{This isn’t Pierre Yovanovitch’s first Friday Feature - he’s been around these parts before. But I came across a couple images of his work on Pinterest, and thought I’d share some of his new-ish work.}
Classified as a historic monument since 1995, La Patinoire Royale (royal ice rink) covers an expansive 2500-square meters of urban Brussels – encapsulated by a neoclassical facade. This April, the iconic location will transform into a new visual arts and design platform – indicative of this city’s rising status on the global market. With an extensive programme of exhibitions, the new venue will focus on showcasing 20th century art. For this change of function, Paris-based interior architect Pierre Yovanovitch has teamed up with Belgian architect Jean-Paul Hermant to introduce structural restoration, new cladding and initial scenography. The former is known for mixing extreme luxury and uncluttered interior views. Yovanovitch emphasizes the harmony of volumes and taut lines. Evident in early renderings, the architect hasn’t lost this approach.
Pierre Yovanovitch’s concept is clearly concerned with giving this space a new identity, all the while, respecting its historic character. Black and white details enhance all architectural elements. Modernity is seen in the use of polished concrete floor. The white monolith staircase encased in a monumental white-box encasement dominates the main hall. Though the decor employs large and minimalist geometry huge, a refined aesthetic preserves ornamental wood and metal framing. This renewal offers visitors a breathtaking a new take on a Brussels landmark.
