Cher by Richard Avedon via Popular Noise magazine by Byron Kalet
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Love Begins
almost home
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Kiana Khansmith
Fai_Ryy
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Jules of Nature
The Bowery Presents
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Discoholic šŖ©
trying on a metaphor
cherry valley forever

bliss lane
I'd rather be in outer space šø
PUT YOUR BEARD IN MY MOUTH

pixel skylines
ojovivo
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Cher by Richard Avedon via Popular Noise magazine by Byron Kalet
Eve Arnold. Horse training for the militia, Inner Mongolia, 1979.
Amy Sherald, 'A God Blessed Land (Empire of Dirt)', oil on linen, 2022
By Pelle Cass
Cy Twombly ā Bacchanalia-Fall (5 Days in November), 1977.
Celebrating Kenyan Culture, Bold Textile Patterns Disguise Subjects in Thandiwe Muriuās Portraits
Infrared Light Enhances Versailles, Provence, and the Beaches of Normandy with Dreamy Shades of Pink
āStrange Angelā
Ā Fin Argus by Alex Stoddard
Bored Couples - Martin Parr
āIf you take a flower in your hand and really look at it, itās your world for a moment.ā
ā Georgia O'Keeffe (via light-and-salt)
Myoung Ho LeeĀ - Tree, 2006-2016
Situated somewhere between botanical field studies, studio portraiture and billboard advertising, Myoung Ho Leeās tree studies pay homage to the everyday object and transform natureās craft into a work of art worthy of careful study, as one would view a framed work of art. The tree āportraitsā play with ideas of scale and perception, creating an image within an image that both highlights and obscures the relationship between object and photograph.
For the Tree⦠series, Mr. Lee photographs solitary trees growing in the landscape against a constructed white canvas backdrop, which isolates the tree from its surroundings and makes ambiguous its scale. After selecting a tree for its unique formal qualities and distance from other landmarks, the artist constructs a temporary photography studio on site with the help of a large production crew and heavy cranes. Using a large-format camera, Lee photographs each tree and oversized canvas in the center of the image, allowing the natural environment to fill the rest of the frame.
After photographing the tree, minor components of the canvas support system, such as ropes, poles or assistantsā hands, are removed from the image through minimal digital retouching. Small tears and folds of the canvas and shadows of his helpers remain as evidence of the performative and installation aspects of Mr. Leeās photographs. [Yossi Millo Gallery]
Ćquilibre Ā Personal project by Akatre 2021 www.akatre.com
Nighttime Skies Serve as the Dreamy Backdrop for Sophia Ahamedās Saturated Flowers
HÄvard Homstvedt (Norwegian, b. 1976), Le Marais, 2010-11. Oil on linen over panel, 230 x 200 cm
Once upon a time in the West, Julius Hirtzberger