The Crossroads are an infinitely powerful place â where the planes collide, the worldly nexus and the paths of decision. While always related to the actual crossing of roads, the symbolic nature of the Crossroads extends far beyond â even in the physical plane. The nexus include far more than the mere crossing of paths, but present at many â both naturally and made-made â destinations. Below you will find a (non-comprehensive) list and a brief description of how they apply to the Crossroads and what work might be done most efficiently at the particular junction.
âXâ and âTâ Crossroads
This grouping includes the Crossroads in its traditional sense â as the crossing of roads in an âxâ or â+â formation. These, of course, are well documented and are usually what is being discussed when talk of crossroads come up. These can be specified â for instance: a crossroad at the edge of town, in the woods, etc., all of which have their own, unique connotations. Their âsisterâ crossroads is the T crossroad (alt. âYâ) â which is still prevelantly known. These are my personal favorite, being an adherent to Quimbanda â these Crossroads are held sacred to Pomba Gira. They offer a more concise, selective and direct crossroads energy â as they only offer 3 roads, two choices, the forward option rendered entirely void. In this capacity, there is no option but to change. You cannot continue as you are, but instead must choose a new path â change at its greatest.
These are much like the traditional crossroads, though there is a minor planar separation. As the water and the bridge never transect. In this capacity, you have a path or tangent that is not wholly present, but guiding. From above they appear to intersect, but from the ground we see they do not and cannot â though this doesnât make them any less useful. It is at these places that change can be made fluidly. Where as the âTâ crossroad is (arguably) the most severe, change-bring crossroad, this the the least so. As such, this one is not so much about bringing in the new, but freeing yourself of the old. Symbolically, spirits were always said to be unable to cross running water â in this case, there is a part of you that you feel needs to be relinquished, one you will not permit to cross the water with you. This is the cross of letting go of that which need be so.
Again, similar to the above to entries, these represent more traditional crossroads. These can be broken down into two, separate sets of places:
Where Tracks Cross a Road: These can be used as a symbol for a path that is fixed, continuous and unstoppable. The train will continue, it is your responsibility to stop. This can be a place to work rituals for motivation, drive and success â or alternately, to learn patience. Sometimes the only, real option is to sit and wait â there is strength in patience, these places might allow for this realization.
Where Tracks Cross Tracks: A recipe for disaster. Two, headstrong, unstopping forces are doomed to collide. While the former has the potential to grant motivation, this one is the reality of too much or counterproductiveness. These places are great for working curses that breed devastation, and chaos working from all sides. Place a penny at the junction, allow it to be flattened and collect it to use in particularly nasty curses.
Thatâs right, little did you know you had a Crossroads (literally) in your own backyard! At each of the corners of your property, where four plots meet, there is a crossroads. These, naturally, are best used for things relating to the home â protection, finance, martial issues, health and well-being. Probably not the best to use these to call up Crossroads Spirits or make any Faustian Deals.Â
The liminal space of the dead on the plane of the living â these are the sites where the dead interact (in great number) energetically with our plane, building a nexus of sorts. Naturally the larger the cemetery, the more effective this nexus becomes (hereâs looking at you, New Orleans). Itâs not enough that they exist spiritual in one place, but its that they exist as both physically and spiritual distinct in the location â their spirit and body exist, but no longer bound, working in a sort of intersecting movement. To no oneâs surprise, these are the places most fitting work with the Dead, bridging the planes, communion with the spirits, etc. Itâs also little surprise that many Cemetery Spirits have numerous correlations to their Crossroads counterparts.
Thatâs right, churches, too are liminal spaces â wherein the Divine (of which ever sort) ground to the earth and form a crossroads. These are obviously most fitting religious works â divine paths, orchestrating change with the help of the Divine, resolution to crises of faith, etc. As for curses go, these same qualities can also be harness to bring about crises of faith and repurpose the energies for more malignant works.Â
Metaphorical Intersections
While at first thought, one might assume that doorways would be much like a âTâ crossroad of not more severe â as there is but one path that may be taken. This, however, symbolically is not the case. While we know a closed door will always open to the same place here, spiritually thatâs never a guarantee. In fact, doors have the capacity to connect all things. One door may lead to any other. But be warned, doors  go both ways â be careful where it leads, for it will also lead back.
Hands/Feet and Mouth/Ears
Hands and feet are the intersection of the mind and the physical. It is they who move us, connect us, or create from our mind something on this plane â such as art, writing, gesture. Mouths bridge mind to mind through verbal communication â what the mouth sends, the ear receives and the mind interprets. As such, all of these things occupy a sort of liminal space.
Twilight is the bridge from day to night, a time of change â a commingling of both of their characteristics. Depending on what you seek, these can be used as a way to gain insight. For illumination, enlightenment utilize dawn â allow the sun to bring light to the darkness. For understanding, self discovery or occult knowledge, use dusk â wherein the preconceived notions of day fall away to reveal the hidden truths of night.
The minute when one day ends and the next begins â colloquially referred to as âthe witching hour,â it is a time between time. This can be used for many works â though, when I utilize midnight, I use mid-night. The time at the middle of when the sun sets and rises â the darkest part of night, when it is at its strongest, after is has waxed, but before it has waned.
Like Twilight and Midnight, this is time related â a place between months, a time for change. These can be utilized much like more regular New Years: a time to make resolutions, enact change and bring anew/cast out the old. As such, theyâre good for exorcisms and rebirth.
There are countless other options, but I chose to note the ones Iâve been known to use. Iâd love to hear and see what some of all know to be unconventional crossroads!
