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TVSTRANGERTHINGS
trying on a metaphor

blake kathryn
EXPECTATIONS
cherry valley forever
noise dept.
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Andulka

gracie abrams
Claire Keane
untitled
PUT YOUR BEARD IN MY MOUTH

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Show & Tell
"I'm Dorothy Gale from Kansas"

pixel skylines
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official daine visual archive
Mike Driver
Misplaced Lens Cap

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2014 painting 24”x35.5” acrylic on steel
Maxwell Morris
Honours I miss you. Time to make some new stuff
le ocean
lmnsct:
From the Photobook YUA, by Miseki Liu. Featuring Yua Aida (あいだゆあ).
so productive
Landmark Tracey Sweeney Ireland Original: $2,700
being so avant garde and taking photos of life and death holla
Steve
Art/Ruin house day.
really good artists
The vibrant photography of Alex Webb
It’s the one-year anniversary of Framework’s reFramed series, which highlights the perspective and work of top talents in the world of photography - and today’s subject is Magnum’s Alex Webb.
In a conversation with our own Barbara Davidson, Webb discussed his new book, “The Suffering of Light,” his tendency to photograph those on the outskirts of society and more:
Ultimately, I can’t fully explain why I have been drawn to borders and the edges of societies. Is it my fascination with uncertainty, tension, and complexity? Perhaps. That doesn’t, however, ultimately explain the obsession. After all, why should I be fascinated with such notions? What I do know is that I seem to come alive, photographically, in such places. The critic and photographer Max Kozloff once told me he thought I needed to be a little uncomfortable to photograph well.
I also wonder: If I fully understood my obsessions, perhaps they would cease to be obsessions?
See more of Webb’s work over at Framework.
Photos: Alex Webb, Magnum Photos
Ian Crawley, White Light Series (1997)
Done done
absentpresence:
Robert Wodzinski
SwatchMate - a small, portable cube device - captures the colour of any surface and sends it to a smartphone or Photoshop.
test strips