Kirsten Owen | © Steve Hiett

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@bettinewyork
Kirsten Owen | © Steve Hiett
Milla Jovovich | Anna Molinari (1996) © Juergen Teller
Chloē Sevigny, 2012 | © Terry Richardson
Chloë Sevigny L'uomo Vogue (October 2009) ph. Francesco Carrozzini
Laetitia Casta Marie Claire Germany (May 1998) ph. Peter Lindbergh
Cara Delevingne & Adwoa Aboah Chaos SixtyNine (2017) ph. Cass Bird
Jil Sander, Summer Project 2019 by Larissa Hofmann
#“Masque de Roberte pour Jacques ou la Soumission (Eugène Ionesco)” a/k/a “The Three Faces of Hélène Cixous”
J Moon captured by Bjarne Jonasson & Nanae Takata for Nicotine Magazine
Uncredited Photographer Woman Anti-fascist Partisans Associated with the Partito d'Azione During the Liberation of Milan, Italy 1945
Jodie Foster by Helmut Newton 1987
Photographed by Rankin, Dazed & Confused 1993
The Rome apartment of Italian architects Patrizio Romano Paris and Patrizia Pietrogrande features low slung custom furniture of the architect’s design mixed with pieces by Mies van der Rohe and Saarinen. Photographed by Carla de Benedetti, 1983. “Noble simplicity and quiet grandeur” – Winckelmann
Alek Deng photographed by Amer Mohamad for Elle Arabia June 2025
Jodie Foster by Helmut Newton 1987
Björk by Glen Luchford, 1995
Released on this day (14 January 1983): “My Jamaican Guy”, the third single from Living My Life, the underrated 1982 album by everyone’s favourite futuristic dominatrix-from-outer-space chanteuse Grace Jones. With Jones snarling the lyrics in Jamaican patois over warm, rumbling and naggingly minimalist reggae-funk, I’d argue it’s one of the scary diva’s finest moments (and remains a staple in her live shows). The confrontational Afrofuturist cover image is by La Jones’ then-lover and artistic collaborator Jean-Paul Goude. You should be able to find the striking gender-bending official video easily on YouTube.