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@bimarajade
so metropolitan museum of art has a register of books they’ve published that are out of print and that you can download for free! they’re mostly books on art, archeology, architecture, fashion and history and i just think that’s super useful and interesting so i wanted to share! you can find all of the books available here!
JANE RUSSELL as Dorothy Shaw
Gentlemen Prefer Blondes (1953)
The time to make up your mind about people... is never.
KATHARINE HEPBURN AS TRACY LORD THE PHILADELPHIA STORY (1940)
I love characters who would die for each other but will not, under any circumstances, communicate a single honest feeling.
Actually I do have a problem with those cartoony style cover for hyper sexual romance books and it’s like the inverse problem for me of people referring to everything as porn
Becauase my god those covers are so fucking unhorny they should be ashamed
Like ok ok ok half the time I see the discourse around this it’s people getting mad because they seem like they’re marketing “porn” to kids with those covers and like, that’s a stupid “think of the children” argument to shame grown adults for liking sexual content. And they’re clearly marketing to adults who have previously only ever been comfortable reading YA but that’s not even what I’m talking about and a whole other issue
What I’m talking about is those cartoony ass covers are so fucking bland that I would never pick one up randomly and give it a try knowing nothing about it, because it looks like such a bland hallmark romance and I want to read about fucking
Like we used to be a society. We used to have full painted bodice ripper covers with like tits and cock about to bust out of clothing. And it doesn’t even have to be that blatant you can make it horny and be subtle about it but modern every hyper sexual romance is giving 2010s indie graphic novel in the worst way. We used to make horny covers for porn and you knew it was gonna be horny porn when you looked at it. Now it’s so fucking boring and no one is finding that hot babes
Ophelia by Sir John Everett Millais Star Wars: Episode III - Revenge of the Sith dir. by George Lucas
EVER AFTER (1998) dir. Andy Tennant
“online fandom bestie that you once shared intense intimacies with but don’t really talk to anymore simply bc we drifted into new blorbo obsessions” is such a specific type of relationship that has to be impossible to explain to anyone who hasn’t experienced it
STAR WARS: REVENGE OF THE SITH (2005) Novelisation by Matthew Stover
@pscentral event 49: literature
One thing I love putting in my fantasy and scifi that so many stories I read don't have is superstitions that are just wrong. Astrology type shit. Wizards being assigned an elemental type that's supposed to determine their personality just because that's how it's been done for centuries because ages ago people believed in it and these days people are like "no of course it's a silly superstition haha" but still glance knowingly at your metal type tattoo when you're being headstrong. Societies who believe that the stars determine your destiny because see, this kid was born under the star that indicated intelligence so we pushed her in school and got her special tutors so she could live up to her potential and look, she IS more academically successful than her peers born under other stars! People talking about their religion in the far future and all the side characters are like "that sounds like fucking nonsense" and they're like "no it's TRUE" and the audience is like 'no that's nonsense'. I love inventing shit for characters to just be totally wrong about.
lil wistful jaina wip
month starting on a monday we have no excuse guys lets get to work and lock the fuck in
yk its actually very chic and avant garde to start on tuesday the second
many claim theres nothing more subversive and revolutionary than starting on wednesday the third
there are simply no words in the english language that can describe starting on thursday the fourth. thats how iconic it is
choosing to start on friday the fifth. i just think its very inspiring
lets all kill ourselves
THE EMPIRE STRIKES BACK (1980) Dir. Irvin Kershner
CLINT EASTWOOD as MAN WITH NO NAME THE GOOD, THE BAD AND THE UGLY (1966) Dir. Sergio Leone
month starting on a monday we have no excuse guys lets get to work and lock the fuck in
yk its actually very chic and avant garde to start on tuesday the second
many claim theres nothing more subversive and revolutionary than starting on wednesday the third
Sex scene as character study is so good. What is your relationship to your body? What is your relationship to your partner? What lessons have you absorbed from the culture about yourself as a sexual being? How much do you have to trust someone before being comfortable with intimacy? What fears and insecurities come to the fore for you when you take your clothes off? It's so good.
