Posters for upcoming shows
taylor price
★
Noah Kahan

if i look back, i am lost
PUT YOUR BEARD IN MY MOUTH
untitled
I'd rather be in outer space 🛸
$LAYYYTER

@theartofmadeline

PR's Tumblrdome
The Stonewall Inn

Game Changer & Make Some Noise
macklin celebrini has autism
2025 on Tumblr: Trends That Defined the Year
noise dept.

❣ Chile in a Photography ❣

Kiana Khansmith

bliss lane
Phantogram Three

izzy's playlists!

seen from Algeria
seen from Pakistan

seen from Colombia
seen from United States
seen from Italy

seen from Malaysia
seen from United Kingdom
seen from Japan

seen from Germany
seen from Malaysia
seen from United Kingdom

seen from United States
seen from Türkiye
seen from Germany

seen from Malaysia
seen from Belgium
seen from Malaysia

seen from Vietnam

seen from United States

seen from Finland
@bedlamsix-blog
Posters for upcoming shows
We have a new music video! A tale of paranoia, jealousy and cats. No animals were harmed in the making of this film (well, Louis was a bit bruised at the end).
We now have a website entirely dedicated to our upcoming album YOUTH. It contains photos, videos, interviews, essays and studio specs. A sort of DVD special features disc for anyone interested in how our new record was assembled. Take a look over at www.bedlamyouth.com
Our new video is our most serious yet! Black and white... string section... all it needs now is subtitles and a wrongful execution.
First single from our upcoming album
Amsterdam trio Snowapple have just joined Debt Records. Here's Dan and Louis posing with their new (tall) labelmates. Yes... we sent our shortest ambassadors!
(photos © Andrew Ab 2013)
A concert film of January’s Bedlam Six show at The Dancehouse Theatre (featuring guest appearances from Hannah Miller, Kirsty Almeida and Honeyfeet) will be available to order from our online shop on Monday 8th July.
Faced with a bit of time to kill in Bremen, Cleg discovers a play park with a zip-line...
Some photos from our recent video shoot (© Andrew AB 2013)
Playing with Hope & Social at The Deaf Institute in Manchester. Quite a squeeze!
Photo of Alfie the dog (remember him from our "Living In The Aftermath" video?) modelling our handmade Tell-Tale Hound pillows.
We are teaming up with our friends Hope & Social for a brace of double headline shows in our respective home towns of Manchester and Leeds next week. As well as our own material we'll be joining forces to play a few collaborative numbers at the end. Obviously we'll play Keep The Customer Satisfied, any suggestions of other songs we might attempt?
Well be at The Brudenell Social Club in Leeds on Friday 3rd May and The Deaf Institute in Manchester on Saturday 4th May. Hope to see some of you there!
Some photos from our show in Kufstein
Biff made this awesome remix for our label-mate Bridie Jackson for Record Store Day 2013.
To find out more about Biff's remixing and production work go to www.biffroxby.com
A selection of pictures from the recent tour. Photos taken by Sara Harris in Germany, Switzerland, Austria and Belgium.
Home
Waking up after a tour tends to be accompanied by a certain “and it was all a dream…” sensation. There is no hotel check-out time to adhere to, no strict breakfast hours, no soundcheck in some far away town. For the last few weeks our days and nights have been governed by schedules and satnav coordinates. Now we are all, once again, left to our own devices and personal rhythms. The only immediate clue that it all actually happened is the ringing in my ears.
I remember the days leading up to our first tour. I was convinced the band would split up - or at the very least one person would be marooned on some Austrian mountainside. I live alone and have grown accustomed to my own company. Humans are fascinating creatures and I enjoy spending time with them but I always like to know where the nearest escape route is. The idea of being in the company of half a dozen people for weeks on end with no way out fills me with an acute social claustrophobia.
But we’ve done this a lot now, in the UK and overseas. And we’ve never once come to blows. Yes there can be the odd snide comment or bitter retort but for the most part we get on very well. I don’t fully understand it. A day spent in the company of someone else is usually enough to induce at least an eye twitch in me - three days and I’m a tangle of rage.
On tour there is never any solitude. Hours in the van followed by load-in and soundcheck at the venue, followed by a meal together, followed by sitting backstage as the audience files in, followed by an hour and a half on stage, followed by the dressing room post-mortum conversation, followed by hanging around the merch stand, followed by load-out and then back to the hotel room (usually two people to a room). I try to grab half an hour to myself between soundcheck and show, exploring the immediate surroundings, but it’s impossible to ever feel truly ALONE.
I suppose one leaves certain bits of oneself at home. There is no space in our LDV Maxus for egos or fussiness, just as there is no room for comfort. When we are on the road that is all we are. It is a strange bubble in which days of the week are meaningless, where we remain constant whilst the surroundings are ever in flux. The van feels like a tardis, though one that is smaller on the inside than the outside.
And time itself behaves strangely. By gig three I felt like we’d been touring for weeks, that I’d peaked too soon and that the coming shows would be an exercise in gruesome endurance. But by gig nine I felt we’d barely begun, that to continue onwards indefinitely would be the most natural course: a new town, a new crowd, a new language, forever. Nothing has ever felt so obvious, so simple. Why go home when all that awaits you there is what you left behind?
But a day is all it takes for the cares to burrow back into their established furrows. The freedom of keeping one’s own schedule soon becomes the burden of self-motivation.
Only one thing to do now… book the next tour.
Brussels
It turns out my mental picture of Brussels differs markedly to the reality. I think this is probably due to years of news stories about grey-faced MEPs shuffling around in buildings made of concrete and glass.
But no. It’s cafe culture and daring knitwear and old churches and jazz music and questionable fashion choices and tiny dogs and designer beards and creative driving and little hats perched at rebellious angles.
This was our last show of the tour. And I’m afraid I don’t recall it very well. We’ve been rather well behaved on the whole and all agreed that, since the hotel was walking distance from the venue we’d enjoy a few drinks once we’d packed up the gear. After all, no gig the next day means we can risk a touch of oblivion.
It seems the venue owners read our minds. After our twenty song set we peeled off our wet shirts and flopped into the dressing room to find our hostess opening a bottle of champagne for us. What followed was a free bar with no conditions. Hours and hours of mojitos, white russians, single malts and peculiar greenish concoctions with exotic names.
I don’t remember getting back to the hotel. It was one of those waking-up-still-wearing-shoes kind of mornings.
Next stop: Reality.