Final Project ~ #BlackLivesFinal
RMH
🪼
occasionally subtle

⁂

Product Placement
Jules of Nature

blake kathryn
he wasn't even looking at me and he found me
taylor price
Three Goblin Art
let's talk about Bridgerton tea, my ask is open
Claire Keane

#extradirty

Andulka

Origami Around
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ

tannertan36

Kaledo Art

PR's Tumblrdome
seen from United States

seen from Türkiye

seen from Russia

seen from United States

seen from United Kingdom

seen from Colombia
seen from United States
seen from Greece
seen from Canada
seen from Russia
seen from Chile
seen from Vietnam

seen from Russia
seen from Russia
seen from United States
seen from United States
seen from United States
seen from Singapore
seen from United States

seen from Malaysia
@bigmackie
Final Project ~ #BlackLivesFinal
My Final Project ~ Work in Progress
#BlackLives Matter
My final project ~ work in progress
For my final project, I am going to focus on social identity and power. Social life in the United States continues to be categorized by significant racial stratification In the media, rap artists have become associated with a particular brand (way of life): foul language, drugs, sex, the objectification of women, and violence. Black people are marginalized due to negative stereotypical depictions and images that are perpetuated throughout the media.
Through the compilation of songs rappers created as a tribute to the killing of unarmed black men, I plan to create a video featuring clips from riots in Ferguson and movie clips portraying police brutality and racial profiling, in hopes of challenging the negative perception and stigma surrounding black rappers that is then bequeathed upon the black community.
For my final project, I am going to focus on social identity and power. Social life in the United States continues to be categorized by significant racial stratification In the media, rap artists have become associated with a particular brand (way of life): foul language, drugs, sex, the objectification of women, and violence. Black people are marginalized due to negative stereotypical depictions and images that are perpetuated throughout the media.
Through the compilation of songs rappers created as a tribute to the killing of unarmed black men, I plan to create a video featuring clips from riots in Ferguson and movie clips portraying police brutality and racial profiling, in hopes of challenging the negative perception and stigma surrounding black rappers that is then bequeathed upon the black community.
Yes Please, a memoir written by Amy Poehler, allows readers to follow her success through several personal and quite humerous memories. Throughout the memoir, by using her personal experiences as an example, Poehler shares extremely sincere, earnest, and hilarious advice- almost as if you (the reader) are inside her mind, watching as she reminisces about her experiences growing up in Boston, attending her first improv classes, sitting in Bono’s lap while winning a Golden Globe award; essentially following her career and learning to understand her decisions and opinions.
As I am now reflecting, one of the many parts of Yes Please that stood out to me and has stuck with me is Poehler’s discussion on one’s inner voice- referring to it as an “inner demon”. She describes the “inner demon” as the voice inside (your) head that tells you that you are not as good, skinny, good-looking (whatever your inner demon may be saying). She normalizes this and explains that silencing your inner demon can be extremely difficult and although it never truly goes away, you can eventually learn to silence the demon… “even demons need to sleep”. Through sharing her personal memories, obstacles, and vulnerabilities, Poehler also gives great advice and allows readers to truly “get to know” her as a human being rather than a public figure. Poehler is in a sense, changing the perspective that the general public may have on celebrities as arrogant and pompous.
Yes Please is an extremely pleasing, hilarious, and insightful read. Poehler's memoir is most definitely a product of her fame, as the stories told and memories reflected upon solely focus on the build up of her career and her fame and success. She owns up to her flaws and her mistakes and takes note of and recognizes her privilege. By sharing these personal memories and insight into “Hollywood”, she comes across very down to earth, grounded, and genuine- aware that her fame does not make her better than any other individual, just more publicly recognized.
Blackfish, a documentary film released in the summer of 2013, follows the story of captive killer whale named Tilikum, who has taken the lives of several trainers at the amusement sea-park industry. The documentary allows for people to witness how little trainers at SeaWorld, and other sea-parks, actually know about the wild mammals. In the wild, killer whales are recorded to swim more than 100 miles per day- but at SeaWorld, the 8,000 pound whales are forced to spend ¾ of their lives virtually motionless in concrete tanks. When Blackfish was released, SeaWorld and other marine amusement parks received serious backlash not only from the general public, but from animal rights organizations. PETA, People for the Ethical Treatment of Animals, a nonprofit organization, launched an enormous campaign against SeaWorld. PETA accused SeaWorld of caring for the orcas poorly and treating them cruelly, leading to the mammals inevitable death at an unusually young age.
Blackfish exposes and reveals the inhumane process of capturing the orcas, the captive lives they lead, and even the orcas eventual, disheartening deaths. Onlookers and audiences at SeaWorld are often blinded by the tricks performed and amusement provided by these orcas, failing to question any claims made by the employees and trainers. Blackfish allows for us, as moral beings, to recognize the abuse and untruthful cover stories presented to the public by the marine amusement park companies regarding the treatment the captive orcas receive and the unfortunate, brutal deaths of the trainers.
According to online research, “the stock is down about 35% since it (Blackfish) went public in 2013” (CNN, 2015). In November of 2015, SeaWorld announced that they plan to phase out the orca shows at its San Diego park- many believed that the changes were due to the public outcry and backlash the parks have received from the documentary. When Blackfish came out, there was a lot of talk about the film amongst my peers as well as on social media. My first encounter with the film, that I can recall, was on twitter. I saw the hashtag, #FreeTilly, being posted by several users I followed. The #FreeTilly and #Blackfish went viral for a little while, which prompted me to purchase and watch the film. After seeing the documentary, it honestly changed my perspective about the world completely. My genuine interest for the wellbeing of animals really became prevalent after seeing the film. It is inhumane to take any animal from its natural habitat and raise them in captivity. I now and forever am against any cruelty or endangerment towards animals- the way I see it, animals are not put on the earth for our entertainment, but rather, to share the world with us.
Brandon Stanton, a journalist and the creator of the popular blog, Humans of New York, shares photographs and stories of varied individuals throughout New York City on Facebook. Stanton started the website in 2011- originally only photographing and sharing the images of these eye catching passersby- but has now evolved the site to include and share the stories of these individuals. Humans of New York is now followed by almost seventeen million users. The popularity of the blog has allowed Stanton to publish two books based on the blog, Humans of New York and Humans of New York: Stories, - both skyrocketing to the top of the New York Times Bestseller List.
New York City, although romanticized by many, is also known to be one of the most unfriendly and unwelcoming cities throughout the world. Everyone is in a rush, does their own thing, and minds their own business. In a city with over eight million people, there are varying and vast races, cultures, styles, and sexualities (etc.), in the (relatively speaking) geographically small location. Through Humans of New York: Stories, Brandon Stanton has allowed for readers to not only read the stories of these enticing individuals, but comprehend how open and honest New Yorkers can be and how their stories may differ from societal perceptions and preconceived notions.
Growing up in New York City, I would say the stigma of the city being “unfriendly” is true in the sense that people don’t stop to chat or randomly say hi, (although it is not necessarily because we are unfriendly). Reading Stanton’s book and following his blog has allowed for me to recognize and acknowledge the fact that everyone has a story and despite appearance, everyone struggles and is going through different things. Although this may seem like an obvious statement, I never really stopped to realize that. Since I am always “on a mission” (it seems like), when I am going out, walking around the city, or taking the train, I never really look at people objectively and consider their past or present situations- I either make quick assumptions or don’t think of them at all.
Each picture Stanton takes and each interview he conducts contributes to the bettering of society. The stories he tells has allowed for me to have much more compassion for others and forced me to recognize that how one may adorn their bodies and present themselves does not at all define their lifestyle. The pictures he uploads to Facebook and has chosen to display in his book may only be accompanied by one quote or by five full paragraphs, but each picture tells a different story; whether it be shocking, envious, funny, ironic, or disheartening- the list of can go on and on.
It’s hard to say whether Humans of New York: Stories catapulted Brandon Stanton into popular discourse or whether the book was a product of his fame. I find it hard because Stanton himself, for the longest time, never revealed who he was or shared his own picture- taking no credit for the amazing art he had produced. It was only after the blog had gained huge popularity and viewers wanted to know more about him, that he shared his picture and a little bit of his story. However, the book may have gained Stanton a wider audience and more readers but I don’t think it necessarily catapulted him into popular discourse because even before the publishing of the book, he was a well known journalist and photographer. While typing this last paragraph, I realize that Humans of New York: Stories is not a product of Stanton’s fame, but a product of the blog’s fame. See, Stanton himself is a well known guy, but only because people know Humans of New York. He did not create the blog to become famous or gain social recognition- it grew from five years of experimentation and genuine interest in humans and humanity, gradually gaining viewers and an audience; because as human beings, we are are genuinely interested in other people- especially when it’s personal. The point is, Brandon humanizes everyone he photographs- curating an honest, insightful, and genuine conversation between two people that he then shares, and in turn, humanizes New York City and allows for readers to view the world more objectively.
Ig @ comqlicated
la realidad de muchos
rockabomb