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Christmas carol

Scene 1

Close up of book

marley funeral - introduces name of scrooge via signature

street scene, festive

far out of city (crane camera)

Scrooge and marley shop sign - enters office

locked up coal piles of books of papers with low light

nephew enters

exit shop, slide down cornhill

Scene 2

Enters home, marley door knob

sits at fire in large chair, bells above the door ring

Marley enters with chains

bells toles and 1am,1am, and 12

scene 3

Golden light shines through the window

Night turns to days (transported)

village of his childhoo

scrooges school

alone at a desk

time passes the school ages

frezziwigs ball

fezziwig on his high table *warm glow&

dancing commences

scrooge and marleys office (breaks up with gf)

scene 4

christmas present

living room decked with Christmas ornaments

giant ghost

wide shot though london ending upon a bakery cooking bread for the poor

fly again to bob cratchit house (narrow house) dinner time, seat around small table

dinner party at freds

playing games

scene 5

night,bell tower, shadows,

kids under the ghosts clothes

scene 6

Christmas of yet to come shadow behind scrooge elongates

jump scare,falls down stairs and shrinks down into a pipe

ends up at joe rags shop

then back to bedroom, seeing scrooge dead body

Goes to cratchit house where tiny tim dies, (shadow of body, not of the figure)

Graveyard scene

scene 7

wakes up in bed

upons window to talk to a boy about buying turkey

gives money to the charity men

goes to freds house for christmas dinner

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Cinematography of Sweeney todd by Tim Burton

Scene 1 arrival to london

Chimney shot of Victorian London zooms down through a window (possibly 2.5d animation)

Close up of chair

Thames shot fog used (low poly for far buildings) (teal and orange processed)

Uses old reference photos for shot (look at my old vermer shot of boat over the wall)

Flashback (colourful differtiates from past and present)

Zoom through the streets at eye level, change of speed stopping at corner turns.

Scene 2 bakery

Flash back colour ful

Emphasises on mansard style roof skylight

High dutch angle shot of door to barber shot, (old decaying barber shop candy sign)( The red and white pole outside barber shops references a time when barbers were expected to perform bloodletting and other medical procedures to heal the sick; red represented blood and whiterepresented bandages.)

Object – cutthroat bald zoom in on blade then zoom out through the mansard skylight to London.

Scene 3- johannas house

Looking out window,

Looking in window,

First person camera looking through the keyhole into the womans bedroom

Scene 4 market

Reminiscent of borough market

Presentation stand ( adolfo Pirellis miracle elixir) similar to that of Dr cagaliri stand

Many signs and posters aids visuals of the stand without dialect ( needs to be in shot to have time to read)

Scene 5 barbers

Skylight window

Death of adolfo as he hits the ground the camera follows his head to empahsise the impact.

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corpse bride

Back when Tim Burton discussed Big Fish with VFXWorld, he mentioned in passing how much he preferred the creative vibe in London, as he segued to Corpse Bride, the stop-motion animated feature produced at 3 Mills Studios in the citys industrial east end. Well, you know, theres something about the hand-made thing if youre ever over in London, you can come over here and visit the energy where you see sets and moving puppets Well, it just so happens that I got the opportunity to visit the set of Tim Burtons Corpse Bride in March, and Burton was right: there is something special about the hand-made thing, even though there was a significant digital component to the production as well. Indeed, the puppets, the sets, the energy were eventful to witness firsthand, particularly on such a signature Burton movie where graphic style is everything. The thing is, you cant really appreciate the craft of stop motion until you observe it up close. Yes, its slow, meticulous and painstaking. Or, as actress Helena Bonham Carter observed in Toronto, All animators are anal because its all about the detail. And when youre shooting two or three seconds of footage a day, one frame at a time with a still camera for 50 weeks, thats about as detailed and labor intensive as it gets.

A look at the various film adaptations of Charles Dickens A Christmas Carol. We discuss the best and the worst movie versions.

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