San Clemente Island
by Domenic Biagini
Original Audio
NASA

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Claire Keane
Today's Document
tumblr dot com
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Show & Tell

祝日 / Permanent Vacation
Peter Solarz
TVSTRANGERTHINGS
we're not kids anymore.
sheepfilms

Kiana Khansmith
taylor price

Andulka
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almost home

tannertan36

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@bottled---inspiration
San Clemente Island
by Domenic Biagini
Original Audio
1956, photographer Ralph Crane captured this striking multi-exposure image of stunt performer and trick shooter Rodd Redwing demonstrating an ultra-fast quickdraw known as the "border-shift." Using repeated exposures on a single frame, the photograph shows the motion of Redwing's hand and revolver in rapid sequence, creating the illusion of several guns appearing at once. It was a visual way to freeze a movement too fast for the eye to easily follow.
Redwing was part of a mid-20th century wave of western entertainers who turned frontier gun handling into stage performance, combining speed, precision, and showmanship for crowds and cameras. Images like this became especially popular during the 1950s, when cowboy culture was booming across film, television, and magazines. Rather than documenting an actual gunfight technique, the photo highlights the era's fascination with western skill, spectacle, and photographic experimentation.
i think the near-extinction of people making fun, deep and/or unique interactive text-based browser games, projects and stories is catastrophic to the internet. i'm talking pre-itch.io era, nothing against it.
there are a lot of fun ones listed here and here but for the most part, they were made years ago and are now a dying breed. i get why. there's no money in it. factoring in the cost of web hosting and servers, it probably costs money. it's just sad that it's a dying art form.
anyway, here's some of my favorite browser-based interactive projects and games, if you're into that kind of thing. 90% of them are on the lists that i linked above.
A Better World - create an alternate history timeline
Alter Ego - abandonware birth-to-death life simulator game
Seedship - text-based game about colonizing a new planet
Sandboxels or ThisIsSand - free-falling sand physics games
Little Alchemy 2 - combine various elements to make new ones
Infinite Craft - kind of the same as Little Alchemy
ZenGM - simulate sports
Tamajoji - browser-based tamagotchi
IFDB - interactive fiction database (text adventure games)
Written Realms - more text adventure games with a user interface
The Cafe & Diner - mystery game
The New Campaign Trail - US presidential campaign game
Money Simulator - simulate financial decisions
Genesis - text-based adventure/fantasy game
Level 13 - text-based science fiction adventure game
Miniconomy - player driven economy game
Checkbox Olympics - games involving clicking checkboxes
BrantSteele.net - game show and Hunger Games simulators
Murder Games - fight to the death simulator by Orteil
Cookie Clicker - different but felt weird not including it. by Orteil.
if you're ever thinking about making a niche project that only a select number of individuals will be nerdy enough to enjoy, keep in mind i've been playing some of these games off and on for 20~ years (Alter Ego, for example). quite literally a lifetime of replayability.
Pointe Skirt by Darinika Atelier
publishing companies will be like ~ooh this is a hardcover oooh it's so durable that will be $35~ and then you see the actual book and it's like. "perfect"-bound with endbands glued on crooked and a completely plain paper cover under the dust jacket. my dudes this shit is a mass market paperback with delusions of grandeur
now THIS is a hardcover
what does this mean
i can explain in more detail with pictures when i get home from work, but executive summary:
both trade paperbacks and mass market paperbacks are usually constructed via perfect binding, where you take a stack of loose-leaf sheets and dunk the spine edge in, basically, hot-melt glue (low-temp thermoplastic with a little flexibility to it). stick a cover on the outside of that bad bitch and you're done. very easy and cheap to manufacture, but not durable; not only does the soft cover provide no protection, pages can fall out individually if the glue fails for whatever reason. (i don't have a picture handy but just grab any mass market paperback off your bookshelf and look at the spine)
typically, or perhaps traditionally, when binding a hardcover ("case-bound") book you assemble the sheets into signatures, which are sewn to each other to form a text block, like so:
(well, admittedly, using both linen tape and french link stitch is sort of the belt-and-suspenders of textblock construction. in my defense though look at the fucking size of this tome) but the point is that even before you've gotten around to gluing anything, the textblock hangs together and functions as a book, albeit an unusually wobbly one -- so if the cover completely falls off or something, the rest of the book still hangs together.
the other method of construction i see on many mass-manufacture hardcovers and some trade paperbacks is that they've folded the signatures and sewn them individually (one at a time, not to each other) -- this is easy to do on a specialized sewing machine -- and *then* potted the spine in glue, like you do for perfect binding. this is less liable to lose pages if you fuck up the spine, because instead of each page being glued in individually, they're sewn together into signatures which provide more glue surface area apiece. (i can post a picture when i get home...)
uhh oh yeah endbands. endbands are the little decorative bits that get glued onto the textblock before it gets cased in -- this is in itself sort of a cheapo mass-manufacture imitation of more traditional sewn endbands, which actually provide some structural stability; modern glued-on endbands are really just decorative. here's a picture of a sewn endband on an example book from the bookbinding museum in sf (left), and a different textblock with endbands glued on (right). (the latter also has mull glued onto it, which is like... starched cheesecloth, kind of? you can use kozo paper here too; it also helps stabilize the spine for extra durability)
anyway on mass-manufacture hardcovers i often see really half-assed endbands that are glued on crooked or slightly undersized or something and i'm like "are you even TRYING" (they are not)
and also usually on recently manufactured books the entire case (the "hard cover" of a case-bound hardcover) is covered in paper, including the hinges, which is a terrible decision because the hinges are the part of the book that MOST needs the durability, being The Primary Moving Part. at least fucking cover the spine and hinges in bookcloth i beg. please. for me
sorry loser you lost me at this
get a real programming language dork.
thats why im using it as a clamp and not as a book :p
@just-evo-now i am back home! where my books live!! so i can take pictures of the bindings :D
a couple of perfect-bound paperbacks:
the benefit of perfect binding, such as it is, is that all the pages can be aligned with each other and the spine is nice and square. (the other benefit is that it is cheap.) but if you're folding pages into signatures you're always gonna get some creep where the inner pages of the signature extend a little bit further towards the fore-edge [edge opposite the spine] than the outer pages do; you can either leave it like that for a deckled edge or trim it off for a neater finished look. (personally i am not a huge fan of deckled edges but Madame La Guillotine can only handle so much book, you know)
a paperback and a hardcover with the signatures-potted-in-glue style (i wish i knew what it was called):
i quite like the green endband on this hardcover! matches the cover nicely, is an appropriate size, aligned well, etc. (in addition to gluing them on crooked, the other common Endband Sin is to make them too damn short and it looks ridiculous)
the cloth-bound hardcover from the first image in this post, pub date 1978:
as you can see, it has much more flexibility than the potted-in-glue style (which can bend a little bit, but cracks if you open it too far), because the signatures are sewn to each other, with some kind of mystery green paper glued over them for stability (and, deeper in the spine, brown... something. fabric?? some of my other vintage books seem to use thin brown canvas...). no endband, but honestly it doesn't really need one.
and! here is a 1945 pocket handbook for engineers (you know, with useful integrals and trig tables and unit conversions and stuff in it) in norwegian, which was falling apart when i got it (i picked it up on the cheap with the intention of hopefully fixing it someday):
the cover is nonfunctional and the stabilizing paper on the spine has gotten so crumbly as to be useless (i got about halfway through peeling it off), but the textblock itself is in pretty good condition, because the signatures are sewn securely to each other -- if you squint you can kinda tell they used kettle stitches on the ends and chain stitches in the middle and i thiiink the chain stitches are where the loose loops on the top came from. anyway, i can pretty much finish peeling off the old crumbly paper stuff and glue on some new kozo paper (and ensure the loose loops are tucked safely away/glued down) and this bad bitch will be ready for a new cover!
I am really going to have to start paying attention to book binding going forward.
[Image: From “Baffles and Bastions: The Universal Features of Fortifications” by Lawrence H. Keeley, Marisa Fontana, and Russell Quick, courtesy of the Journal of Archaeological Research (5 March 2007)].
In a paper called “Baffles and Bastions,” published in the Journal of Archaeological Research, anthropologists Lawrence H. Keeley, Marisa Fontana, and Russell Quick offer a detailed history of militarized building design features such as “V-sectioned ditches, defended gates, and bastions.”
Megalith, Plan, Angled Passage-grave, Les Pierres Plates, Locmariaquer, France
Anglo-Saxon sceattas (or sceats; hammered silver coins), minted ca. 690–790 AD
Tony Abramson, Sceattas: an illustrated guide. Anglo-Saxon coins and icons (King's Lynn: Heritage Marketing and Publications, 2006)
african white lion Credo Ouwehand 094A0167 by safi kok
Megaloceros with Line of Dots, Lascaux Cave, France, c. 16000 -15000 BCE
Took a pic of the sunrise out my office window and the interior lights made some cool reflections
The Dalmarnock Report
1976
New Zealand's Goblin Forest
Honoured to have received some wonderful results from this year’s @greatwalksmag Wilderness Photographer of the Year competition, including a win for ‘Creatures in the Shadows’ (photo 1)
benjamin.maze
women factory workers by lewis hine, new york city c. 1930s.
1966-era advertisements for Armstrong Ceiling Systems
Don't get married; just dress like this to go grocery shopping