Week 10 - GLiTch

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Week 10 - GLiTch
Week 10 - GLiTch
GLITCH
patience
Week 10 Studio Exercise - GLITCH
Bibliography
Tegan Taylor. 2018. Clothing and textile manufacturing’s environmental impact and how to shop more ethically - Science News - ABC News. [ONLINE] Available at: http://www.abc.net.au/news/science/2018-04-03/fashion-environmental-impact-of-your-favourite-textiles/9382382.
Textiles - Sustainable Materials. 2018. Textiles - Sustainable Materials. [ONLINE] Available at: http://www.sustainablematerials.org.uk/resource/textiles.html.
South Korean Artist Combines Nature And Man-Made In Unpredictable Sculptures - DesignTAXI.com. 2018. South Korean Artist Combines Nature And Man-Made In Unpredictable Sculptures - DesignTAXI.com. [ONLINE] Available at: https://designtaxi.com/news/356393/South-Korean-Artist-Combines-Nature-And-Man-Made-In-Unpredictable-Sculptures/.
Beautiful/Decay. 2018. Myeongbeom Kim’s Surreal Sculptures Of Balloons, Deer, And Tree Branches Evoke Questions On Life And Growth - Beautiful/Decay. [ONLINE] Available at: http://www.beautifuldecay.com/2015/06/09/myeongbeom-kims-surreal-sculptures-balloons-deer-tree-branches-evoke-questions-life-growth/.
EHN. 2018. The environmental toll of plastics. [ONLINE] Available at: https://www.ehn.org/plastic-environmental-impact-2501923191.html.
EHN. 2018. The environmental toll of plastics. [ONLINE] Available at: https://www.ehn.org/plastic-environmental-impact-2501923191.html.
Concept Statement
In order for humans to live we need the environment, in order for the environment to live it needs us. Our relationship with one another is mutualistic – we rely on the other to survive. This means that as humans we need to ensure that our actions are not damaging the environment and that we implement steps to ensure its sustainability, which in turn ensures our sustainability.One significant action that we as humans pursue in everyday life that damages the environment is use plastic bags. Chemicals from the plastic can be absorbed by humans and pollute groundwater, their debris can be ingested by marine animals, and they take a long time to break down in landfill - a few of the many destructions this everyday item is causing. Convenience and cost are the reasons people keep choosing to use these, even when there are simple alternative options like reusable canvas bags. Ultimately convenience is killing our planet.
My woven wall hanging was developed from the idea of wanting to contrast sustainable and natural materials against artificial and man-made to show how our choice in what we use either maintains or damages our relationship with the environment. Artist Myeing Kim was my main source of inspiration for my final piece. His surrealist sculptures are made from everyday objects combined with nature where he “juxtaposes the objects of opposing worlds…in unexpected ways, to create sculptures that challenge us to rethink the world.” (Quaty 2013, par.1). His work comments on the threats placed upon nature, such as the increasing development of technology and consumerism, to evoke questions of life and growth.
While researching natural sustainable fibres and yarns, I learnt about the environmental issues surrounding the textile industry. These issues include water, air and soil pollution, chemical and toxin usage and water wastage. There are many production methods and products that have been developed to increase sustainability within this industry. I wanted to use some of these methods and products in my work to show that there are alternative options that don’t negatively affect our relationship with the environment. I used sustainable yarns such as wool and organic cotton. Wool is biodegradable, long lasting and uses less water and organic cotton is grown without being treated by toxic pesticides and insecticides. We need to use materials from the environment to live, like fibres that make our clothing, thus we need to ensure we protect it for future generations.
My final piece uses organic textures and sustainable yarns contrasted to man-made everyday plastics. The plastics turn the colourful, textured weaving into dull and grey toned yarns, representing the plastics sucking the colour out of the environment and ultimately killing the planet. At the top of the piece, I have used different weaving techniques such as pile weave and integral fringing to add texture and three dimensions that resemble the variety of textures within the environment. I have used earthy blue and green tones to reflect the colours of a healthy planet and pink to give a pop of colour (which has a large distinction against the grey tones). The top has more rhythm and movement in the curved stripes. This is starkly contrasted to the bottom that has straight horizontal stripes with a consistent texture from the warp weave. The fringing on the bottom uses grey yarns which bare a similar resemblance to shrivelled branches.
On critical reflection of my final work I feel that I would have liked the piece to be longer with more weaving of the dull tones before the fringing starts. This is because the colourful parts look very dominant. I could have also used black coloured yarns within the fringing or at the bottom of the warp weaving to represent ‘death’ – the death of the environment because of the plastic.
Finally, I chose to use a branch to hang the weaving on to use a direct part of nature in the piece. It also represents how the whole work is relying on the branch to hang – just like the man-made environment relies on the natural environment to stay standing.
Our actions don’t need to damage the environment but they do because convenience and low cost are of major importance to humans. My final work’s aim is to spark the viewer to reflect on their own mutualistic relationship with the environment and encourage them to consider the importance of this relationship and the effort we need to put into sustaining it.
FINAL WORK
Experimenting with final design
After sewing on these plastic bunches and strips, I like their overall effect however, I think the piece would be more potent if there was more of the plastic. I like the yellow plastic (think I should incorporate this more) as it is quite an artificial and ‘toxic hazard’ colour like from my assessment 1 poster. It also creates a distinct contrast to the earthy greens and blues. On reflection, I definitely want to add more plastic.
Experimenting with sewing plastics
I experimented with a few different techniques to sew the plastics onto the weaving. Plastic is quite hard to sew as the needle can create large holes in the plastic, so I had to be quite careful.
I firstly tried sewing the plastic into bunches by scrunching it up and sewing a few times in and out the middle. This gave me the scrunched ‘litter’ look I like, however, the threads were quite obvious within the bunch.
Secondly, I tried gathering the plastic by sewing a large stitch through the middle and pulling the thread, which also gave the scrunched look. In terms of producing it, this method was easier than the first. It also has less obvious threads throughout. Both first two methods produced the same scrunched up litter look which I think would be suitable to put on the weaving, however, the gathering technique was easier and neater.
The last method I was thinking of just sewing the strips of plastic straight onto the weaving. On reflection, I think this would cover too much of the weaving and I like the look of the scrunched plastic better. The scrunched plastic also makes it more obvious it is plastic. I could sew the strips within the fringing to integrate more plastic to have it as a key element in the bottom of the weaving.
Experimenting Weaving Techniques
Experiment 1. Warp weave
This first technique is very simple, however, produces a bold aesthetic as the yarns are very tight. I like the look of the two different yarn thicknesses, especially the thicker as it creates a bubbly look. This adds a different texture and an organic appearance. It can also be used to create different shapes like curves. In the top of the wall hanging this will contrast to all the organic textures, but can also be used in the bottom of the hanging that represents a damaged planet with no texture or movement.
Experiment 2. Internal Fringing
The internal fringing in the second picture adds a three dimension and interesting texture contrasting with the simple warp weave, why I definitely want to incorporate this technique.
Experiment 3. Pile weave
The pile weave created an aesthetic of large bubbles. It looks very earthy and organic, almost resembling bushes or trees. As I want the top of the wall hanging to represent a healthy environment this is a very suitable technique.
The Textile Industry
On further research of the environment and our damaging impacts on it, it has come to my attention that textiles is all around us and that the textile industry has significant environmental impacts. Many fibres and garments are made from synthetic petroleum products which damage the environment. Fibres like cotton (the most used fibre in the world) are treated with pesticides and insecticides during production which is also not natural and pollutes the soil. There is also a lot of water, air and noise pollution from factories that make garments. The textile industry has many production processes - "And we know that the making of textiles, generally speaking, uses huge amounts of water because all of this yarn has to be constantly washed, it's going through all these chemical processes to turn it into this high quality, very delicate material, and then it becomes a different colour to what it is naturally.” a big part of why the industry is generally not sustainable. For these reasons, there has been a big move into sustainable textiles.
This is why I want to use sustainable fibres in my work not only to show how humans and the environment rely on one another but to show that there are other ways to use and produce things that don’t negatively affect our relationship with the environment. Recycling fibres and materials is another step that is beneficial for the environment. I want to try and use materials that I have left over at home rather than buying them all.
Sustainable fibre production involves not using harmful toxins, reducing water wastage and minimising pollution. These fibres include organic cotton, silk and wool.
Organic cotton is grown without pesticides and uses less water in the manufacturing process. Wool is also sustainable as it lasts a long time, doesn't need to be washed as often (reduces water usage) and is biodegradable. These fibres are better for the environment in comparison to say acrylics and polyester which are made from fossil fuels.
The dyeing of fibres is a process that uses a lot of energy (accounting for 36 per cent of the greenhouse gas emissions of the textile production process) and chemicals in the dyes which can pollute waterways. A better option is naturally dyed fibres. This uses natural products like beetroot to dye the fibres rather than chemicals. I could try and use naturally dyed fibres in my work.
References
Tegan Taylor. 2018. Clothing and textile manufacturing's environmental impact and how to shop more ethically - Science News - ABC News. [ONLINE] Available at: http://www.abc.net.au/news/science/2018-04-03/fashion-environmental-impact-of-your-favourite-textiles/9382382.
Textiles - Sustainable Materials. 2018. Textiles - Sustainable Materials. [ONLINE] Available at: http://www.sustainablematerials.org.uk/resource/textiles.html.
Assessment 2 Inspiration
Artist Myeing Beom Kim creates surrealist sculptures made from everyday objects and materials (such as the light bulb, the candlestick or the balloons in the pictures above) and combines them with nature - these contrast the natural and the man-made. His works above use very natural and organic materials such as the tree branches or the flowers starkly contrasted with artificial materials like the glass and latex. He “juxtaposes the objects of opposing worlds—nature and man-made—in unexpected ways, to create sculptures that challenge us to rethink the world.” (Quay 2013, par.1). His works evoke questions of life, growth and the place nature has in our lives.
Taking inspiration from his sculptures, I want to create a piece of work that similarly starkly contrasts the two opposing worlds to instead show how the man-made often damages the natural.
References:
Pictures - WORKS | MyeongBeom Kim. 2018. WORKS | MyeongBeom Kim. [ONLINE] Available at: http://www.myeongbeomkim.com/en/?page_id=5. [Accessed 11 September 2018].
South Korean Artist Combines Nature And Man-Made In Unpredictable Sculptures - DesignTAXI.com. 2018. South Korean Artist Combines Nature And Man-Made In Unpredictable Sculptures - DesignTAXI.com. [ONLINE] Available at: https://designtaxi.com/news/356393/South-Korean-Artist-Combines-Nature-And-Man-Made-In-Unpredictable-Sculptures/. [Accessed 14 September 2018].
Beautiful/Decay. 2018. Myeongbeom Kim's Surreal Sculptures Of Balloons, Deer, And Tree Branches Evoke Questions On Life And Growth - Beautiful/Decay. [ONLINE] Available at: http://www.beautifuldecay.com/2015/06/09/myeongbeom-kims-surreal-sculptures-balloons-deer-tree-branches-evoke-questions-life-growth/. [Accessed 14 September 2018].
Week 8 Class Activity - Value
Our original cardboard sculpture is reminiscent of interesting packaging or a tower. There is a lot of aspects and different shapes to the structure of the sculpture like structured chaos. The patterns on the box also bring an aesthetic quality.
After scanning the sculpture, the image has become a cohesive whole where all the sharp edges have been smoothed out. A lot of the detail like the spikes on top has been lost and the patterns are still shown, however a bit distorted.
I think for assessment 2 I want to create a woven wall art piece/s like the ones above. It means that I can use sustainable wool fibres in my work and also can test integrating plastic throughout.
The pieces above look very natural and the textures both three dimensional and two-dimensional bare similar resemblance to the natural environment. It also allows the use of varieties of colours, shapes and textures. I could potentially create a piece that starts off colourful and as plastic is integrated, begins to get more dull and darker. This would visibly show how plastics are killing our planet.
Many of the woven art above are hung on wood or branches which again incorporates the natural environment. Potentially I could test hanging my final piece on a branch.
pictures - Pinterest. 2018. Pinterest. [ONLINE] Available at: https://www.pinterest.com.au/. [Accessed 07 September 2018].
Assessment 2 Research
On researching sustainable textile materials, wool came up as one. Wool:
is a highly sustainable fibre
is all natural
is a renewable fibre
lasts a long time
isn’t washed as regularly as other materials - reduce water wastage
one of the most recycled fibres
can biodegrade
International Wool Textile Organisation. 2018. Sustainability | International Wool Textile Organisation. [ONLINE] Available at: https://www.iwto.org/sustainability. [Accessed 03 September 2018].
This is starkly contrasted to the artificial material of plastic;
chemicals added to the plastics are absorbed by humans
debris ends up in the ocean and ingested by marine animals
harmful chemicals can pollute groundwater from plastics in landfill
"One of the most ubiquitous and long-lasting recent changes to the surface of our planet is the accumulation and fragmentation of plastics...The amount of plastic manufactured in the first ten years of this century will approach the total produced in the entire last century”
takes a long time to break down
EHN. 2018. The environmental toll of plastics. [ONLINE] Available at: https://www.ehn.org/plastic-environmental-impact-2501923191.html. [Accessed 03 September 2018].
Assessment 2 Ideas/Brainstorm
I want to follow my focus on the effects of plastic bags on humans and the environment in my assessment 2 to show how humans and the environment rely on one another to survive. I want to show this by creating something using textiles. Potentially I can use organic materials to contrast to plastics, a sustainable material against a non-sustainable one. By using material from the environment I will be able to show how we need and rely on the environment and by contrasting it with the plastics I will be able to show how these damage us. I could potentially do this by creating a woven wall art piece or pieces.
This idea of contrasting the natural and artificial has come from the inspiration I took from artists Fabrice Monteiro and Chris Jordan in assessment 1.
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Week 5 Class Task
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Week 5 Class Task