“Germinate,” Mexico City 2018
Joe Overbeek, Photograph by Renata Cruz Lara
PUT YOUR BEARD IN MY MOUTH
Not today Justin
Jules of Nature
ojovivo
Cosimo Galluzzi

Love Begins
DEAR READER

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art blog(derogatory)
Sweet Seals For You, Always
Three Goblin Art
trying on a metaphor

Andulka
macklin celebrini has autism

Kiana Khansmith

No title available
Keni
KIROKAZE

Discoholic 🪩

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@bricksapparel
“Germinate,” Mexico City 2018
Joe Overbeek, Photograph by Renata Cruz Lara
Detroit, now and then
((Time as a natural editor))
Moonassi
Pepa’s lavish penthouse
Women on the Verge of a Nervous Breakdown, 1989
On Photohraphy
One passage from this essay that I found formative (as my 20-year-old self) presented the concept of what we choose to not include in a frame, whether intentionally or not. What is not documented often rivals the gravity of what it.
TADAO ANDO, Water Temple, Awaji Island, Japan, 1990-91
T-Wave fashion show, based around Tencel botanic origin fibers. April 2018
Indigo Tank, a denim atelier based in Guangzhou, China, is set up by Vincent Qin, founder of the Asia Denim Innovation Alliance (ADIA).
Jetsons Chic
From the “Astro” collection at Kirkby design
Bey doesn’t need to edit
Mara Hoffman, Collette Pant
Josef Albers, works on paper
Cixous72, Winter lookbook 2016
Discwoman Collective, NYC
Vivian Girls, Henry Darger
FEMAIL, Camilla Carper and Janelle Abbott
“Their need to maintain a friendship from afar was resolved with FEMAIL: an art and fashion collaboration conducted remotely by sending work back and forth through the USPS. Each time the pair passes work from one to the next, new scraps and remnants are added, sometimes, things are taken away. They work reactively, intuitively, and with commas, always. In this way, what is created by FEMAIL is a documentation of duo's conversations and ultimately, their friendship.”
Bad Ratio (Erin Halligan), custom airbrush, Seattle, WA
Kurt Lyle, Fall 2018