Anteater King. Isabel De Obaldia. Glass.
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Anteater King. Isabel De Obaldia. Glass.
The Intruder, c. 1910 by Leonard Campbell Taylor (English, 1874-1969)
my brother my brother and me
Wolfgang after Ehrenstahl, 12 x 16 inches
patterns left by woodworms on driftwood
"The Silence of the Forest" (Das Schweigen des Waldes), by Arnold Böcklin, 1896.
Olonkera of the Rongai Boys versus the Fig Tree Pride lionesses.
Taken in the Maasai Mara, Kenya Photographed by Edward Ololoso Dean
Igor Stravinsky, 1911
The “Pillar-biter” (Dutch: pilaarbijter), 1509–1517 — a rare late-Gothic satire carved on the lower choir/rood screen of St. Bavo Church in Haarlem.
The figure grips the column framing him and literally bites into it, his face twisted into a grimace, while a rosary on his belt hints at the message: a warning against excessive, performative piety and hypocrisy, looking devout in public, but acting differently at home.
Karl J. Kuerner (b. 1957) - The Light Within
acrylic on panel
Hernán Conde de Boeck, “Sorcerer of the Puppets”
The famous Kildrummy skeleton grave marker, Kildrummy Parish Church, Aberdeenshire