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Joint exhibition with my fellow student Freida Breen in LSAD .Freida has some beautiful installations on structures and falling structures from iron shavings and my migration chair. they bring out the best in each other.

After some final adjustments and clearing all distraction away the installation appears in a new context.enough space to walk between those suspended form’s should provide a sensuous experience all-round.the colour takes charge over the shapes and allows the attributes related to RED to radiate.

Simply beautiful is his work.

One additional piece was needed to underline my social interest.this is my sculpture: migration chair.many people leave everyday their country to move and have to prioritize what to take and what to leave behind.they possibly opt for old item's that have seen better days but are full of memories and while packing and wrapping they tie all worries into those bundles.the fear of cultural identity and settlement in another country.Red stands for anxiety,fear and stress .

As my installation appeared to me suddenly very compact I tried to lighten it up and filigree by looping tape covered wires around like writing in space and connecting the more solid pieces with each other.i wanted to achieve an holistically from all angles viewable assemble.i will update soon.

The combination out of Anish Kapoor and CY Twombly is what I would like to accomplish now.deluded , possible?

I adore his work and the circulating movements fit so well into my concept

What do you think? Even my idol feels attracted to red.

24h project how we occupy space and our body interacts with architecture.the exercise made me body awareness

24h to understand the use of space through body awareness and observing behaviour around our college architecture.my approach was done with sisal, cut in pieces -measurements from various area's in the building and my own body.those was reattached and entwined due to interaction of my body with the buipnpfsnppppgpp

Here's the outcome of our 24 h project:Doll ( half our size) of course my doll HAD to be OTT. Ott in colour, shape, sensual and statement.maybe through the short time line the work is more energetic and not as composed as it frees the creative process, stops over thinking and is truer.

In summary I showcase various shades of the colour red in abundance of shapes and sizes connected through ribbon coming from all angles-intentionally applied.The materials entail mainly textiles, interrupted by hard surfaces signaling the interplay of strength and vulnerability.Texture, layer's, depth, repetition, pattern are pieces of the puzzle for this installation.Each piece in this environment is unique-had their own use and is an representative of human experience.If everything is in the same colour/shade,does colour take charge over the object?

After experiencing the red space, linking the hottest of all colors to an increase in heart , I bundled my red items into objects to become an environment, landscape.all those shades, intuitive assembled seem to communicate with each other in an language I try to understand.

Some more captions of red and my attempt for an glass stained window after Gerhard Richters recipe for the cologne Dom using the primaries and grey to mix 74 different colours

Eclectic mix of materials all in red shades.By covering the room with this color there is a reaction from the viewer guaranteed.it is not very easy to stay clinical working with the highest emotionally charged color of all.

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