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Pirelli Tyres – Vintage Italian Motoring Advertising Poster (c.1900–1940)

Pirelli Tyres – Vintage Italian Motoring Advertising Poster (c.1900–1940) From the very dawn of the automobile age through to the height of the interwar motoring boom, Pirelli — the Milan-based tyre manufacturer founded in 1872 — produced some of the most visually ambitious and technically impressive advertising in the history of Italian commercial art. This vintage poster, created somewhere in the rich period between 1900 and 1940, represents that tradition at its finest: bold, confident, and speaking the visual language of speed, precision, and Italian engineering excellence. Pirelli — From Milan to the World's Racing Circuits Giovanni Battista Pirelli founded his rubber products company in Milan in 1872, and within decades it had become one of the most innovative and respected tyre manufacturers in the world. Pirelli's involvement in motorsport — supplying tyres to racing teams from the earliest days of competitive motoring — gave the brand a prestige and a technical credibility that its advertising was always careful to reflect. The posters produced for Pirelli during the first four decades of the twentieth century are among the finest examples of Italian motoring art, their imagery combining technical aspiration with graphic sophistication in a way that few other manufacturers achieved. The Golden Age of Italian Motoring Advertising Italian motoring advertising in the early twentieth century was among the most visually spectacular commercial art of its time — brands competed for attention through the quality and ambition of their imagery, commissioning the finest illustrators and graphic designers of the day to communicate the excitement, freedom, and modernity that the automobile represented. Pirelli's posters are the gold standard of this tradition: technically informed, graphically bold, and alive with the energy of an industry that was changing the world. Digitally Restored for Modern Display Digitally restored by an artist — wear removed, colours refreshed, vintage character retained. A magnificent piece for motoring enthusiasts, collectors of Italian graphic design, and anyone who appreciates the graphic culture of the golden age of the automobile. Copyright: Personal use only — no resale or redistribution. Download includes 5 high-resolution JPEG files: 4×5 ratio — prints at 4×5″ up to 40×50cm 3×4 ratio — prints at 6×8″ up to 18×24″ 2×3 ratio — prints at 4×6″ up to 24×36″ International sizes — A5 to A1, 5×7″, 50×70cm 11×14″ Download link expires in 14 days. Files may be downloaded 3 times. Please contact us if you experience any difficulties. Read the full article

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Tessuto Jolly – Carlo Dradi (1954) | Vintage Italian Textile Advertising Poster

Tessuto Jolly – Carlo Dradi (1954) | Vintage Italian Textile Advertising Poster In 1954, Carlo Dradi — one of the most distinguished Italian graphic designers of the post-war period — created this elegant and inventive advertising poster for Tessuto Jolly, a textile brand whose name suggested playfulness, versatility, and the joie de vivre of Italian design in the decade of the economic miracle. The result is a masterclass in mid-century Italian graphic art: sophisticated, witty, and alive with the energy of a design culture at the height of its powers. Carlo Dradi — A Master of Italian Graphic Design Carlo Dradi (1908–1982) was one of the most significant figures in twentieth-century Italian graphic design — a designer, editor, and cultural impresario whose influence extended far beyond his individual commissions. As the founder and long-serving editor of Campo Grafico, the pioneering Italian graphic design magazine, he was a central figure in the development of Italian visual culture from the 1930s through the 1960s. His poster work combines the rigour and formal intelligence of the European modernist tradition with a distinctly Italian warmth and sense of style — qualities that the Tessuto Jolly poster exemplifies perfectly. Italian Textile Design in the 1950s The Italian textile industry in the 1950s was at the forefront of a global design revolution. As Italy's post-war economic recovery accelerated into the full-blown miracolo economico, its fashion and textile industries were establishing the international reputation for quality, innovation, and style that continues to define Italian design today. Brands like Tessuto Jolly were part of this moment — marketing fabrics and textiles to a consumer market that was newly prosperous, newly style-conscious, and hungry for the kind of design intelligence that Italian manufacturers were uniquely positioned to provide. Digitally Restored for Modern Display Digitally restored by an artist — wear removed, colours refreshed, vintage character retained. A sophisticated and historically significant piece for admirers of Italian graphic design, mid-century modernism, and the visual culture of 1950s Italy. Copyright: Personal use only — no resale or redistribution. Download includes 5 high-resolution JPEG files: 4×5 ratio — prints at 4×5″ up to 40×50cm 3×4 ratio — prints at 6×8″ up to 18×24″ 2×3 ratio — prints at 4×6″ up to 24×36″ International sizes — A5 to A1, 5×7″, 50×70cm 11×14″ Download link expires in 14 days. Files may be downloaded 3 times. Please contact us if you experience any difficulties. Read the full article

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Monaco – Etienne Clérissi (c.1930–1938) | Vintage French Riviera Travel Poster

Monaco – Etienne Clerissi (c.1930–1938) | Vintage French Riviera Travel Poster The Principality of Monaco in the 1930s was at the very pinnacle of European glamour — a tiny state perched above the Mediterranean, its casino, harbour, and hillside villas the backdrop for the most fashionable society in the world. Etienne Clérissi's travel poster for Monaco, created between 1930 and 1938, captures this world with the confident elegance of a golden age that knew exactly how beautiful it was. Etienne Clérissi and the Art of the Travel Poster Etienne Clérissi was one of the most gifted French travel poster artists of the interwar period, his work distinguished by a sophisticated sense of composition, a mastery of colour, and an ability to distil the essential character of a place into a single unforgettable image. His Monaco poster exemplifies these qualities: whatever the precise composition, it speaks the visual language of Mediterranean luxury and leisure that the great travel posters of the 1930s elevated into a genuine art form. Monaco — The World's Most Glamorous Destination By the 1930s, Monaco had been drawing the wealthy and the fashionable for more than half a century — since the opening of the Casino de Monte-Carlo in 1863 had transformed the tiny principality into the pleasure capital of Europe. The interwar years represented the height of this golden age: the harbour filled with magnificent yachts, the hillsides dotted with Belle Époque and Art Deco villas, the casino terraces alive with the international set. Travel posters of this period played a crucial role in sustaining and projecting this image of glamour and exclusivity. Digitally Restored for Modern Display Digitally restored by an artist — major wear removed, colours refreshed, vintage character retained. A magnificent piece for admirers of the French Riviera, vintage travel art, and the living room or study wall that deserves a touch of Mediterranean elegance. Copyright: Personal use only — no resale or redistribution. Download includes 5 high-resolution JPEG files: 4×5 ratio — prints at 4×5″ up to 40×50cm 3×4 ratio — prints at 6×8″ up to 18×24″ 2×3 ratio — prints at 4×6″ up to 24×36″ International sizes — A5 to A1, 5×7″, 50×70cm 11×14″ Download link expires in 14 days. Files may be downloaded 3 times. Please contact us if you experience any difficulties. Read the full article

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Vintage Cin Cin Cinzano – Italian Vermouth Advertising Poster

Cin Cin Cinzano – Vintage Italian Vermouth Advertising Poster (1951–1960) Cin cin — the Italian toast, cheerful and convivial, the sound of glasses meeting across a table — could not have a more fitting brand attached to it than Cinzano, the Turin vermouth house whose name has been synonymous with Italian aperitivo culture for more than two centuries. This vivid poster, created between 1951 and 1960 at the height of Italy's post-war economic miracle, captures that spirit of celebration and sociability with all the graphic confidence of the era. Cinzano — Turin's Great Vermouth House The House of Cinzano was founded in Turin in 1757 by the brothers Giovanni and Carlo Stefano Cinzano, making it one of the oldest vermouth producers in the world. Like its great rival Carpano — also Turin-born — Cinzano grew from the city's rich tradition of aromatic wine production into an international brand of the first order, its red and white vermouths and sparkling wines becoming fixtures at aperitivo hours from Milan to Buenos Aires. By the 1950s, Cinzano's advertising was among the most celebrated in Italy, commissioning some of the finest graphic artists of the day to communicate its message of conviviality and pleasure. The Art of the Aperitivo The Italian aperitivo hour — that suspended moment between the working day and the evening, a glass of something cold and aromatic, good company, the day's business set aside — is one of the great institutions of Italian life, and Cinzano has always been at its centre. This poster from the 1950s captures that moment with the warmth and wit that Italian drinks advertising of the period did better than almost anyone else in the world. Digitally Restored for Modern Display Digitally restored by an artist — wear removed, colours refreshed, vintage character retained. An ideal piece for lovers of Italian aperitivo culture, mid-century graphic design, and the bar or kitchen wall that calls for genuine personality. Copyright: Personal use only — no resale or redistribution. Download includes 5 high-resolution JPEG files: 4×5 ratio — prints at 4×5″ up to 40×50cm 3×4 ratio — prints at 6×8″ up to 18×24″ 2×3 ratio — prints at 4×6″ up to 24×36″ International sizes — A5 to A1, 5×7″, 50×70cm 11×14″ Download link expires in 14 days. Files may be downloaded 3 times. Please contact us if you experience any difficulties. Read the full article

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Birra Wuhrer Brescia – Leonetto Cappiello (1923) | Vintage Italian Beer Advertising Poster

Birra Wuhrer Brescia – Leonetto Cappiello (1923) In 1923, Leonetto Cappiello turned his extraordinary graphic gifts to the advertising of Birra Wuhrer — the brewery established in Brescia in 1829 that had grown by the early twentieth century into one of northern Italy's most celebrated beer producers. The result is a poster of characteristic Cappiello brilliance: a single vivid image, instantly readable, charged with energy and wit, and impossible to forget. Leonetto Cappiello — The Father of Modern Advertising Leonetto Cappiello (1875–1942) was born in Livorno and trained as a caricaturist before relocating to Paris, where he transformed the art of the advertising poster. Where his predecessors cluttered their designs with text and complexity, Cappiello stripped everything back to a single unforgettable image isolated against a flat, saturated background — a revolution in commercial art whose influence is still felt today. His posters for Campari, Bouillon Kub, Chocolat Klaus, and dozens of other brands set a standard that defined the medium for generations. Birra Wuhrer — A Brescia Institution Founded in 1829 by the Austrian entrepreneur Peter Wuhrer, the Birra Wuhrer brewery in Brescia became one of the most important brewing operations in northern Italy, its lager-style beers reflecting the central European traditions of its founder while adapting to the tastes of the Italian market. By 1923, Wuhrer was a well-established brand with a loyal following across Lombardy — a client entirely worthy of the finest commercial artist in Europe. A Digitally Restored Classic for Your Walls Digitally restored by an artist — wear removed, colours refreshed, vintage character retained. A wonderful piece for lovers of Italian brewing history, Art Deco graphic design, and the kitchen or bar wall that deserves something genuinely special. Copyright: Personal use only — no resale or redistribution. Download includes 5 high-resolution JPEG files: 4×5 ratio — prints at 4×5″ up to 40×50cm 3×4 ratio — prints at 6×8″ up to 18×24″ 2×3 ratio — prints at 4×6″ up to 24×36″ International sizes — A5 to A1, 5×7″, 50×70cm 11×14″ Download link expires in 14 days. Files may be downloaded 3 times. Please contact us if you experience any difficulties. Read the full article

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Vintage Cin Cin Cinzano – Italian Vermouth Advertising Poster

Cin Cin Cinzano – Vintage Italian Vermouth Advertising Poster (1951–1960) Cin cin — the Italian toast, cheerful and convivial, the sound of glasses meeting across a table — could not have a more fitting brand attached to it than Cinzano, the Turin vermouth house whose name has been synonymous with Italian aperitivo culture for more than two centuries. This vivid poster, created between 1951 and 1960 at the height of Italy's post-war economic miracle, captures that spirit of celebration and sociability with all the graphic confidence of the era. Cinzano — Turin's Great Vermouth House The House of Cinzano was founded in Turin in 1757 by the brothers Giovanni and Carlo Stefano Cinzano, making it one of the oldest vermouth producers in the world. Like its great rival Carpano — also Turin-born — Cinzano grew from the city's rich tradition of aromatic wine production into an international brand of the first order, its red and white vermouths and sparkling wines becoming fixtures at aperitivo hours from Milan to Buenos Aires. By the 1950s, Cinzano's advertising was among the most celebrated in Italy, commissioning some of the finest graphic artists of the day to communicate its message of conviviality and pleasure. The Art of the Aperitivo The Italian aperitivo hour — that suspended moment between the working day and the evening, a glass of something cold and aromatic, good company, the day's business set aside — is one of the great institutions of Italian life, and Cinzano has always been at its centre. This poster from the 1950s captures that moment with the warmth and wit that Italian drinks advertising of the period did better than almost anyone else in the world. Digitally Restored for Modern Display Digitally restored by an artist — wear removed, colours refreshed, vintage character retained. An ideal piece for lovers of Italian aperitivo culture, mid-century graphic design, and the bar or kitchen wall that calls for genuine personality. Copyright: Personal use only — no resale or redistribution. Download includes 5 high-resolution JPEG files: 4×5 ratio — prints at 4×5″ up to 40×50cm 3×4 ratio — prints at 6×8″ up to 18×24″ 2×3 ratio — prints at 4×6″ up to 24×36″ International sizes — A5 to A1, 5×7″, 50×70cm 11×14″ Download link expires in 14 days. Files may be downloaded 3 times. Please contact us if you experience any difficulties. Read the full article

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Vintage Illy Coffee Italian Coffee Advertising Poster

Illy Coffee – Alexander Schawinsky (Xanti) (c.1934) | Vintage Italian Coffee Advertising Poster Around 1934, the pioneering Bauhaus-trained graphic designer Alexander Schawinsky — known professionally as Xanti — created this landmark advertising poster for Illy Coffee, the Trieste-based coffee company founded just two years earlier by Francesco Illy. The result is one of the most significant intersections of avant-garde design and Italian commercial culture in the interwar period: a poster that brought the radical visual language of the European modernist movement to bear on the most Italian of daily rituals — the espresso. Xanti Schawinsky — Bauhaus Meets Italian Coffee Alexander Schawinsky (1904–1979) was born in Basel and trained at the Bauhaus in Dessau under masters including Paul Klee, Wassily Kandinsky, and László Moholy-Nagy. He arrived in Italy in the early 1930s, where his modernist graphic sensibility found a ready market among Italy's more progressive commercial clients. His work for Illy — clean, bold, and rigorously modern — stands in striking contrast to the more decorative traditions of Italian commercial art of the period, and marks a significant moment in the development of Italian graphic design. Illy — Trieste's Gift to Coffee Culture Francesco Illy founded his coffee company in Trieste in 1933, bringing with him the Austrian and Central European coffee culture of the city's Habsburg past and combining it with the Italian passion for espresso. His innovation — the first automatic espresso machine, the illetta — and his insistence on quality and consistency established Illy as one of the world's most respected coffee brands within a generation. Schawinsky's 1934 poster was part of the visual identity that announced the brand to the world at the very beginning of its story. Digitally Restored for Modern Display Digitally restored by an artist — wear removed, colours refreshed, vintage character retained. An extraordinary piece for coffee lovers, admirers of Bauhaus design and Italian modernism, and the kitchen or café wall that deserves something genuinely historic. Copyright: Personal use only — no resale or redistribution. Download includes 5 high-resolution JPEG files: 4×5 ratio — prints at 4×5″ up to 40×50cm 3×4 ratio — prints at 6×8″ up to 18×24″ 2×3 ratio — prints at 4×6″ up to 24×36″ International sizes — A5 to A1, 5×7″, 50×70cm 11×14″ Download link expires in 14 days. Files may be downloaded 3 times. Please contact us if you experience any difficulties. Read the full article

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Vintage Illy Coffee Italian Coffee Advertising Poster

Illy Coffee – Alexander Schawinsky (Xanti) (c.1934) | Vintage Italian Coffee Advertising Poster Around 1934, the pioneering Bauhaus-trained graphic designer Alexander Schawinsky — known professionally as Xanti — created this landmark advertising poster for Illy Coffee, the Trieste-based coffee company founded just two years earlier by Francesco Illy. The result is one of the most significant intersections of avant-garde design and Italian commercial culture in the interwar period: a poster that brought the radical visual language of the European modernist movement to bear on the most Italian of daily rituals — the espresso. Xanti Schawinsky — Bauhaus Meets Italian Coffee Alexander Schawinsky (1904–1979) was born in Basel and trained at the Bauhaus in Dessau under masters including Paul Klee, Wassily Kandinsky, and László Moholy-Nagy. He arrived in Italy in the early 1930s, where his modernist graphic sensibility found a ready market among Italy's more progressive commercial clients. His work for Illy — clean, bold, and rigorously modern — stands in striking contrast to the more decorative traditions of Italian commercial art of the period, and marks a significant moment in the development of Italian graphic design. Illy — Trieste's Gift to Coffee Culture Francesco Illy founded his coffee company in Trieste in 1933, bringing with him the Austrian and Central European coffee culture of the city's Habsburg past and combining it with the Italian passion for espresso. His innovation — the first automatic espresso machine, the illetta — and his insistence on quality and consistency established Illy as one of the world's most respected coffee brands within a generation. Schawinsky's 1934 poster was part of the visual identity that announced the brand to the world at the very beginning of its story. Digitally Restored for Modern Display Digitally restored by an artist — wear removed, colours refreshed, vintage character retained. An extraordinary piece for coffee lovers, admirers of Bauhaus design and Italian modernism, and the kitchen or café wall that deserves something genuinely historic. Copyright: Personal use only — no resale or redistribution. Download includes 5 high-resolution JPEG files: 4×5 ratio — prints at 4×5″ up to 40×50cm 3×4 ratio — prints at 6×8″ up to 18×24″ 2×3 ratio — prints at 4×6″ up to 24×36″ International sizes — A5 to A1, 5×7″, 50×70cm 11×14″ Download link expires in 14 days. Files may be downloaded 3 times. Please contact us if you experience any difficulties. Read the full article

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Vintage Illy Coffee Italian Coffee Advertising Poster

Illy Coffee – Alexander Schawinsky (Xanti) (c.1934) | Vintage Italian Coffee Advertising Poster Around 1934, the pioneering Bauhaus-trained graphic designer Alexander Schawinsky — known professionally as Xanti — created this landmark advertising poster for Illy Coffee, the Trieste-based coffee company founded just two years earlier by Francesco Illy. The result is one of the most significant intersections of avant-garde design and Italian commercial culture in the interwar period: a poster that brought the radical visual language of the European modernist movement to bear on the most Italian of daily rituals — the espresso. Xanti Schawinsky — Bauhaus Meets Italian Coffee Alexander Schawinsky (1904–1979) was born in Basel and trained at the Bauhaus in Dessau under masters including Paul Klee, Wassily Kandinsky, and László Moholy-Nagy. He arrived in Italy in the early 1930s, where his modernist graphic sensibility found a ready market among Italy's more progressive commercial clients. His work for Illy — clean, bold, and rigorously modern — stands in striking contrast to the more decorative traditions of Italian commercial art of the period, and marks a significant moment in the development of Italian graphic design. Illy — Trieste's Gift to Coffee Culture Francesco Illy founded his coffee company in Trieste in 1933, bringing with him the Austrian and Central European coffee culture of the city's Habsburg past and combining it with the Italian passion for espresso. His innovation — the first automatic espresso machine, the illetta — and his insistence on quality and consistency established Illy as one of the world's most respected coffee brands within a generation. Schawinsky's 1934 poster was part of the visual identity that announced the brand to the world at the very beginning of its story. Digitally Restored for Modern Display Digitally restored by an artist — wear removed, colours refreshed, vintage character retained. An extraordinary piece for coffee lovers, admirers of Bauhaus design and Italian modernism, and the kitchen or café wall that deserves something genuinely historic. Copyright: Personal use only — no resale or redistribution. Download includes 5 high-resolution JPEG files: 4×5 ratio — prints at 4×5″ up to 40×50cm 3×4 ratio — prints at 6×8″ up to 18×24″ 2×3 ratio — prints at 4×6″ up to 24×36″ International sizes — A5 to A1, 5×7″, 50×70cm 11×14″ Download link expires in 14 days. Files may be downloaded 3 times. Please contact us if you experience any difficulties. Read the full article

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Vintage Carpano Bicchiere Poster

Vintage Carpano Bicchiere Poster The phrase Re Dal 1786 — "By Royal Appointment since 1786" — appears on Carpano's livery as a mark of the extraordinary heritage that distinguishes the Turin vermouth house from all its competitors. In this 1960 poster, Armando Testa weaves this historic credential into a design for Punt e Mes that is at once deeply rooted in tradition and thrillingly modern in its graphic language. Royal Heritage, Modern Design Carpano's royal warrant dates to the earliest years of the brand, when Antonio Benedetto Carpano's vermouth caught the attention of the House of Savoy. The Re Dal 1786 designation was a mark of approval that Carpano wore with quiet pride for nearly two centuries. Testa's brilliance lay in finding a graphic form for this heritage that felt neither stuffy nor antiquated — he made history look cool, which is perhaps the greatest achievement in luxury branding. Punt e Mes — Carpano's Crown Jewel Punt e Mes, Carpano's signature bitter vermouth, was by 1960 one of the most recognised aperitivo brands in Italy and increasingly abroad. Its distinctive balance of sweetness and bitterness — that famous "point and a half" — made it a favourite with bartenders and drinkers who wanted something more complex and characterful than a straight sweet vermouth. Testa's poster series for Punt e Mes played a significant role in cementing this identity. A Design for the Ages Restored with meticulous care from an original vintage source, this poster unites graphic brilliance, royal heritage, and aperitivo culture in a single image. A superb piece for collectors and design enthusiasts who appreciate the depth of Italian commercial art at its finest. The poster has been carefully digitally restored by an artist remove any major signs of wear and tear and to refresh the original colours, retaining the vintage character of the poster. COPYRIGHT: For personal use only. You should not physically resell or digitally redistribute the artworks as originals nor as modified. WHAT YOU WILL GET You will receive a download link to enable you to download the high resolution files with different ratios. They are in JPEG format. Your link will expire in 14 days and you will be able to download the files 3 times. Please contact us if you encounter any difficulties with this. A 4x5 ratio file for printing 4"x5", 8"x10", 16"x20", 40x50cm. A 3x4 ratio file for printing 6"x8", 9"x12", 12"x16", 18"x24". A 2x3 ratio file for printing 4"x6", 6"x9", 8"x12", 10"x15", 12"x18", 16"x24", 20"x30", 24"x36". An international paper size file for printing 5"x7", A5, A4, A3, A2, A1, 50x70cm. A file for printing 11"x14". Read the full article

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Chocolat Suchard – Vintage Swiss Chocolate Advertising Poster (c.1900–1930)

Chocolat Suchard – Vintage Swiss Chocolate Advertising Poster (c.1900–1930) Few names in the history of European chocolate carry quite the weight of Suchard — the Swiss house founded in Neuchâtel in 1826 by Philippe Suchard, whose passion for quality and innovation transformed chocolate from an exotic luxury into one of the great everyday pleasures of modern life. This vintage advertising poster, created somewhere in the rich period between 1900 and 1930, captures the brand at the height of its belle époque prestige — elegant, assured, and radiating the quiet confidence of a company that knew it made something exceptional. Philippe Suchard and the Birth of Swiss Chocolate Philippe Suchard (1797–1884) founded his chocolate factory in Serrières, near Neuchâtel, in 1826, having been captivated by chocolate during a visit to the United States and inspired by the possibilities of industrial production. His instinct proved correct: within decades, Suchard was one of the most celebrated chocolate brands in Europe, its Milka chocolate — launched in 1901 — going on to become one of the best-selling confections in the world. The early advertising material produced for the brand, of which this poster is a fine example, reflects the sophisticated visual culture of Swiss and French commercial art at its finest. A Masterpiece of Early Chocolate Advertising Chocolate advertising in the Belle Époque and early Art Deco period was among the most visually ambitious commercial art of its time — brands competed for attention through quality of illustration, richness of colour, and the appeal of their imagery to an increasingly sophisticated consumer market. This Suchard poster stands squarely in that tradition, a work of genuine graphic quality that transcends its commercial origins. Digitally Restored for Modern Display Digitally restored by an artist — wear removed, colours refreshed, vintage character retained. A wonderful piece for chocolate lovers, admirers of Swiss and French graphic art, and the kitchen or dining room that deserves something truly distinguished. Copyright: Personal use only — no resale or redistribution. Download includes 5 high-resolution JPEG files: 4×5 ratio — prints at 4×5″ up to 40×50cm 3×4 ratio — prints at 6×8″ up to 18×24″ 2×3 ratio — prints at 4×6″ up to 24×36″ International sizes — A5 to A1, 5×7″, 50×70cm 11×14″ Download link expires in 14 days. Files may be downloaded 3 times. Please contact us if you experience any difficulties. Read the full article

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Caramelle Venchi – Leonetto Cappiello (1923) | Vintage Italian Confectionery Advertising Poster

Caramelle Venchi – Leonetto Cappiello (1923) The great Leonetto Cappiello created this irresistible advertising poster for Caramelle Venchi in 1923 — a composition that captures the joy and indulgence of one of Italy's most beloved confectionery brands with characteristic wit and graphic brio. Venchi, founded in Cuneo in 1878 by Silviano Venchi, had by the 1920s established itself as a byword for quality Italian sweets and chocolate, and Cappiello's poster gave the brand a visual identity of unforgettable energy and charm. Cappiello and the Sweet Tooth of Italy Leonetto Cappiello (1875–1942) had a particular gift for food and confectionery advertising — his instinct for the image that makes the mouth water, that communicates pleasure and delight in a single glance, was unmatched in his generation. The Venchi caramelle poster is a fine example: whatever the exact image, it speaks the universal language of sweetness and satisfaction that Cappiello had made his own across decades of brilliant commercial work. Venchi — A Piedmontese Sweet Tradition Venchi's story begins in the heart of Piedmont — the region that gave Italy its finest chocolates, its most celebrated gianduja, and its tradition of artisanal confectionery that has never been surpassed. From its origins in a small Cuneo workshop, Venchi grew into one of the most respected confectionery brands in Italy, its caramelle, pralines, and chocolates winning international awards and loyal customers across Europe. Today, more than 140 years after its founding, the brand remains a symbol of Italian sweetness at its finest. A Digitally Restored Classic Digitally restored by an artist — wear removed, colours refreshed, vintage character retained. A delightful piece for lovers of Italian design, confectionery history, and the kitchen or dining room wall that calls for something genuinely special. Copyright: Personal use only — no resale or redistribution. Download includes 5 high-resolution JPEG files: 4×5 ratio — prints at 4×5″ up to 40×50cm 3×4 ratio — prints at 6×8″ up to 18×24″ 2×3 ratio — prints at 4×6″ up to 24×36″ International sizes — A5 to A1, 5×7″, 50×70cm 11×14″ Download link expires in 14 days. Files may be downloaded 3 times. Please contact us if you experience any difficulties. Read the full article

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Mauls Cioccolata e Pralines – Alberto Bianchi (1930–1935) | Vintage Italian Chocolate Advertising Poster

Mauls Cioccolata e Pralines – Alberto Bianchi (1930–1935) | Vintage Italian Chocolate Advertising Poster Between 1930 and 1935, at the height of the Italian Art Deco period, Alberto Bianchi created this exquisite advertising poster for Mauls Cioccolata e Pralines — a confectionery brand that combined the finest chocolate and praline traditions of northern Italy with the sophisticated marketing sensibility of the interwar years. Bianchi's composition brings to the subject all the elegance, warmth, and graphic confidence that characterised his finest commercial work of the period. Alberto Bianchi — Master of Italian Art Deco Illustration Alberto Bianchi was one of the most accomplished Italian commercial artists of the interwar period, his work distinguished by a fluency of figure drawing, a sophisticated sense of colour, and an ability to combine decorative elegance with clear commercial impact. His posters for a wide range of Italian clients — from wine producers to confectioners — are now recognised as significant works of Italian graphic art, documents of a period when Italian commercial culture was producing some of the most visually distinguished advertising in Europe. The Art of the Italian Praline The tradition of fine chocolate and praline making in northern Italy — particularly in Piedmont, with its incomparable gianduja, and in the alpine regions bordering Austria and Switzerland — was one of the great European confectionery achievements of the nineteenth and early twentieth centuries. Mauls, positioned at the intersection of Italian and Central European traditions, represented that heritage with pride, and Bianchi's poster gives it a visual statement of corresponding quality and ambition. Digitally Restored for Modern Display Digitally restored by an artist — wear removed, colours refreshed, vintage character retained. A delightful piece for chocolate enthusiasts, admirers of Italian Art Deco design, and the kitchen, dining room, or café wall that calls for something with genuine charm and history. Copyright: Personal use only — no resale or redistribution. Download includes 5 high-resolution JPEG files: 4×5 ratio — prints at 4×5″ up to 40×50cm 3×4 ratio — prints at 6×8″ up to 18×24″ 2×3 ratio — prints at 4×6″ up to 24×36″ International sizes — A5 to A1, 5×7″, 50×70cm 11×14″ Download link expires in 14 days. Files may be downloaded 3 times. Please contact us if you experience any difficulties. Read the full article

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Pastificio Baroni – Vintage Italian Pasta Advertising Poster (1925–1935)

Pastificio Baroni – Vintage Italian Pasta Advertising Poster (1925–1935) Between 1925 and 1935, as Italy's pasta industry was consolidating its position as the cornerstone of the national diet and a source of considerable national pride, Pastificio Baroni commissioned this vibrant advertising poster — a work that captures the energy and colour of Italian food culture in the interwar period with characteristic warmth and appetite. Pasta and Italian Identity By the 1920s, the Italian pasta industry had undergone a transformation — mechanised production, improved durum wheat cultivation, and the growth of a national distribution network had turned regional specialities into national staples. Pasta producers of the period invested heavily in advertising, commissioning some of the most colourful and exuberant commercial art of the interwar years to distinguish their brands in an increasingly competitive market. The Baroni poster is a fine example of this tradition: food advertising as genuine graphic art, rooted in Italian culture and alive with the pleasure of the table. The Golden Age of Italian Food Advertising Italian food and drink advertising in the 1920s and 1930s produced some of the most visually rich commercial art of the twentieth century — posters for pasta, wine, olive oil, and confectionery that combined graphic boldness with a deep-rooted cultural understanding of what food means in Italian life. The Pastificio Baroni poster belongs in this distinguished company: an image that makes the viewer hungry not just for pasta but for the Italy it represents — warm, generous, and supremely confident in its pleasures. Digitally Restored for Modern Display Digitally restored by an artist — wear removed, colours refreshed, vintage character retained. A wonderful piece for pasta lovers, Italian food enthusiasts, and the kitchen or dining room wall that calls for something with genuine character and cultural depth. Copyright: Personal use only — no resale or redistribution. Download includes 5 high-resolution JPEG files: 4×5 ratio — prints at 4×5″ up to 40×50cm 3×4 ratio — prints at 6×8″ up to 18×24″ 2×3 ratio — prints at 4×6″ up to 24×36″ International sizes — A5 to A1, 5×7″, 50×70cm 11×14″ Download link expires in 14 days. Files may be downloaded 3 times. Please contact us if you experience any difficulties. Read the full article

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Vichy Golf – Bernard Villemot (1950–1955) | Vintage French Travel Poster

Vichy Golf – Bernard Villemot (1950–1955) | Vintage French Travel Poster Between 1950 and 1955, Bernard Villemot — one of the greatest French poster artists of the twentieth century — created this elegant travel poster for Vichy, the celebrated spa town of the Auvergne whose thermal springs and sporting facilities had been drawing fashionable visitors since the nineteenth century. The golf motif is perfectly chosen: by the early 1950s, Vichy's golf course was one of the finest in France, and the combination of thermal cure and sporting leisure made the town one of the most complete resort destinations in Europe. Bernard Villemot — A Master of the French Poster Bernard Villemot (1911–1989) was one of the defining figures of French graphic design in the post-war period, his posters for Bally shoes, Orangina, Air France, and dozens of other clients celebrated for their combination of graphic simplicity, colour mastery, and human warmth. His style — bold, clean, and suffused with an understanding of how to make an image immediately appealing — was perfectly suited to travel advertising, where the challenge is always to make the viewer want to be somewhere else. The Vichy Golf poster is a fine example of his mature work: confident, elegant, and entirely memorable. Vichy — France's Premier Spa Town Vichy's thermal springs had been celebrated since Roman times, and the town's development as a fashionable resort accelerated dramatically in the nineteenth century when Napoleon III made it his regular summer residence. By the 1950s, Vichy offered its visitors a remarkable combination of therapeutic waters, elegant architecture, fine restaurants, and first-class sporting facilities — including the golf course that Villemot's poster so memorably celebrates. It was, in short, one of the great destinations of post-war French leisure culture. Digitally Restored for Modern Display Digitally restored by an artist — wear removed, colours refreshed, vintage character retained. A superb piece for golf enthusiasts, admirers of French travel art, and anyone who appreciates the elegant leisure culture of post-war France. Copyright: Personal use only — no resale or redistribution. Download includes 5 high-resolution JPEG files: 4×5 ratio — prints at 4×5″ up to 40×50cm 3×4 ratio — prints at 6×8″ up to 18×24″ 2×3 ratio — prints at 4×6″ up to 24×36″ International sizes — A5 to A1, 5×7″, 50×70cm 11×14″ Download link expires in 14 days. Files may be downloaded 3 times. Please contact us if you experience any difficulties. Read the full article

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Amaro Montenegro, Italian Vintage Food & Drink Poster, Restaurant Bar Kitchen Poster Print

Amaro Montenegro, Italian Vintage Food & Drink Poster. Vintage Italian food and drink advertising poster. Amaro Monte Negro, the illustration was originally by Marcello Dudovich in1900. This vintage, retro Italian food poster encapsulates the glamour of times gone by and features a woman in floating art nouveau blue clothes next to a giant bottle of Amaro Montenegro. Amaro Montenegro is a well known Italian digestivo which is typically drunk after a meal to aid digestion. It can also be drunk as an aperitif or aperitivo. The poster would make a great dining room, restaurant, bar or café poster and would also look good as a dining room, kitchen print.   Read the full article

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La Belle Dame Sans Merci Robe du soir de Worth – George Barbier 1921 Vintage Fashion Print (Copy)

La Belle Dame Sans Merci – Robe du soir de Worth – George Barbier (1921) Vintage Fashion Poster Mystery, elegance, and the dangerous allure of beauty — George Barbier's 1921 fashion illustration La Belle Dame Sans Merci is one of the most dramatically charged and visually arresting works in his celebrated catalogue. Created for a Worth evening gown and preserved in the Rijksmuseum in Amsterdam, it is an image that has lost none of its power in over a century. The Title – Keats, Worth, and Barbier The title La Belle Dame Sans Merci — "The Beautiful Lady Without Mercy" — is borrowed from the medieval French poem made famous in English by the Romantic poet John Keats in 1819. In Barbier's hands, the phrase becomes a label for the modern fashionable woman: imperious, magnificent, and utterly indifferent to the hearts she breaks. The gown is a creation of the House of Worth — the legendary Paris couture house founded by Charles Frederick Worth in 1858, which had been dressing royalty, aristocracy, and society's most brilliant women for over sixty years by the time this illustration was made. George Barbier and the House of Worth Worth was one of the houses whose creations Barbier illustrated most memorably in the pages of Gazette du Bon Ton. The collaboration between Barbier's visual imagination and Worth's architectural gowns produced some of the most iconic fashion images of the early 1920s. La Belle Dame Sans Merci — with its birds of paradise, dramatic silhouette, and electric palette — is among the finest of these collaborations. A Piece of Fashion History for Your Space Born in Nantes in 1882, George Barbier was the supreme visual poet of the Jazz Age. His work for the world's most prestigious fashion publications, his theatre collaborations with Erté and Diaghilev, and his pochoir illustrations for luxury editions placed him at the very centre of the 1920s cultural world. This illustration, produced at the height of his powers, is a masterwork of mood, glamour, and graphic confidence. The poster has been carefully digitally restored by an artist to remove any major signs of wear and tear and to refresh the original colours, retaining the vintage character of the poster. COPYRIGHT: For personal use only. You should not physically resell or digitally redistribute the artworks as originals nor as modified. WHAT YOU WILL GET You will receive a download link enabling you to access high-resolution JPEG files in multiple print ratios. Your link will expire in 14 days and can be used up to 3 times. Please contact us if you encounter any difficulties. A 4×5 ratio file for printing 4×5″, 8×10″, 16×20″, 40×50cm. A 3×4 ratio file for printing 6×8″, 9×12″, 12×16″, 18×24″. A 2×3 ratio file for printing 4×6″, 6×9″, 8×12″, 10×15″, 12×18″, 16×24″, 20×30″, 24×36″. An international paper size file for printing 5×7″, A5, A4, A3, A2, A1, 50×70cm. A file for printing 11″×14″. Read the full article