𓃗
Mike Driver
he wasn't even looking at me and he found me

tannertan36
almost home
Not today Justin

bliss lane
No title available
The Bowery Presents
Cosmic Funnies

Product Placement
noise dept.

ellievsbear
h
NASA
let's talk about Bridgerton tea, my ask is open
No title available
Xuebing Du
★

roma★
seen from Tunisia

seen from United Kingdom
seen from United States

seen from Türkiye

seen from Portugal

seen from United States
seen from Brazil

seen from Türkiye
seen from Brazil

seen from Indonesia

seen from Netherlands

seen from Netherlands
seen from Türkiye

seen from Canada

seen from Malaysia
seen from Bangladesh

seen from Russia
seen from United Kingdom
seen from United States
seen from Belgium
@betulpeker
Renovation of a family house, Cappadocia.
2021
Wood engraving
Oak
Ateş
Chur
2025
Aquatint
Kupfer
2024
Druckwerkstatt Luzern.
Competition, proposal for museumizing the Roman ruin in Curinga, Italy
I. The Turkish Bath (Le Bain turc) Painting by Jean Auguste Dominique Ingres
II. III. IV. V. drawings and visualizations by Betül Peker and Jakub Dračka, 2024
The thermal baths of Acconia di Curinga is a harmonious blend of preservation, innovation, and sensory experience. The structure’s form, when viewed from above, is a testament to the rational grid inspired by the surrounding tree orchards. This grid, mirroring the hypocaust heating system, has been ingeniously translated into a new orchard of red-brown concrete columns, each proportioned differently to mimic the diversity of trees. The ruins themselves are encapsulated beneath an offset roof that not only casts shadows but also echoes the original structure’s shape. A wall, following the roof’s outline, gracefully crawls on the ground, reinforcing the historical silhouette. Roman-inspired windows perforate the roof strategically, allowing natural light to illuminate the interiors. These windows are not mere openings, they serve as architectural elements, transforming each space according to its historical function.
The immersive journey through the structure is facilitated by a path crafted from prefabricated steel, providing a lightweight contrast to the robust brick walls. Positioned close to the walls, it encourages visitors to engage their senses by touching and smelling the ancient materials. The scent of flowers and herbs planted within the small rooms and the garden further enriches the sensory experience. Orange and lemon trees, along with fragrant herbs like rosemary, creates an olfactory landscape. Thermae becomes a sensorial orchestra, playing with the elements of sound, light, darkness, silence, warmth, cold, and water. The frigidarium, filled with water and featuring a large window, exudes a cold and open ambiance. The gymnasium, with its open roof perforation, invites contemplation under the sky. In contrast, calidaria and tepidaria are intimate, dark spaces where small chimney-like windows distribute a subdued light. Aediculas, designed as a contemporary art gallery, adding a modern touch to the historical site. For those who prefer an external perspective, a strategically placed bench offers a shaded vantage point. The architectural design transcends mere visual aesthetics, aiming to engage visitors on a multisensory level, fostering a profound connection between the past and the present.
Schellack
Apfelbaumholz
Eiche
Furnier
Box Series IV, 2025 September
for Moritz
Schellack
Apfelbaumholz
Eiche
Furnier
Box Series III, 2025 Oktober
for Christina
Schindel
Schellack
Apfelbaumholz
Eiche
Furnier
Box Series II, 2025 July
for Zofia
Schellack
Eiche
Apfelbaum
Furnier
Japansäge
Box Series I, 2025 April
for Jakub
Küchen
Luzern, 2024
(I.) Mezzotinto und (II.) À la poupée (Encrage à la poupée)
(III) Mezzotinto
Betül Peker
"Cabinet of Curiosities"
Aquatint, 2024
Luzern
Betül Peker
Cabinet of Curiosities, A.P
Weimar, 2024
Betül Peker