noise dept.
Janaina Medeiros
he wasn't even looking at me and he found me
❣ Chile in a Photography ❣
KIROKAZE
dirt enthusiast
No title available
Claire Keane
Mike Driver
will byers stan first human second
titsay
$LAYYYTER
JBB: An Artblog!
izzy's playlists!
taylor price
Alisa U Zemlji Chuda
todays bird
Keni
wallacepolsom
No title available
seen from Malaysia
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@best1989
We're giving away two copies (one for PS4 and one for PSVita) of Futuridium EP Deluxe - Limited Run Games edition! It's an -extremely limited- edition, only 4.000 ever made.Both copies will be sent to a single winner.
Win two copies of Futuridium EP Deluxe thanks to @MixedBagGames!
Happy birthday blue dude, great memories from your glorious past. #Sonic #SEGA #GottaGoFast #25thAnniversary
Because the road to innovation is not a straight arrow, we need to think outside the box. #Godot #PhoenixWright #TruDat
El día de ayer se completó el ciclo de un año de cambios en mi vida, no queda más que aplicar el conocimiento adquirido durante este tiempo. #ThereforeIGrewWiser #TheYearOfGuzy
Gift from @whitemega #MrGameAndWatch #Amiibo #Nintendo #Propuesta Uber level of awesomeness.
New toy... Let's see what I can do. #RaspberryPi2 #RaspberryPi #Quadcore #SingleBoardComputer
Epic stuff is epic. #Lunar2 #EternalBlue #WorkingDesigns #PS1
Después de tres semestres, al fin alguien que alcanza el 20... Lástima que haya sido redondeado y en un parcial tan mantequilla... #JoysOfTeaching #TelecomUCAB
Nada como llegar a la casa después de un día qué comenzó en ayunas y encontrarse con esto... #FTW #Arepa #MomForever Que Budha y todos los dioses nórdicos me la bendigan.
Oh, pobres niños... #ClavazonIsComing #Teaching #LetTheGameBegin #EnriqueciendoAVirtuoso
“We read to know we’re not alone.” - William Nicholson, Shadowlands
Morris Scott Dollens - Tonight the Sky Will Fall, 1966.
Witnessing the Beauty of Marine Life with Photographer @thomaspeschak
To see more of Thomas’ sea life pictures, follow @thomaspeschak on Instagram.
The biggest threat Thomas Peschak (@thomaspeschak) faces when taking photographs of marine life isn’t his close proximity to sharks and other large, potentially dangerous animals. It’s the journey he takes to get there.
“The greatest risks that I face come from traveling to somewhat volatile regions and airplanes seemingly held together by rubber bands and superglue,” says the 39-year-old National Geographic photographer. “Sharks are comparatively safe.”
Still, Thomas has had his share of close calls. During one particular shark shoot, a Bryde’s whale came out of nowhere, missing him by a few feet.
“I was photographing a large school of sharks devouring a bait ball of sardines when I could not shake the feeling that I was being watched,” recalls Thomas. “I had only travelled a few meters when 12 tons of blubber rose like a torpedo from the depths. Instinctively, I curled into a little ball, but not before I managed to sneak a look through my viewfinder to meter and frame the scene.”
Thomas’ repertoire isn’t just limited to sharks and whales, though. He shoots everything from reef mantas to green turtles. Surprisingly, he takes more than half of his underwater photos while holding his breath, without the help of scuba gear.
Thomas, who was born in Germany, had an interest in marine life from a young age, snorkeling at six, and scuba diving from age 12. Soon after, he began shooting underwater pictures, having been inspired by the expansive marine environments of Jacques Cousteau and Hans Hass, and early sea life stories in National Geographic.
“The photographs and films that I remember most vividly from my childhood were those featuring white sharks, tiger sharks, whale sharks and bull sharks,” says Thomas. “The ocean, especially its large predators, was a persistent force that lured me along my life’s path.”
Announcing Worldwide InstaMeet 11: March 21-22
For more information about how to get involved in #WWIM11, visit community.instagram.com. Check out our Behind the InstaMeet series for practical tips on organizing a meetup of your own!
The date is set! The 11th Worldwide InstaMeet will take place on the weekend of March 21-22, 2015.
Wait, what’s an InstaMeet? Since the earliest days of Instagram, people have been meeting up to connect, take photos together and inspire one another. These real-world meetups, which come in all sizes, are known as InstaMeets. In the past year, there have been more than 1,000 in over 70 countries.
During a Worldwide InstaMeet, hundreds of gatherings happen around the globe on a single weekend. Visit community.instagram.com to begin planning your #WWIM11 InstaMeet and to connect with organizers and community members in your area.
Inspiration for your InstaMeet
Choose a photogenic location: “Planning ahead of time will guarantee a smooth experience without any setbacks. Make sure the location has enough visual richness to frame the creativity of a group of visually-hungry Instagrammers!” —@jpanleu
Be inclusive: “The main goal is to bring people who share a love and curiosity for Instagram. This will ensure that anybody who wants to take part of your initiative will feel included and indeed find a meaningful place in the meeting you organize.” —@sejkko
Spread the word: “I’ll always make what we call an ‘infogram’ to let everyone know there is a meet. The infogram usually has an image of the location with overlaid text of the location, time, date and hashtag. I then write up a short caption and add them temporarily to a blog post for anyone to download and post. That way people can easily spread the news about the InstaMeet.” —@garethpon
Commuting Through the Borderline Fictional Universe of @kdickerman
To see more of Kenneth’s photographs, follow @kdickerman on Instagram.
“It’s been a steady progression away from professional cameras for me,” says photo editor Kenneth Dickerman (@kdickerman), a photographer turned photo editor, now working at The Washington Post (@washingtonpost). “I have a certain kind of look I’m going for, and that would be moody and introspective, sort of borderline fictional”.
He contrasts the personal images he records at home or on his daily commute to work, with his years of working as a photojournalist in places like Gaza and Afghanistan, and covering the Occupy protests in the United States. “It’s not documentary. It could be whatever I want,” he says. “My cats are a big part of my life. I know a lot of people say cat pictures are stupid on the Internet. To me, they’re a huge part of my life, so I take pictures of them.”
Kenneth treats each image, photographed with an iPhone 5, with a post-production process that includes using the Drama filter on Snapseed, not once, but several times, and sometimes adding or removing texture to emulate film grain.
He explains his approach by citing an adage he attributes to many of his favorite photographers: “Create your own universe. With pictures that’s one thing I’m really trying to do — trying to create my own universe, and inhabit it.”
