John Bauer from Among Gnomes and Trolls, 1915
Sweet Seals For You, Always
Mike Driver
Misplaced Lens Cap

titsay

Kiana Khansmith
🩵 avery cochrane 🩵
Show & Tell
d e v o n
"I'm Dorothy Gale from Kansas"
The Stonewall Inn
Cosimo Galluzzi

@theartofmadeline
occasionally subtle
Game of Thrones Daily
2025 on Tumblr: Trends That Defined the Year

Product Placement

shark vs the universe

No title available

tannertan36
No title available

seen from United States
seen from United States
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seen from Brazil

seen from Kuwait
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@bloodpiece
John Bauer from Among Gnomes and Trolls, 1915
There are no sex scenes, and all the food looks horrible.
The Top-Ten Most Popular Barbara Stanwyck Films on Letterboxd
1. Double Indemnity (1944) dir. Billy Wilder 2. The Lady Eve (1941) dir. Preston Sturges 3. Ball of Fire (1941) dir. Howard Hawks 4. Baby Face (1933) dir. Alfred E. Green 5. Christmas in Connecticut (1945) dir. Peter Godfrey 6. Stella Dallas (1937) dir. King Vidor 7. Remember the Night (1940) dir. Mitchell Leisen 8. Forty Guns (1957) dir. Samuel Fuller 9. Meet John Doe (1941) dir. Frank Capra 10. Sorry, Wrong Number (1948) dir. Anatole Litvak
The Lady Gambles (1949) Dir. Michael Gordon
Solitary Figure in a Theater - Edward Hopper, 1903
Edvard Munch, The Day After
Alex Colville aka David Alexander Colville (Canadian, 1920-2013, b. Toronto, Canada, d. Wolfville, Canada) - New Moon, 1980, Color Serigraph on Card/Mat Board
Markus Matthias Krüger - "Poplar Avenue in the Storm" (2010)
THE FALL (2006)
John Singer Sargent The Black Brook 1908
Mary Pownall (1862–1937) The Harpy Celaeno Kelvingrove Art Galley
Fish-shaped interlocking paving stones.
THE FALL (2006) dir. Tarsem Singh Costume Design by Eiko Ishioka
Augustus John - Portrait of Miss Iris Tree (ca. 1912-1914)
“The daily routine of most adults is so heavy and artificial that we are closed off to much of the world. We have to do this in order to get our work done. I think one purpose of art is to get us out of those routines. When we hear music or poetry or stories, the world opens up again. We’re drawn in — or out — and the windows of our perception are cleansed, as William Blake said. The same thing can happen when we’re around young children or adults who have unlearned those habits of shutting the world out.”
— Ursula K. Le Guin
WUTHERING HEIGHTS (1939) Dir. William Wyler
Dorothy Dandridge, c.1957, in her nightclub act