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@blaisegaubasculptor
This is just another version of my many versions of the All-Seeing-Reptilian-Eye but in Red instead of Green. I enjoy playing around with images to see what diversity and changes I can make. As I fiddled around with the original illustration and when I hit this color version, I decided that I like it. I hope
For a time, I had my own special effects makeup and props and puppet design studio in Hollywood, California. In these photos, you see some of the work I did for DreamWorks Interactive’s film production for the computer game R.L.Stine Escape From Horrorland. I created/sculpted several zombie makeups which were designed by an artist who’s name completely slips my mind right now, but, the funny thing is, it turns out that he and I attended the same high school in Southeastern Arizona in a small copper mining town and we took the same art classes together. How embarrassing. Anyway, he and I hadn’t seen each other since I left high school many years earlier and, one day, when he had been talking to the art director on this production, who also happened to be my best friend, when he heard my name which had been brought up because he was told that I would be using his designs to create all of the zombie makeups (prosthetics), he told my buddy that he needed to meet me because he felt that we knew each other, which we did, and it was a very cool reunion, because I remembered him as an extremely talented artist back in high school. I wish I could remember his name. Interestingly, I remember having a wonderful art teacher in middle school whose name was Mrs. Soles. She was SO cool, and she had a great sense of humor while also never taking any $hit from any students. Then, in high school, we had Mr. Turner who was also extremely cool. I think this little town churned out some really talented artists and performers and writers, as I recall that a young woman who I went to high school with in this same town became a best-selling author who write romance novels and does really, really well for herself.
After I was laid off from Walt Disney Imagineering in 1995, after five years of service there as an employee, I ended up going back to Disney as a freelance sculptor and designer where I worked on further projects for various Disney Second Gates (Disney’s other theme parks other than Disneyland, The Magic Kingdom, and EPCOT Center) such as Disney’s Animal Kingdom, Blizzard Beach, Typhoon Lagoon, as well as a couple of mega-entrances to two Disney resorts ... The Mighty Ducks Resort Hotel and the Fantasia Resort Hotel. The Mighty Ducks goalie mask represents a 40′-foot tall entryway to the hotel which I sculpted and the Sorcerer’s Apprentice hat which was also the entrance to the hotel mentioned above. The dinosaur you see me sculpting in the bottom left photo was later sculpted life-size which you will see in one of my posts here at some point.
Custom props to Disney Art Classics Collectibles to movie posters sculpted in 3-D.
I sculpted a few characters for Walt Disney Classics Collection which was a part of Walt Disney Art Classics which, sadly, no longer exists. Some of my most memorable sculpting projects were when I was freelancing for WDCC.
Things that I have sculpted over the years.
I worked on the television series CSI: Las Vegas as a prop maker working with an amazing team of artists and crafts people where I helped to make, build, and fabricate many, many hundreds of miniature props and pieces. Everything had to be made in duplicate because the actors had to handle the actual miniature props which were built at 1/4″ = 1′-0″ scale, but there also had to be a duplicate model of the one the actors handled which was for actual filming so a camera could travel through the miniature set. Those larger models were built at 1″ = 1′-0″. A much larger model, to say the least.
I worked on the television show Crank Yankers as a prop-maker and sculptor as well as a figure finisher, which also included painting props.
I have worked on and built many architectural models in many different scales for several different companies and businesses. I started out in the paint department at Alchemy II working on the television pilot for the Talking Teddy Bear Teddy Ruxpin where I literally started out cleaning paint buckets, airbrushes, and doing general labor helping out many of the other artists who were working on various parts of the television production. I was lucky enough to finally get to participate in fabricating a bunch of little airplanes, thanks to the graciousness and trusting nature of the gentleman who was overseeing the entire construction of the sculptural and miniature elements of the production. His name was Carl West ... may he rest in peace. I moved on from Alchemy II when the production came to an end and I went on to go do other work which helped me to also add to and build both my resume and my portfolio.
Blaise Gauba - Digital Sculptor turned 8 today!
I wanted to see how abstract I could make an illustration like this one, but then it started getting complicated and difficult to manage all the different layers in my art program, so I opted to create just this one, at least, for now.
This is part of a short abstract series that technically fits into my Fractured series, even though I call it "Triangles", which they are, obviously, but I think this is really just an extension of a previous series which is part of my Shattered Rainbow series. Or, maybe this was the precursor to the latter.
The title is Triangles Pink Bubble Gum and Sweet Tarts. Apparently, ArtPal doesn't allow for long titles. Thank goodness my titles are only short novels. Hahaha! Anyway, I, the unappreciative abstract artist, creating abstract art. What a hypocrite I am! Did you know that the color pink is used to calm manic
I love art that pulls its viewer in. Not that anyone would want to experience any migraine, even a rainbow migraine. I love stained glass, and I often enjoy creating pieces that resemble stained glass. The funny thing is, I am not usually someone who enjoys abstract art, but here I am creating my own version
I guess you could say that I was doing some serious exploration into fractal patterns, and then wondered how far could I take this series. Have I gone too far? Well, it's my art, my creation, and I think this sort of thing can explored and taken as far as necessary in order to fulfill that creative vision one
Although this illustration is in pastel, I decided to darken it a bit, as the colors were too muted without adjusting the levels. I've sold quite a few of these at local arts and crafts fairs here in and around the Chattanooga, Tennessee area, and down across the state line in Northern Georgia. There are a lo
This is actually one of my favorite pieces in this series, as it brings calm to me, and you'd think that swarming insects would cause the opposite. But, for me, there is nothing more satisfying and relaxing than sitting next to a pond or a lake and watching dragonflies darting to and fro, skimming the surface