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@blogonbroadway
sincerely your best and dearest friend, me
16 October. The question is: Shame. What is its origin? Where did it come from? Where did it go? Where did it come from, Cotton Eye Joe?
Jessie Mueller sings âOn the Steps of the Palaceâ from Into the Woods at the Delacorte Theatre on July 28th, 2012.
Kevin McHale, Austin McKenzie, and Charlie Carver attend the screening of ABCâs âWhen We Riseâ at The Castro Theatre in San Francisco on February 20, 2017
Oh god what a bitch
Falsettos ( Act 1 & Act 2 ) ; Christian Borle ( Marvin ), Stephanie J Block ( Trina ), Andrew Rannells ( Whizzer ), Brandon Uranowitz ( Mendel ), Tracie Thoms ( Charlotte ), Betsy Wolfe ( Cordelia ), Anthony Rosenthal ( Jason )
But when I fantasize at night itâs Alexanderâs eyesâŠ
Josh Castille - Satisfied ASL Cover
itâs like, just kiss some
Dankest musical theatre songs
-I memed a meme -drink with memes -meet meme inside -take memes or leave me -You and me(but mostly memes) -Think of memes -no memes diga -Ring of memes -mama who bore meme -touch meme -the meme inside of me
2008 | 2016
Titus Andromedonâs audition tape for Hamilton
Why đ should đ a đ tiny đ island đ acrossđ the đ sea đ regulate đ the đ priceđ of đ teađ
Javier Muñoz of Hamilton Has Been Reborn, Over and Over and Over Again (GQ)
There are more than a thousand caricatures on the walls at Sardiâs, the old Broadway hang, but these days you canât set foot in the dining room without noticing one drawing in particular staring back at you: Lin-Manuel Miranda. Itâs a fickle business. But Javier Muñoz, a week into his tenure as the new full-time Hamilton, walks past Cartoon Lin, so busy being gracious to the swarm of restaurant staff who have gathered to greet him that itâs unclear if he even knows itâs there. The staff barely even registers the other patrons, which is fine. Weâre not the new Hamilton. Weâre not even the old Hamilton, whereas Javier is both: He was Mirandaâs alternate from the showâs inception, and from the showâs inception, he was the natural choice for Mirandaâs designated replacement, once Miranda was ready to move on to go cure poverty and hunger and all manner of illness and sadness.
Muñoz doesnât have a caricature yet at Sardiâs, but thatâs okay because his face is like a very handsome caricature of a very handsome face. His smile is so wide that it seems to wrap around his jaw. His eyebrows are incredible yardsticks of endocrinatic braggery that shade his eyes and jump on his forehead. The tip of his nose reaches down, and the tip of his chin points upward; his face gets so animated when he performs that it looks like they might kiss.
He looks, in other words, nothing like Lin-Manuel Miranda, the puppy-eyed and wholesome-seeming man who wrote Hamilton and originated the role, and who left the show earlier this summer. Miranda has always seemed like a public intellectual, or like a really great high school teacher youâd remember with infinite fondness. Muñoz is different. Heâs sexy and puts his body into the show. He writhes and he wiggles, taking his job as a founding father less seriously than the showâs founding father. This Hamilton is a man before he is a father; heâs the Hamilton youâre still thinking about after the stage darkens and the theater empties and youâre home in bed and the lights are out. A friend whoâs seen both men puts it like this: early in the show, when Hamilton arrives in New York, naĂŻve and aching to be taken seriously, Miranda sells it betterâbut when Hamilton graduates to political machinations and adultery, Muñoz is much more credible.
Jessie Mueller From Broadwayâs Waitress Perform Live at Barnes & Noble in New York City