Fly me to the moon Leyendecker🌙
Doug Jones
occasionally subtle
h

gracie abrams

bliss lane
Aqua Utopia|海の底で記憶を紡ぐ
YOU ARE THE REASON
Mike Driver

Love Begins

Andulka
𓃗
he wasn't even looking at me and he found me

tannertan36
almost home
Not today Justin
No title available
The Bowery Presents
Cosmic Funnies

Product Placement
noise dept.
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@blueberrybluesdrawings
Fly me to the moon Leyendecker🌙
Clingy
The world ends with them.
Varying Your Body Types
By me, Sara D. (Heh.)
I think it’s very important for artists to vary the types of bodies they draw! Not only does it add visual interest and diversity, but different body types can enhance your characters! (Plus it’s more realistic; when was the last time you walked down the street and everyone had the same body type?) I know I have a hard time drawing different bodies, especially with men, so I’m making this tutorial to teach myself as well (I’ve heard the best way to cement learning something is to teach someone else).
So! Bodies! I’m going to use women for this tutorial because I feel they have more variety in their bodies. One of the most obvious ways bodies differ is in their amount of fat.
[Click here for full size]
On average, people store fat mostly in core areas like the bust, the waist, and the hips. It is important to remember that people gain and lose weight differently, and this is true no matter how fat or skinny one gets. However, these are common places people store fat:
The face and neck can be immediate indicators as to how much fat the rest of the body has; when someone loses or gains weight, it’s initially obvious in the face. This is possibly because the eye is (usually) drawn first to the face.
In addition to differences in the amount of body fat, bodies vary vastly in their proportions. The two main ways they differ is skeletally and in fat distribution. The hip to shoulder ratio is skeletal, and someone with wider shoulders might look more powerful or masculine, and someone with wider hips might look more grounded or feminine.
The torso to legs ratio is also a skeletal ratio. Someone with long legs in comparison with their torso might look taller than someone of the same height with a long torso, and they might also look skinnier.
(I say as I finally get some visual variety all up in here.)
Because the hips are also one of the places with the most weight gain in women, large hips can also be a matter of fat distribution. The three main places where the fat ratio really matters is in the bust, the waist and the hips (making up the core of the body).
While men usually carry weight in the belly area, the fat distribution can really vary with women. Some women carry more weight in the bust, some in the belly, and some in the hips/thighs. Some women carry more weight in two areas, like the bust and the hips, the bust and the belly, or the belly and the hips. Some women show no obvious bias to any area and carry weight equally.
[Click here for full size]
Taking into account skeletal ratios, fat distribution patterns, a vast human weight range, muscle tone and age, there are endless permutations of body types. It would be a shame if you used only one!
Oh, and that first image looks really interesting as a gif.
Visual Development from Lilo & Stitch by Paul Felix
look. look at this beautiful sword meme. i’m going to cry
@petermorwood
I saw and reblogged this one a while back, but it’s always worth repeating, and this time I’m adding a bit of background info comparing common fantasy sword features to the Real Thing (with pictures, of course.)
Leaf-bladed swords are a very popular fantasy style and were real, though unlike modern hand-and-a-half longsword versions, the real things were mostly if not always shortswords.
Here are Celtic bronze swords…
…Ancient Greek Xiphoi…
… and a Roman “Mainz-pattern” gladius…
Saw or downright jagged edges, either full-length or as small sections (often where they serve no discernible purpose) are a frequent part of fantasy blades, especially at the more, er, imaginatively unrestrained end of the market.
Real swords also had saw edges, such as these two 19th century shortswords, but not to make them cool or interesting. They’re weapons if necessary…
…but since they were carried by Pioneer Corps who needed them for cutting branches and other construction-type tasks, their principal use was as brush cutters and saws.
This dussack (cutlass) in the Wallace Collection is also a fighting weapon, like the one beside it…
…but may also have had the secondary function of being a saw.
A couple of internet captions say it’s for “cutting ropes” which makes sense - heavy ropes and hawsers on board a ship were so soaked with tar that they were often more like lengths of wood, and a Hollywood-style slice from the Hero’s rapier (!!) wouldn’t be anything like enough to sever them. However swords like this are extremely rare, which suggests they didn’t work as well as intended for any purpose.
I photographed these in Basel, Switzerland, about 20 years ago. Look at the one on the bottom (I prefer the basket-hilt schiavona in the middle).
A lot of “flamberge” (wavy-edge) swords actually started out with conventional blades which then had the edges ground to shape - the dussack, that Basel broadsword and this Zweihander were all made that way.
The giveaway is the centreline: if it’s straight, the entire blade probably started out straight.
Increased use of water power for bellows, hammers and of course grinders made shaping blades easier than when it had to be done by hand. This flamberge Zweihander, however, was forged that way.
Again, the clue is the centre-line.
Incidentally those Parierhaken (parrying hooks - a secondary crossguard) are among the only real-life examples of another common fantasy feature - hooks and spikes sticking out from the blade.
Here are some rapiers and a couple of daggers showing the same difference between forged to shape and ground to shape. The top and bottom rapiers in the first picture started as straights, and only the middle rapier came from the forge with a flamberge blade.
There’s no doubt about this one either.
The reason - though that was a part of it - wasn’t just to look cool and show off what the owner could afford (any and all extra or unusual work added to the price) but may actually have had a function: a parry would have been juddery and unsettling for someone not used to it, and any advantage is worth having.
However, like the saw-edged dussack, flamberge blades are unusual - which suggests the advantage wasn’t that much of an advantage after all.
Here’s a Circassian kindjal, forged wiggly…
…and an Italian parrying dagger forged straight then ground wiggly…
There were also parrying daggers with another fantasy-blade feature, deep notches and serrations which in fantasy versions often resemble fangs or thorns.
These more practical historical versions are usually called “sword-breakers” but I prefer “sword-catcher”, since a steel blade isn’t that easy to break. Taking the opponent’s blade out of play for just long enough to nail him works fine.
NB - the curvature on the top one in this next image is AFAIK because of the book-page it was copied from, not the blade itself.
The missing tooth on that second dagger, and the crack halfway down this next one’s blade, shows what happens when design features cause weak spots.
So there you go: a quick overview of fantasy sword features in real life.
Here’s a real-life weapon that looks like it belongs in a fantasy story or film - and this doesn’t even have an odd-shaped blade…
Just a very flexible one…
If you want more odd blades, Moghul India is a good place to start…
i could not ask for a better addition to my meme post than blade education thank you so much
Some Konoha faces
Animation smears lecture from Chapter 3 or FULL VERSION of my Complete Introduction to 2D Animation which you can find on https://gumroad.com/stringbing
Update from Tan Jiu, translated by Yaoi-BLCD.
yaoi-blcd general chatroom / Their Story fan chatroom.
Their Story Character Guide
Previously: /1/ /2/ /3/ /4/ /5/ /6/ /7/ / 8/ /9/ /10/ /11/ /12/ /13/ /14/ /15/ /16, 17, 18/ /19/ /20/ /21/ /22/ /23/ /24, 25/ /26/ /27/ /28/ /29/ /30/ /31/ /32/ /33, 34/ /35/ /36/ /37/ /38/ /39/ /40/ /41/ /42/ /43/ /44/ /45/ /46/ /47/ /48/ /49/ /50/ /51/ /51b/ /52/ /53/ /54/ /55/ /56/ /57/ /58/ /59/ /60/ /61/ /62/ /63/ /64/ /65/ /66/ /67/ /68/ /69/ /70/ /71/ /72/ /73/ /74/ /75/ /76/ /77/ /78/ /79/ /80/ /81ab/ /81c/ /82/ /83/ /84/ /85/ /86a/ /86b/ /86c/ /87/ /88/ /89/ 90/ /91/ /92a/ /92b/ /92c/ /92d/ /93a/ /93b/ /94a/ /94b/ /94c/ /94d/ /95a/ /95b/ /95c/ /95d/ /96a/ /96b/ /96c/ /97a/ /97b/ /97c/ /98/ /99/ /100/ /101/ /102a/ /102b/ /102c/ /103/ /104a/ /104b/ /105/ /106/ /107a/ /107b/ /108/ /109a/ /109b/ /110a/ /110b+c/ /111/ /112a/ /112b/ /113a/ /113b/ /113c/ /114/ /115/ /116a/ /116b/ /117/ /118a/ /118b/ /119/ /120/ /121/ /122a/ /122b/ /123/ /124/ /125/ /126/ /127/ /128/ /129/ /130/ /131a/ /131b/ /132a/ /132b/ /133a/ /133b/ /134/ /135/ /136/ /137/ /138/ /139/ /140/ /141a/ /141b/ /142/ /143/ /144/ /145/ /146a/ /146b/ /147a/ /147b/ /148a/ /148b/ /149a/ /149b/ /150/ /151a/ /151b/ /152a/ /152b/ /153/ /154/ /155/ /156/ /157/ /158/ /159/ /160/ /161/ /162/ /163/ /164/ /165/ /166/ 167/ /168/ /169/ /170/ /171/ /172/ /173/ /174/ /175/ /176/ /177/ /178/ /179/ /180/ /181a/ /181b/
You're art is so extraordinary! I was hoping you could share how you get it looking so much like the comics? I swear I thought they were actual comics for a minute. I am trying to improve my own art so any tips would be so welcome!
(gonna only talk about ink here bc color is LONG)
there’s a lot of inking styles, and very different if you prefer a different art lets say more watercolor/painting based, my inks are pretty heavy with shadows bc i Loved the golden age~early 80s brush look, your fav might vary, it’s important to decide a general direction so you know where you’re aiming while studying so!
i pretty much only watch videos and progress pictures/existed inked page on all types of social media, mostly yt and instagram, it doesnt matter if their media is traditional inking or digital inking since you want to archive that real brush look, anatomy will gonna be costing you a lot of time since that’s pretty much the important part of western’s, taiwan and hong kong’s realistic comic style
also I spent a Lot of time drawing while grinding exp through pdfs and books
http://www.alexhays.com/loomis/ (loomis)
https://vk.com/topic-4918594_27696136 (200+ pages thread, 20 books per page)
페리님 회지 완매기원 크롭보정샷
Hey guys! I compile some of my traditional sketches in one digital book. You can buy it here.
https://gumroad.com/l/Ksketch01
Hotties🔥
Zup! more of this short story (Speedpainting) and talk! <3 link: https://goo.gl/cj3JBW 1. “The Market” https://youtu.be/B9hDW1hsTtY 2. “Abuela” https://youtu.be/xOG_GnRCmxE 3. “Only grandma knows” https://youtu.be/zeI7GzLfPr8 4. “it’s gonna be me” https://youtu.be/YfwNFhPwRkU 5. “I born ready” https://youtu.be/sTGWcIWI0Ks 6. “On My way” Learn how to draw in 1min 👉 https://youtu.be/c-WMN40-Hgg
Library books art hack by @danarune on Twitter
:eyes:
A collection of my processes for learning purposes!