Silver filigree & jade hinged bracelet from China; circa 1900
One Nice Bug Per Day
NASA
I'd rather be in outer space 🛸

gracie abrams
Fai_Ryy
2025 on Tumblr: Trends That Defined the Year

Product Placement

Discoholic 🪩
sheepfilms

❣ Chile in a Photography ❣
todays bird
Stranger Things
Mike Driver

Jar Jar Binks Fan Club

No title available
Not today Justin
The Bowery Presents

bliss lane
noise dept.
$LAYYYTER
seen from United Kingdom

seen from United States
seen from United States

seen from India

seen from Portugal
seen from Italy

seen from Türkiye

seen from Türkiye
seen from United States
seen from United States
seen from Brazil

seen from Malaysia
seen from Brazil

seen from Brazil

seen from Russia

seen from France

seen from Malaysia

seen from United States
seen from United States

seen from United States
@braidofmedusa
Silver filigree & jade hinged bracelet from China; circa 1900
skirt by akomb
Female torso, likely Nefertiti. Amarna period (c. 1349–1330 BC)
Kate Moss for Vogue in 1999 Chanel Haute Couture // photography: Annie Leibovitz
• Nosegay fan
Maker/Designer: S. Lévy (19th century, French); Marie Vincent (19th century, French)
Culture: French
Date: ca. 1898
Medium: Silk with wood sticks
Kasa no Iratsume, from a poem titled "Look at my keepsake and think of me," featured in Japanese Women Poets: An Anthology
black silk top by gucci
Jean Paul Gaultier - Spring 1994 RTW
“I see you there, my soft body of moon and dew,”
— Paul Valéry, tr. by Hilary Corke, from The Collected Works; “Fragments of the Narcissus,” (via violentwavesofemotion)
Ocimar Versolato - Spring 1999 Couture
Maria Denise Dessimoz, The Inevitable Anguish of Desire
“The path of tenderness is endless.”
— Rainer Maria Rilke, tr. by Paul Batchelor, from “Orchard,” wr. c. June 1917 (via violentwavesofemotion)
from @rebekahkosonenbide on ig . "sculpture study in fine metal made in .925 sterling silver, 2025. In private collection."
“—she was part of his body and part of his mind, they belonged to each other, both wanderers, both fugitives, cast in the same mould.”
— Daphné du Maurier, Frenchman’s Creek (via antigonick)
“I understood myself only after I destroyed myself. And only in the process of fixing myself did I know who I really was.”
— Sade Andria Zabala
Belladonna of Sadness by Eiichi Yamamoto, 1973.
Monica Bellucci by Alan Foreman, 2003