistic works read this quarter since. The recurring theme of oppression is transcribed throughout many of them. In Dawn, the earth comes to a death when a nuclear war breaks loose. The Oankali, an alien species, save some humans and take them back to their homeland. Throughout this process, they act as oppressors and, therefore, oppress these people that they saved. The Oankali manipulate the humans into thinking that they have a choice in their actions, but they don’t if they want to survive and return back to earth. This ties in with the theme of hierarchy because the Oankali are seen as superior to the humans since they are controlling and oppressing them. In fact, they had so much control over the humans that they practically knew every trait about the humans and their future actions, for the most part. This kind of oppression mirrors slavery, as the humans were not given a choice, and they were looked at as just people to interbreed with. For example, Lilith, the main character, was not given a choice to serve as a teacher or leader. It was just the task she was given if she wanted to be free and go back to earth. Lilith was also perceived as a pet, someone they can experiment with. When Nikanj went to visit her friends with Lilith, the narrator writes, “[Lilith] was nothing more than an unusual animal to them. Nikanj’s new pet.” Like Dawn, “Spider the Artist” and “Rustys” are two short stories which also have the theme of control embedded in them. In both stories, something other than a human is controlling the people. In “Spider the Artist,” “zombies” or technological spiders are controlling the people from the oil pipelines and murdering them. In “Rustys,” traffic robots are controlling and overseeing humans by crossing boundaries and spying on their private lives. To conclude, oppression and control are common themes found in Afrofuturistic works.









