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I hate seeing him on the sidelines but he looks so cozy in his sweats🧡
Day 55/365
Had to draw @solargeist's absolutely gorgeous hotgal.. she's so pretty can CG move over it's my turn
WEEK 8 DRAWING COMP
Days 50 to 56!
@summer-of-bad-batch
Week 8: bonus prompt: Pillow fort
he sounds kinda emotional 🥲
🎥 (c): NFL on Prime
@batship-winter
Why Does Everyone Look So Perfect Online? 📱✨ Lately I have been thinking about something kind of weird 🤔. For real, the longer I spend my time scrolling through social media, the more it feels like everyone is slowly starting to look the same😭. Okay, not exactly identical, but similar enough that you start noticing the same features, the same makeup styles and even the same beauty standards appearing over again.
Honestly, that's what got me thinking about body modification in the first place. When most people hear the term body modification, they usually think about cosmetic surgery straight away. However, body modification can actually include many different ways people alter or manage their appearance such as makeup, fashion, dieting, fitness, beauty treatments, fillers and cosmetic procedures. These are some visual examples these forms of body modification 👁️👄👁️.
Sometimes it is simply about trying to get closer to an ideal version of yourself. Well... social media seems to be making that ideal version harder and harder to escape. The Internet Loves Beauty Standard✨ One thing I keep noticing online is how certain appearances get praised over and over again.
If you are scrolling through Instagram, TikTok or even Pinterest, you'll notice many of the same features you see repeat. Features like clear skin, symmetrical faces, slim body proportions and perfectly styled hair keep showing up everywhere. Aesthetic templates are the specific and repetitive visual aesthetics that are shared on social media, such as poses, body work, and certain styles, and are becoming an element in the perception of beauty in society.
Beauty becomes less a matter of personal preference and more like a social standard that people do feel pressured to follow. Sometimes it feels like everyone is chasing the same look, even if they don't realise it.
Then K-pop Entered The Chat 💬 And this is where K-pop becomes really interesting. If there's an industry that has a perfect aesthetic template, it is probably K-pop. Even if someone doesn't actively listen to K-pop, there's a chance they have still seen K-pop beauty standards online. Most K-pop idols are constantly featured in TikTok edits, Instagram posts and even their beauty tutorials. Based on their visual, it becomes a reference point for what beauty is supposed to look like.
Cha Eun-woo from Astro is often referred to as a "face genius" because his facial proportions are widely viewed as the ideal male beauty standard in Korean media. Many fans are inspired to recreate his hairstyle, fashion choices and clean aesthetic.
Then there's Karina from Aespa.
Many people have become so mesmerised by her appearance that her visuals are often described as AI-like because of her symmetry, clear skin, large eyes and sharp facial features. In fact, her visuals have become so widely discussed online that many TikTok videos and beauty forums use her as a reference point when discussing modern K-pop beauty standards.
Recently, her Met Gala look captured everyone's attention, it has quickly going viral and inspiring fans across social media to recreate Karina's beauty and styling. What makes this interesting is that both idols function as visual templates that many fans compare themselves to online. According to Hu et al., 2024, this is part of micro-celebrity culture where people carefully manage their online image as like their personal brand. They are made visible as digital personalities through Instagram, TikTok and other platforms where their face is constantly spread, discussed and admired online.
Looking Perfect Becomes Part Of The Job 💅 Another thing I find fascinating about K-pop is that appearance is almost treated like part of the performance itself. But they are also expected to maintain a carefully managed public image 😭.
This can be seen in idols like Wonyoung from IVE. Whenever she has a comeback or viral clip, people often end up analysing everything from her posture and makeup to her body proportions, fashion choices, and even small moments like how she eats strawberries💀.
It also relates to visibility labour where maintaining a public image becomes part of the work itself (Xie et al., 2023). K-pop idols are expected to be constantly online and would present a polished and aspirational version of themselves. Since fans are exposed to these images on a regular basis, they begin to copy the same makeup style, fashion sense and beauty routine.
From Inspiration To Modification 💉 This is where things start getting a little complicated. Some people only get inspired when it comes to makeup, skincare or fashion. Maybe they buy a new lipstick because their favourite idol uses it or try a new hairstyle after seeing it on TikTok. But for some people, it can go further.
Body modification can include cosmetic procedures, fillers, skin treatments and surgery. People would bring up Park Bom from 2NE1 when discussing cosmetic enhancement and beauty expectations in the K-pop industry. In more extreme cases, celebrity aesthetics can start to blur into identity itself. One famous case is Oli London who had multiple cosmetic surgeries and openly admitted his obsession to look like Park Jimin from BTS.
Although the case was controversial, it shows how online admiration can sometimes turn into physical transformation. What makes social media powerful is that online beauty ideals do not always stay online. Sometimes they have an impact on real life appearance. The Problem With Chasing Perfection ⚠️ I believe this is the part people don't talk about enough. Most of K-pop images we see online are edited.
There is a team of professional photographers, stylists, editors and sometimes filters involved with the K-pop idols' photoshoots. But people still compare themselves with those edited pictures. Identity dissonance can occur when there is a growing gap between how people see themselves and the idealised identities they encounter online (Mehrotra et al., 2025). Frequent exposure to edited photos can make some people feel dissatisfied with their own looks.
Social media comparisons have also been associated with body image issues and symptoms of Body Dysmorphic Disorder (BDD) among younger users (Gupta et al., 2023). That doesn't mean that K-pop is bad. But I think it shows what social media can do to shape the conversation about beauty including bodies and self-worth.
So... What Does Beauty Even Look Like Anymore? 🌙 The thing about body modification that make it interesting is that it's not about changing bodies. It's also about understanding where our ideas about beauty come from in the first place. And social media is a huge factor in influencing those ideas right now. K-pop is one of the best examples to talk about how online platforms, celebrity culture and beauty standards all work together. Because sometimes it feels like social media keeps telling us to be ourselves... At the same time showing us the same face again and again.
References Gupta, M., Jassi, A., & Krebs, G. (2023). The Association between Social Media Use and Body Dysmorphic Symptoms in Young People. Frontiers in Psychology, 14(1). https://doi.org/10.3389/fpsyg.2023.1231801 Hu, A., Yuan, R., Chen, R., & Liu, M. J. (2024). A glamorous but highly stressful job: The role of social media-afforded status in micro-celebrity stress coping. Technological Forecasting and Social Change, 209, 123791. https://doi.org/10.1016/j.techfore.2024.123791 Mehrotra, A., Vishnoi, S. K., Alshaghdali, N. O., Galgotia, D., & Shahzadi, I. (2025). The Dissonance Within. Journal of Global Information Management, 33(1), 1–21. https://doi.org/10.4018/jgim.392502 Xie, S., Wei, H., & Liu, F. (2023). Is beauty always good? Effects of visual presentation of Influencer’s aesthetic labor on brand purchase intention. Journal of Retailing and Consumer Services, 75, 103528–103528. https://doi.org/10.1016/j.jretconser.2023.103528