Me waiting for a flood of new hotd fics after 2 years of starvation:
untitled

Kiana Khansmith

pixel skylines
$LAYYYTER
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gracie abrams
we're not kids anymore.
Sweet Seals For You, Always
h
The Bowery Presents

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Stranger Things
Claire Keane
d e v o n
I'd rather be in outer space ๐ธ

Jar Jar Binks Fan Club

titsay

No title available
Xuebing Du
almost home

seen from United Arab Emirates
seen from Brazil
seen from Mexico
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from Uzbekistan

seen from Colombia
seen from North Macedonia

seen from Malaysia

seen from United States

seen from Switzerland
@bruisedbbby
Me waiting for a flood of new hotd fics after 2 years of starvation:
undertow.
2hollis x fem!reader
tags: obsessive love, unhealthy relationships, one-sided yearning, dissociation, infidelity, jealousy, violence (non-graphic), dark themes throughout
ใ
there is something humiliating about wanting a person this much.
not in a romantic way. romance arrives with flowers and introductions and names written next to each other on place cards. this is something else. this is finding a strand of his blond hair on my coat weeks later and carrying it around like a relic. this is hearing his song at a party and feeling my stomach drop as if god has just tapped me on the shoulder.
i think if he cut me open he would find himself inside. not my heart. something worse. my bloodstream, maybe. the place where my instincts live.
sometimes i imagine him years from now. older and changed. the kind of man strangers smile at on the street. and i wonder if i will still carry this version of him around with me, preserved like a dead saint behind glass. forever twenty-two. forever impossible. forever standing in the middle of some room with his hands in his pockets, surrounded by his entourage, while i ruin my life trying not to look at him.
i donโt even think he knows what heโs done.
i could tell him. i could sit across from him and explain that there are people who enter your life like natural disasters. people who rearrange the furniture of your mind and leave before the dust has even settled. i could explain that he has occupied entire years of my life without ever asking for permission.
but what would be the point?
the moon does not apologize for the tide.
ใ
the papers always wanted a reason. that was the first thing i learned after the trial.
journalists love reasons. psychologists love reasons. judges love reasons most of all. they want everything arranged neatly in little boxes so they can point to the exact moment a life went wrong. childhood trauma. addiction. pathology. a neat little fracture running through the center of the story.
what they cannot accept is that sometimes a person simply walks into your life and alters the atmosphere of it. sometimes there is no explanation more sophisticated than that.
i was twenty-four when i met him. older than him, or maybe twenty-three. the exact age changes depending on which memory i am standing inside.
memory is unreliable like that. it softens some things and sharpens others. i can no longer remember what i wore that night. i cannot remember the names of half the people who were even there. but i remember him with an almost supernatural clarity. the way he stood in the middle of a crowded room looking strangely detached from it, as though everybody else had been added later. his pale blond hair. his dark clothes. he was so fucking tall. the way people watched him when they thought he wasnโt looking.
most of all, i remember the feeling. it wasnโt love at first sight. it was recognition. as though some deeply damaged part of me had lifted its head and said, there you are.
i wish i could tell you he was kind. that would make everything so much easier. but kindness was never what drew me to him.
heโs the greatest at what he does. that was the first thing anyone told you about hollis before they told you anything else. he was a musician. a rising star. by the time i met him his songs were already starting to escape the small rooms theyโd been written in. there was something so reckless about him. being around him constantly felt like standing too close to the edge of a roof. not because he pushed people. because he made them too curious about falling.
the first few months were harmless enough. parties, texts, long nights drifting through cities neither of us seemed particularly attached to. looking back, i think i mistook proximity for intimacy. there is a special kind of delusion that develops when you want somebody badly enough. every glance becomes significant. every conversation feels loaded with hidden meaning. you begin constructing an entire cathedral from scraps of evidence.
a hand lingering on your shoulder. a message arriving after midnight. an invitation that was probably sent to ten other people.
you convince yourself these things mean something because the alternative is unbearable. the alternative is admitting you have built a religion around coincidence.
by the time things became physical, the disaster had already happened. the catastrophe wasnโt crossing a line. the catastrophe was that i had spent months turning him into the center of my internal universe. every decision was already bending toward him. every city became a city he had played. every song on the radio became a song he might like, or hate, or steal from. every version of my future contained him somewhere in the background like a watermark.
the sex only gave the obsession somewhere to live. that is what nobody understands. they think desire begins with touch. in reality desire begins much earlier. it begins when another person starts occupying territory inside your mind that should belong to you.
ใ
the first time hollis kissed me, it was in the bathroom of someone elseโs apartment.
i donโt remember whose apartment it was, and that bothers me sometimes. the mind keeps the strangest things and throws away the useful ones. i remember the tiles were green and cracked near the sink. i remember a girl outside the door laughing so loudly it sounded like she was crying. i remember the mirror being dirty, fingerprints and old powder and the cloudy ghost of somebodyโs breath dried against the glass. i remember his hand on the lock, turning it slowly, as if he had all the time in the world, as if the entire party had been arranged only to bring us to that room.
he did not ask if he could kiss me. he just did.
i had imagined it so many times by then that when it finally happened, it felt less like a beginning than a memory returning to its rightful place. his mouth tasted like marlboro reds. i remember thinking, stupidly, there you are again even though heโd been in front of me the whole night.
he kissed me like he was bored with me and starving for me at the same time. that was his talent. making indifference feel intimate. making you feel chosen by the simple accident of his attention landing on you. his long fingers were at the side of my throat, not tight, not gentle either, just present enough that i could feel my pulse move against them. i wanted to be embarrassed by how quickly my body answered him, but embarrassment requires distance, and i had none left. i had been waiting too long for my dignity to still matter.
when we came out, nobody cared. that was another humiliation. the world had not changed. the music was still playing. someone had spilled wine on the floor. a boy i vaguely knew was shouting about a missing lighter. the girl outside the bathroom looked at me once, then looked away, bored. i wanted some visible evidence of what had happened. a mark on my face. a change in the air. instead i walked back into the room exactly as i had left it.
hollis did not look at me for the next twenty minutes. i counted. at first i thought he was being careful. then i thought he was being cruel. then i thought, maybe this is what he does when he cares about someone. already i had begun the work of translating neglect into mystery. already i was helping him hurt me.
later that night, he touched my lower back as he passed me in the hallway. nothing. a lazy brush of his hand, gone before anyone could notice. but i felt it everywhere. i hated myself for that. i hated the way my body made a shrine out of crumbs. i hated that a person could give me so little and still take up so much room.
ใ
he started writing to me late.
never during the day. his daylight belonged to other people. his friends, the label people whoโd started circling that year, ordinary girls with ordinary expectations. i got the hours after midnight, when the city had gone dishonest and everybody beautiful was either drunk or lonely or pretending not to be both.
come here, he would write.
or where are you.
or simply my name.
i lived for that. my name in his chat felt more intimate than anything he said out loud. i would stare at it until the letters stopped looking like language.
i always went.
this is the part people judge, because it looks so simple from the outside. a phone lights up. a girl makes a choice. she could stay home. she could sleep. she could preserve whatever remains of her self-respect. but obsession does not feel like a choice when you are inside it. it feels like weather. it arrives, and your whole body already knows which direction to move.
sometimes i would find him at a bar with six other people, and he would barely acknowledge me. sometimes he would pull me into a cab without explaining where we were going. sometimes he would be tender in ways so sudden they felt almost violent. his head in my lap while strangers talked around us, his fingers playing with the hem of my sleeve, his mouth near my ear saying things too quiet for anyone else to hear. not declarations. never that. he was too clever for declarations. he understood instinctively that uncertainty was more addictive.
i learned to survive on almost. almost affection. almost jealousy. almost mine.
ใ
the first time i slept in his bed, it was morning by the time we got there. his place was colder than i expected. a railroad apartment two floors above a shuttered bodega, the kind of building his label kept threatening to move him out of. ash in a chipped mug on the table. a guitar case propped against the radiator with a busted latch. clothes in a dark pile by the door. there was something boyish about the mess of it, and for one brief second it made me sad. not for myself. for him. i saw, or thought i saw, the outline of some hidden damage. some private wound i could be the first to understand.
that was another mistake. women like me are always looking for a wound. give us a beautiful enough wound and we will crawl inside it. we will call it intimacy. we will call it fate. we will mistake the locked room for an invitation.
he kissed me against the wall before i had taken my coat off. it was not romantic. it was better than romantic. romance would have made me suspicious, would have required a version of myself i didnโt trust. this was uglier, more immediate, easier to believe. his hands were cold. mine were shaking. i laughed once, not because anything was funny, but because my body had become too full of feeling and needed somewhere to put it.
after we fucked he got up to smoke by the window. i stayed in bed and watched him because i didnโt know what else to do. there is a particular loneliness that only happens after youโve been touched by someone who doesnโt love you. itโs worse than ordinary loneliness because your body has already been fooled. it has already opened the door. it is standing there with flowers while the house burns down behind it.
he did not ask what i was thinking. i would have told him anything. he could have asked about my childhood, my fears, my worst memory, and i would have handed it over like a room key. but he didnโt ask, because he didnโt need to know me to have me. i understood that much later. at the time, i mistook his lack of curiosity for depth. i thought silence meant he felt too much. i thought distance meant he was afraid.
he came back to bed and put his hand on my stomach. not lovingly. absently. as if i were an object heโd forgotten he owned. i should have hated it. instead i felt chosen by him again.
when i left the next morning, he didnโt get up. he opened his eyes only halfway and said my name, soft and sleepy. for weeks i lived on that.
outside, the city was bright and obscene. people were buying bread. a woman was walking a dog in a little red sweater. the world had the nerve to continue in its ordinary way. i stood on the pavement with my hair tangled and my mouth swollen and felt as though something sacred and awful had been done to me.
i went home and showered. i washed him off my skin and felt betrayed by the water. i checked my phone before iโd even dried my hands.
nothing.
and that became the shape of my life. after him, always nothing. and then, eventually, something. each time, i forgave the silence immediately. i didnโt even make him earn it.
ใ
by winter i had stopped pretending i had control. iโd become smaller, more alert, more superstitious. i began dressing for the possibility of seeing him. i began going to places i knew he might be. never obviously, i still had pride, or something wearing prideโs clothes. iโd tell myself i wanted to see friends, hear music, be out in the city. but underneath every reason was the real one, glowing like rot.
maybe he will be there.
and sometimes he was.
the intermittent reward. if he had disappeared completely, i might have survived him. if heโd been consistently cruel, i might have developed some dignity. but he returned just often enough to keep the wound open. he knew, in the lazy animal way some people know their own power, that he could leave and come back and find me changed only by how much more grateful i was.
one night i saw him with another girl for the first time. not the girl. not yet, not the one everyone would later know from the photographs and the court documents. this was someone else. black hair cut to her jaw, a silver bag under her arm, laughing at something heโd said, touching his sleeve like she had invented touching. he leaned down to hear her better, and the gesture was so familiar i felt briefly insane. i had thought certain movements belonged to me. the tilt of his head. the private angle of his attention.
i watched them from across the bar and felt something inside me detach.
hollis saw me eventually. for one second his eyes moved over me without surprise. that hurt more than guilt would have. guilt would have meant i mattered enough to complicate him. instead he looked almost amused, as if we were sharing a joke i hadnโt agreed to be part of.
he made me wait for it. finished his drink. said something to the girl. let her touch his arm once more. then crossed the room slowly, beautiful and unbothered, while i stood there trying not to look like my entire body had become a crime scene.
โyouโre staring,โ he said.
โno, iโm not.โ
โyou are.โ
i could have asked who she was. i could have demanded clarity. instead i became elegant. thatโs what women do when theyโre humiliated in public. we become elegant or we die.
โi was looking for someone,โ i said.
he glanced behind him, amused. โwell, theyโre not over there.โ
โhow do you know?โ
โclearly.โ he stepped closer when he said it, close enough that i could smell him. cigarettes and the cedar thing he wore that iโd later find in three different drugstores and never be able to place. my anger dissolved so quickly it frightened me. i hated how bad i was at staying wounded in his presence.
he didnโt touch me. he only looked at me a little too long, then leaned in and said, โdonโt be so dramatic, please.โ
quietly. almost fondly. as though my pain was something between us. that sentence stayed with me for months.
donโt be dramatic.
i repeated it to myself when he ignored me. when he appeared with other girls. when i woke up ashamed. when i promised myself i would stop answering and then answered anyway.
it became a spell. a leash.
ใ
the next time he called, i went to him. it was raining, and i remember arriving at his building with wet hair and mascara under my eyes, furious at myself and still hoping heโd notice. he opened the door barefoot, wearing a black sweater with holes at the cuffs, his hair pulled into a low bun, a new song bleeding out of the speakers behind him. something slower than what he usually wrote, half a verse looping over and over like he hadnโt decided yet whether to keep it.
โyouโre soaked,โ he said.
i wanted to say, because of you.
โitโs raining,โ i said instead.
inside, his apartment was warm and dim. i sat on the edge of his bed while he looked for cigarettes, ignoring me with practiced ease. two glasses sat on the nightstand. lipstick on one of them. not mine.
i saw it immediately. i think he saw me see it. neither of us mentioned it. that silence was more obscene than anything that had happened between us.
he came over eventually and stood in front of me, put his hand under my chin, tilted my face up. i hated him then. for the first time, desire and hatred arrived together so completely i couldnโt tell them apart.
โyouโre mad,โ he said.
โno.โ
โyou are.โ
his thumb moved once along my jaw. what happened after that was not tender, and i wonโt pretend it was. it was a negotiation conducted through skin, because language would have exposed too much. i let him kiss me because refusing would have felt like admitting i wanted something from him. i kissed him back because i did. i wanted apology. i wanted possession. i wanted to climb inside his body and remove every trace of anyone who had been there before me.
afterward i cried in his bathroom without making a sound. i stood at the mirror with my hands gripping the sink until my own face looked unfamiliar. behind me, his towel hung from its hook. his toothbrush sat in a glass. these ordinary objects devastated me. they suggested a life he had when i wasnโt there. a life that continued without me. a life in which i was not central, not necessary, not even known.
when i came back into the room he was lying on the bed smoking, one arm behind his head. he said nothing. i lay down beside him. he put the cigarette out, turned off the lamp, pulled me against him in the dark.
my whole body softened.
ใ
after that night, things almost became normal. i spent more time at his apartment. sometimes heโd disappear into the studio for hours and leave me on the couch while his friends drifted through carrying beer bottles and half-finished arguments about a bridge that wasnโt working. sometimes weโd order takeout and half-watch something neither of us could name afterward. sometimes heโd call just because he was bored.
that last one meant everything to me. a normal person would not have interpreted boredom as affection. but i did, because boredom suggested comfort, and comfort suggested permanence, and permanence suggested i might not be entirely delusional.
the frightening thing is i genuinely started to relax. i knew which mug was his favorite. i knew he hated people touching his hair but secretly liked it when they did. i knew he slept with the television on because he couldnโt stand complete silence. i knew all these tiny useless things and mistook knowledge for intimacy.
then one afternoon i opened a kitchen cupboard looking for coffee and found a pink toothbrush. for a second i simply stared at it. not because a toothbrush means anything, but because it means everything. it means somebody had been there often enough to leave part of themselves behind. somebody had crossed the border i thought belonged to me.
hollis walked in and found me holding it. he looked from me to the toothbrush, then back, and smiled, as if he already knew exactly what i was thinking.
โyouโre making that face again.โ
โwhose is this?โ
he shrugged. โi donโt know.โ
โthatโs bullshit.โ
โit probably belongs to somebody.โ
somebody. not a name. not a person.
i looked at him and felt something strange. not anger, but the first faint outline of it. the first suggestion that maybe i wasnโt the only one building myths. maybe hollis had one too. maybe his favorite trick was making everyone feel special while never belonging to anyone at all. and for the first time since meeting him, i found myself wondering whether i actually wanted him, or whether i simply wanted to win.
ใ
a few weeks later i was lying on the floor of his living room while he sat on the couch above me, smoking, scrolling his phone. rain against the windows. a half-finished song playing low from somewhere in the apartment. iโd later recognize three bars of it on the record that came out after everything, after his name had a different kind of weight attached to it, and iโd have to leave the room.
i remember looking up at him and realizing i knew almost nothing about him. i knew his favorite cigarettes. i knew he always slept on the left side of the bed. i knew the exact expression he made when he was trying not to laugh. but i didnโt know what scared him. i didnโt know his childhood. i didnโt know who had taught him to be this impossible.
โholli...โ
โhm?โ
โcan i ask you something?โ
โyou just did.โ
โwhatโs the worst thing youโve ever done?โ
for the first time he looked up. not surprised. interested. the room went quiet.
โthatโs a weird question.โ
โyou can tell a lot about people from the answer.โ
โno, you canโt. because nobody tells the truth.โ
โi would.โ
โexactly.โ he took a drag. โif people knew the worst thing about me, theyโd decide thatโs who i am.โ
something about the way he said it made my stomach tighten. as though heโd already learned that lesson somewhere, the hard way, before any of this.
โhave they?โ
his gaze met mine and held. โsee? this is why i donโt tell you things. you immediately start trying to solve me.โ
i was. i wanted the next layer, and the next, and the next. i wanted to get underneath his skin and find the machinery. i wanted a reason.
years later, sitting in a courtroom while strangers tried to invent one for me, i would understand the irony. i spent years trying to understand hollis. i never once stopped to understand myself.
i had been handed the evidence repeatedly. the toothbrush, the other girls, the unanswered messages, the casual cruelty, the way he could make me feel indispensable one day and forget i existed the next. any reasonable person would have assembled those facts into a warning. instead i assembled them into a challenge.
thatโs the part nobody understood at the trial. they kept talking about motive as though motives arrive fully formed, as though people wake up one morning and decide to destroy themselves. in reality, self-destruction is incremental. a habit. a language learned through repetition. at some point my life divided itself into two categories: things that involved hollis, and things that didnโt. the first category expanded until it swallowed the second.
friends stopped inviting me places. i told myself it was because everyone was busy, then because we were getting older, then because adulthood naturally separates people. the reality was simpler: conversations with me had become impossible. a song reminded me of him. a city reminded me of him. eventually people stopped trying. i noticed and did nothing. or maybe i noticed and liked it.
isolation can feel romantic when youโre obsessed. it creates the illusion that your suffering is meaningful, that you and the object of your fixation exist in some elevated reality inaccessible to ordinary people. looking back, i think iโd become addicted to the loneliness itself. the frightening thing was how normal it all felt from the inside.
one evening, sitting in a restaurant with friends, someone asked what i wanted to do in five years. i had nothing. the future had become impossible to imagine unless hollis was standing somewhere inside it. that frightened me more than any of the other girls ever had, because other girls could be hated, could be competed with. but what do you do when the thing destroying you is not another person, but your own willingness to disappear?
understanding a disaster and stopping it are two entirely different things. if anything, awareness made me more desperate. a drowning person who realizes theyโre drowning does not become less dangerous. they become willing to grab onto anything. and hollis always seemed to know exactly when i was about to let go.
people imagined him afterward as some kind of mastermind. a manipulator pulling strings. a beautiful sociopath engineering my downfall from the shadows. that would have made everything a whole different story. the truth was less flattering: i think he simply liked being wanted, the way some people like sunlight, or applause, or smoking a cigarette after sex. not maliciously. instinctively. he collected devotion the way other people collected records. every time i began drifting away, he would reappear. a text, a call, his name lighting up my screen at two in the morning. and every time, my stupid heart reacted the same way.
hope.
there is no drug more humiliating than hope. itโs what keeps gamblers at slot machines, what keeps women like me standing outside apartment buildings at midnight, convincing ourselves weโre making choices.
ใ
by spring iโd stopped asking questions i didnโt want answered. i stopped asking about the girls. i stopped asking where heโd been. ignorance was easier to live with than certainty. certainty has edges. certainty cuts. fantasy is soft. fantasy lets you keep breathing.
reality doesnโt care what helps you breathe. it arrives eventually. when it arrived for me, it was wearing somebody elseโs perfume.
i noticed it before i saw her. sweet, unfamiliar. i was standing in his kitchen making coffee. by then iโd become comfortable enough to perform little domestic rituals in spaces that didnโt belong to me. when i noticed a black cardigan hung over the back of a chair. not mine. i stared at it for a long time. thereโs something uniquely strange about recognizing another womanโs absence. she wasnโt there. the cardigan was. i touched the sleeve. soft fabric, expensive. something twisted in me, not because i thought i owned him, even then i knew better than that, but because i had spent so much time imagining myself as an exception that discovering i was interchangeable felt like a kind of death.
when hollis walked in and found me holding it, his eyes moved from my face to the cardigan and back. i waited for guilt. instead he opened the fridge and asked if there was coffee left.
โseriously?โ
โwhat?โ
i held it up. his expression didnโt change. โitโs a cardigan.โ
โwhose?โ
he shrugged. โi donโt know.โ
i hated the shrug. i hated the calmness. i hated that he might actually be telling the truth because if so many people passed through his life that he could no longer keep track of what they left behind, what chance did i have of becoming unforgettable?
i put the cardigan down and left. no scene. no screaming. i just walked out. i remember the elevator ride down more clearly than i remember most birthdays. my reflection in the metal doors, strangely detached, normal, tired maybe, slightly pale, but otherwise normal. it felt unfair. i wanted visible injuries. instead i looked exactly the same.
that afternoon i blocked his number. unblocked it three hours later. blocked it again. unblocked it before midnight.
for almost two weeks we didnโt speak. the longest weโd gone since the beginning. i wish i could tell you i flourished. what actually happened was less inspiring. i became obsessed with not being obsessed. i checked my phone every five minutes. i stalked accounts belonging to people i barely knew, zoomed in on photographs, searched reflections in mirrors. i became a detective investigating my own humiliation.
he didnโt contact me. not once. as long as he kept returning, i could pretend i mattered. silence offered no such comfort. silence forced me to consider that the entire relationship existed primarily inside my own head.
by the end of the second week i felt like a ghost haunting my own life. then, one friday night, my phone lit up.
i stared at it. the room was completely silent. my heart was beating so hard i could hear it. years later, the prosecutor would describe my actions as irrational. looking at that message glowing on the screen, i think i finally understood what he meant, because i knew i should ignore it, knew exactly what would happen if i answered, knew i was walking willingly toward the thing destroying me.
and i answered anyway.
i carried my phone into the kitchen. made tea. checked the screen. checked it again. ten minutes. twenty. forty. the tea went cold beside me.
nothing.
i wish i could tell you i reacted like a normal person. instead i became convinced the next thirty seconds would change everything. every time the message wasnโt there, the disappointment closed around my throat like a hand. by midnight i wasnโt pretending to do anything else. my entire existence had narrowed to a glowing screen and the absence of his name on it.
thereโs a point where obsession becomes embarrassing even to the person experiencing it. i reached it around one in the morning, catching my reflection in the dark window above the sink. i looked insane. not dramatically. just pathetic. exhausted. a grown woman refreshing the same conversation as though persistence could force reality to be kinder. that should have snapped me out of it. instead it made me worse.
the anger arrived. not clean, not useful, something feverish and directionless. i paced circles around my apartment. i checked his social media, then his friendsโ, then people i barely knew. i started building theories from scraps. maybe his phone died. maybe he was with somebody. maybe the message had been meant for someone else.
meant for someone else.
i stared at the thought like it had appeared in front of me physically. i could tolerate other girls in theory. i could tolerate uncertainty. what i couldnโt tolerate was the possibility that all this time i had mistaken coincidence for significance. that the message might not have been fate. might not have even been intended for me.
by two in the morning i was no longer thinking rationally. i knew that even then. some detached part of me sat in the corner of my mind, watching with growing alarm. look at you. look what youโve become. but observation and intervention are different things. knowing youโre losing your mind doesnโt mean you know how to stop.
when i finally grabbed my keys it didnโt feel wrong. no thunderclap, no declaration. i wasnโt thinking iโm going to confront him. i wasnโt thinking anything coherent at all. i just knew i couldnโt spend another hour alone with my imagination. i needed certainty, even if the certainty destroyed me.
the drive is mostly gone now. i remember a red light reflected in a puddle. my hands gripping the wheel hard enough to hurt. the feeling that something terrible was already happening and i was simply arriving late to it.
by the time i reached his building my heart felt detached from the rest of me. i stood outside, trying to convince myself to leave. for one brief, miraculous second i almost did. then i saw the light on, and i knew. not what i was about to find, just that whatever remained of the story iโd been telling myself was waiting upstairs.
so i went in.
the stairwell smelled faintly of cleaning detergent. a stupid thing to remember. not the kind of detail that should survive police interviews and court transcripts and years of trying to forget.
with every flight, the feeling worsened. for months i had survived on ambiguity. maybe he likes me. maybe he misses me. maybe this means something. maybe maybe maybe.
my entire relationship with hollis had been built on maybe. standing outside his door, i had the overwhelming sense that the word had run out of road.
the music was loud enough to hear from the hallway, low bass hitting the walls. the door opened easily. heโd given me the code once, drunk, both of us laughing about something neither of us would remember.
inside, everything looked normal. that was the first betrayal. the lamp on. his jacket over the arm of the couch. an empty glass on the table. a record sleeve on the floor. i wanted the room to acknowledge what was happening. instead everything was ordinary, in the way disasters often are.
i called his name once. no answer. the music continued. i took another step, then another, watching myself from somewhere outside my body.
the bedroom door wasnโt closed. only slightly open. just enough.
people always ask about the moment itself, as though there was a single frame where everything shattered. a voice. a movement. a glimpse of blond hair. a hand. your brain assembling the image before your heart is ready for it. i remember stopping completely. the blood leaving my face. my own breathing. understanding, with a clarity so sharp it almost felt peaceful, that every fear iโd spent months negotiating with had been telling the truth.
for a few seconds nobody noticed me. standing there invisible. watching the world function perfectly well in my absence. there is a specific pain in realizing you were never at the center of somebody elseโs story. not because they pushed you out, but because you were never there to begin with. something inside me gave way. not all at once. more like a building finally collapsing after years of structural damage. every lie i had told myself arrived at once and demanded payment.
i donโt remember making a decision. what i remember is standing in that doorway and feeling the world narrow, and somewhere very far away, as though it belonged to somebody else entirely, hearing hollis say my name. once. then again.
too late.
because by then, the person who had spent years waiting to be chosen had already disappeared. and something much more dangerous was standing in her place.
people always ask what i was thinking. itโs one of the first questions they ask. the police, the psychologists, the journalists, strangers online whoโve somehow convinced themselves that understanding is the same thing as forgiveness. they all want access to that exact moment. they want to climb inside my head and find the sentence that caused everything. the mistake they make is assuming there was one.
there wasnโt.
i wasnโt standing there thinking iโm going to hurt someone. i wasnโt thinking anything at all. for months my mind had been unbearable, constantly moving, constantly analyzing. the second i saw them together, all that noise disappeared. i remember hollis saying my name, multiple times. the girl turning toward me. the confusion on her face. and then a silence so complete it almost felt holy.
it was as though my brain had reached the end of something. the end of the story. the end of the waiting. every terrible possibility iโd spent months negotiating with was standing directly in front of me. there was nothing left to wonder about. reality had arrived.
it didnโt hurt the way i thought it would. i had imagined this moment so many times: discovering another girl, betrayal, heartbreak and thought it would feel like being stabbed. instead it felt like falling through ice. cold, absolute.
for a few seconds i simply stood there, looking at her. i noticed ridiculous things. the way her hair fell across one shoulder. a chipped fingernail. the shape of her mouth. i thought she looked younger than me. then i hated myself for noticing. then i hated her for existing. then i hated him. then myself again. everything blurred together.
hollis was talking. i could see his mouth moving, could see him getting up, moving toward me, saying my name again, but it all felt very far away, as though i was watching it through thick glass. the room seemed wrong. too bright. too sharp. every detail painfully clear. dust floating in the air, the record skipping softly in the other room, cigarettes and sweat and sex in the air. everything felt unreal except the fact that she was there. real. no longer an idea, no longer a possibility, no longer a story i told myself at three in the morning. she was standing right in front of me, breathing, looking back, occupying a space i had spent months trying to earn.
ใ
i was asked to describe what happened next, and i would tell them the truth, which is that i donโt fully know. there is a gap there. not a convenient one. not the kind a person invents to protect herself. a real one. the kind memory makes when it canโt hold something and live at the same time.
i know there was a weight in my hand that hadnโt been there before. something off the dresser, i think, though even that i only pieced together later from what the police said. i know the record kept skipping in the other room, the same four bars, over and over. i know hollis was saying my name like a word that had stopped meaning anything.
and then i was sitting on the floor with my back against the wall, and the room was very quiet, and my hands didnโt look like mine.
i donโt remember deciding anything. iโve turned that sentence over a thousand times since, trying to find the lie in it, because everyone wants there to be a decision. the prosecutor built his entire case around the idea that there was one. a moment of clarity, intent, a girl who drove across town with a plan already forming. but i didnโt plan it. i want to be exact about that, even now, even though exactness has never once helped me. it happened the way weather happens. i was standing in a doorway, and then i was on the floor, and somewhere in between, something that could never be undone had already been done.
ใ
the police report, when i finally made myself read it months later, in a small room with my lawyer watching my face, used language so flat it almost made the thing sound survivable.
single sharp-force injury. consistent with a struggle. the defendant was found at the scene.
i read those words and thought, thatโs not what it felt like. it felt like the whole world tipping sideways and never quite coming back level.
hollis called it in himself. that detail came out at trial, and i remember the courtroom going very still when it did like everyone in the room was recalibrating who i was allowed to be in the story. not even the man who found her. the man whoโd been in the room the entire time. he told the dispatcher his own name twice, like he didnโt trust himself to remember it. he didnโt touch me. he didnโt go near her again either. he just stood by the window, the way he had that first morning, except this time there was nothing left to perform for.
i donโt remember the ambulance. i remember being in the back of a car with my hands zip-tied in front of me, looking at them like they belonged to someone i used to know.
ใ
the trial took eleven months to begin and three weeks to finish, which feels like the wrong ratio for something that changes a life so completely. i sat at a table with my lawyer and learned the particular humiliation of hearing your own private religion described in legal terms.
obsessive attachment. escalating fixation. a pattern of surveillance behavior.
they read out my messages to him. they read out his to me. the ones that said nothing, come here, where are you and somehow on the record those two words sounded crueler than they ever had at two in the morning, because now they had an audience.
the medical examiner spoke for forty minutes. i wonโt write down what he said. some things, even in a story iโm allowed to tell, i donโt think iโm allowed to put into anyone elseโs hands. iโll only say i sat there and made myself listen to all of it, every clinical sentence, because it seemed like the smallest, latest form of honesty still available to me, to not look away from a single word.
her name was wren. i want that written somewhere, because for most of this story sheโs been a cardigan, a toothbrush, a girl with dark hair, an idea i built out of jealousy long before she was ever a person to me. her mother spoke during sentencing. she did not look at me once. i understood that. i would not have looked at me either.
hollis testified on the second week.
i hadnโt seen him in the months between the arrest and the trial. they kept us apart deliberately, lawyers on both sides agreeing on that one thing if nothing else and when he walked into the courtroom i had the strange, sick experience of feeling my body respond to him the exact same way it always had, even then, even there. some animal part of me that had never gotten the message. heโd cut his hair. he looked older in a way that had nothing to do with time. there was a stillness to him that hadnโt been there before, like the performance had finally, permanently switched off.
he didnโt look at me when he sat down. he looked at me once, near the end, when the prosecutor asked him to describe our relationship, and he hesitated long enough that i watched the jury notice it.
โi donโt know what to call it,โ he said finally. โi donโt think either of us knew what to call it.โ
it was the most honest thing heโd ever said to me, and he said it to a room full of strangers instead of to my face which felt, somehow, like the precise shape of everything that had gone wrong between us from the very beginning.
he didnโt ask to see me afterward. i didnโt expect him to. thereโs a particular kind of ending where you understand, all at once and without anyone explaining it to you, that the story youโd been telling yourself was never the story anyone else was in.
ใ
iโm writing this in a room not unlike the one i grew up in. small, gray, indifferent to whoever happens to be inside it. iโve had a long time now to sit with the version of myself that walked up those stairs, and i wonโt tell you iโve forgiven her, because forgiveness would require me to believe she had no choice, and i donโt believe that.
i think i had dozens of choices, scattered across years, and i declined every single one of them in favor of staying inside a feeling that told me i was the center of something. i was never the center of anything. thatโs the part the courtroom couldnโt make me understand, no matter how many ways they said it. it took wrenโs motherโs face, turned permanently away from mine, to teach me that.
i still think of him sometimes. less than i used to. the mind heals, even when you donโt want it to, even when some shameful corner of you would rather keep the wound open, because the wound was, for a long time, the only thing that made you feel like a main character.
but i think of her more now. wren. a girl with a chipped fingernail and hair that fell over one shoulder, who walked into a room she had every right to be in, and met a version of me that had been built, brick by brick, out of midnight texts and unanswered messages and a hunger i never once tried to name honestly until it was far, far too late to matter.
iโd like to tell you thatโs the end of it. that this page is where the story closes and i become someone who learned something clean. but i still catch myself doing the thing i did with him. building a whole cathedral out of a single kind word from a guard, a single visit, a single letter. i still donโt always know the difference between wanting to be good and wanting to be forgiven.
maybe thatโs the part nobody puts in the report.
ใ
a/n: i poured my whole heart into this story.
undertow. (2)
2hollis x fem!reader
tags: obsessive love, unhealthy relationships, one-sided yearning, dissociation, infidelity, jealousy, violence (non-graphic), dark themes throughout
the following is an excerpt from a feature interview published in billboard magazine, eighteen months after the events referred to herein. it has been edited for length.
interviewer: you look well.
hollis: people keep saying that.
i: is it not true?
h: i donโt know. i think people say it when they donโt know what else to say. itโs a kind way of not asking something.
i: fair enough. letโs start somewhere easy then. the record. youโve said in the past that you write fast, that you donโt like sitting with things too long. there was 2, boy, then we had star. but this one took two years.
h: this one took longer than two years.
i: what was different?
h: i couldnโt find the right distance from it. the songs kept being too close to something. iโd finish a thing and listen back and think, thatโs not a song, thatโs just something that happened to me. and those are different. you have to be able to breathe around it before it becomes something somebody else can hold.
i: and now you can breathe around it.
[pause]
h: more than i could.
i: the albumโs being described as a departure. quieter. less-
h: less what i was doing before. yeah. i think before i was writing to be really seen. this one i wrote because i had no other way to process being alive. those things sound similar but they produce very different music.
i: youโve been away from the industry almost entirely sinceโฆ since everything. was that a choice, or did it just happen?
h: both, i think. at first it just happened. i wasnโt capable of performing or anything. iโd get to soundcheck and stand there and feel completely hollow. like the whole apparatus had just stopped. and then at some point the not-doing-it became its own choice. i started to like the quiet. iโm not sure iโd ever actually been quiet before.
i: do you think the person who made your earlier work still exists?
[long pause]
h: i think heโs in there somewhere. iโm not trying to get rid of him. i just donโt think he was entirely honest. he was very good at convincing rooms full of people he felt things deeply, whether he actually let himself feel them was a different question.
i: the last year or so has clearly beenโฆthereโs no neutral way to say thisโฆ thereโs been a lot. publicly. personally. do you feel like you can speak to any of that?
h: i can speak to the fact that it happened. iโm not sure i can do more than that right now.
i: the music seems to speak to it.
h: the music can say things i canโt say in a room with a recorder on. thatโs sort of the whole point of the music.
i: thereโs a song on the record, track seven, that a lot of people are already singling out. the line โi knew what i was doing and i did it anyway.โ people are reading that as-
h: people are going to read it as whatever makes sense to them. thatโs their right.
i: is it autobiographical?
h: every song is autobiographical. thatโs not the same as saying itโs a confession though.
i: do you feel like you owe anyone a confession?
[very long pause]
h: i think there are things i owe people that i donโt have the language for yet. and iโm suspicious of people who find that language too quickly. it tends to sound like performance.
i: last question, and you can decline it.
h: go ahead.
i: are you okay?
h: iโm working on knowing what okay means. which is more than i could say eighteen months ago.
ใhollis pov ใ
the first thing anyone says about grief is that it changes you. people say it like itโs wisdom. like you havenโt already figured out by the time youโre sitting in your own kitchen at four in the morning staring at a mug of tea that you havenโt touched that something in the architecture has shifted. you donโt need someone to tell you. you can feel it every time you try to move through a room that used to be familiar. what nobody tells you is that itโs not just grief for the person. itโs grief for the version of yourself that existed before you knew what you were capable of being part of.
i have thought about that night every day since it happened. not in the way people think. not obsessively, not with the kind of fevered repetition the psychologists kept looking for when they sat across from me with their clipboards and their careful neutral expressions. more like a stone in a pocket. you donโt think about it every second. but you always know itโs there. you always feel the weight of it when you move.
i should say something about what she was to me, because i didnโt say it in the courtroom and i didnโt say it in the interview and i have never said it to anyone, including myself, with any real honesty.
she was not nothing.
i want to start with that because the easiest version of the story, the one the prosecution built, the one the internet built, the one i could feel people building every time they looked at me in that courtroom, is that she was one of many and i knew it and i did nothing about it and so what happened is partly mine. and i have spent eighteen months deciding how much of that is true. the answer is: more than i admitted then. less than they wanted it to be.
she arrived in a room and i noticed her in the particular way i notice very few people. not because she was the most beautiful person there, though she was that too, but because she looked like she was carrying something with her. something private and unresolved. i was drawn to that. i am always drawn to that, which probably says everything that needs saying about me.
i told myself at the time it was just how i was with people. that i was curious about everyone. that i collected people. not to own them, just to understand what they were made of. it took a long time to admit that that framing was also a way of never being accountable for any of it.
the thing about being young and visible and wanted is that you stop noticing what youโre doing to people because the evidence never arrives. girls donโt tend to tell you what it costs them. they show up, and then they show up again, and your brain reads that as consent. not just to whatโs happening, but to the terms of it. to the not-naming-it and the late-night-only and the leaving without explanation and the coming back without one either. you read their continued presence as proof that you havenโt done anything wrong. it is proof of nothing except that people will accept a great deal when they want something badly enough. i knew that about people in theory. i did not apply it to her specifically, because applying it would have required me to ask a question i wasnโt prepared to answer. which was: what exactly am i offering here, and is it anywhere close to what she thinks sheโs receiving?
the answer was no. i knew that.
i knew that and i kept her number in my phone and i kept writing to her at two in the morning because the truth is i liked being wanted by her specifically. she wanted me in a way that felt different from the way most people wanted things from me. they wanted something i represented. the image of it, the proximity to it. she wanted me. the actual me, the difficult me, the me that was bad at being known and knew it. she kept asking the questions nobody else asked. she kept looking at me like there was something underneath worth finding. i should have been more careful with that. i wasnโt.
there was a night, one of the first, maybe the third or fourth time she came over. when she fell asleep on my couch while i was in the studio. i came out around three and found her there with one arm over her face and a book open on her chest and i just stood there for a minute looking at her. not with desire. with something else. something i didnโt have a name for and didnโt want to examine too closely. i went and got a blanket. it was such a small thing. it probably meant nothing. but i have thought about it more than almost anything else. because it was the truest thing i did with her, and i never did it when she was awake to see it.
that is the version of me i couldnโt figure out how to be in daylight. the one who gets the blanket. i kept him out of sight and kept the other one front and center. the one who sent the late messages and made her feel like a secret and watched her navigate it with her heart completely exposed and thought, quietly, almost admiringly, look at how much she can bear. iโm ashamed of that now. i wasnโt then. thatโs something i have to live with.
there were other girls, yes. iโm not going to pretend otherwise or arrange it into something more palatable. there were other girls and she knew about some of them and suspected the rest and i never once sat down and said what i should have said, which was: i am not able to give you what youโre looking for. i should say that. i know you well enough by now to know youโll wait for something that isnโt coming and iโm not willing to be the thing you wait for.
i didnโt say it.
i told myself it wasnโt my place. that she was an adult making choices. that i wasnโt responsible for the meaning she assigned to things. all of this is technically true and all of it was also a way of keeping the door open because i liked the warmth of it.
ใ
when i met wren it felt right. she had no interest in the version of me that performed. she didnโt come to shows. she didnโt know the songs. she called me on the things that were annoying about me with a cheerfulness that was so foreign i found itโฆ disarming is the wrong word. clarifying. she had that in common with y/n, but still it felt different with her. i tried to dissect it multiple times now. i donโt understand. i liked both of them. so i was seeing them both. but i wasnโt in love with her yet either. i donโt know if i would have gotten there. i know that i wanted to find out, which was more than i could say for most things by then.
i didnโt know she and y/n existed in the same world. that sounds like a lie. it isnโt one, or at least not entirely one. i knew y/n was still around, peripherally, in the way that something youโve tried to quietly let go of remains peripherally around. i didnโt know the shape of what was happening inside her. i didnโt know she was two weeks into silence and one unanswered message away from getting in her car. i have asked myself a thousand times whether i could have known. the honest answer is: maybe. if i had been paying the kind of attention she deserved, maybe. but i had stopped paying that attention because it was easier not to, and that is its own answer.
i was actually in the other room when it happened.
thatโs the part nobody could really visualize, i think, in the courtroom. they kept treating it like a triangle like we were all three of us in the same space and someone made a decision and lines were drawn. but i was actually in the other room, i swear. i heard music and then i heard nothing and then i heard a sound i will not describe here because there is no clean way to describe it and because some things, once put into language, cannot be taken back out of it.
i heard her name. i heard my own voice saying it. i donโt remember deciding to speak. when i came through the door she was standing very still with her back against the wall, and wren was on the floor, and i knew, immediately, with the total animal clarity that the mind produces in moments of crisis, that the thing that could not be undone had already been undone.
i called 911. i remember the feel of my phone. i remember not being able to remember the address of my own apartment. i remember giving my name twice. i remember standing by the window afterward in the specific way you stand when your body has run out of instructions and defaulted to stillness. i didnโt look at her. i donโt know if that was cruelty or something else. i think i was afraid that if i looked at her i would understand it, and i didnโt want to understand it yet. i didnโt want to reach for it and find, somewhere underneath my horror, that i could follow the thread back to myself.
ใ
the months before the trial were the quietest of my life. i moved out of the apartment. i stopped going places. i sat in a rented room with my computer and wrote things that werenโt songs and then wrote things that were and then couldnโt listen to either. i thought about her constantly. not the way she had thought about me, or not the same way. i wasnโt reaching for her, i wasnโt looking for her in rooms, i wasnโt building anything. i was just thinking about her the way you think about a place youโve been that no longer exists. with a kind of grief that had nowhere to go.
i thought about wren more. i thought about wrenโs mother, who i had met exactly once, at a dinner wren had been nervous about, who had looked at me across the table with the precise expression of someone deciding whether to trust something. i thought about the fact that the last thing iโd said to wren, in person, was something small and forgettable. i canโt even remember what it was. i have tried. it wonโt come.
that is the specific texture of the guilt i carry, not grand, not operatic, just a series of small ordinary failures that accumulated into something catastrophic.
ใ
when i walked into the courtroom i looked at y/n once, briefly, before i sat down.
she looked the same as she always had, which surprised me. i donโt know what i expected. something externally different. some visible evidence of the thing that had happened. instead she looked the same , slightly pale, very still, the expression she always had when she was watching me from across a room and hoping i wouldnโt notice.
i noticed. i always noticed.
that was the worst of it, maybe. that i was sitting in a witness box being asked to describe our relationship and the truest answer i could have given was: i donโt know what it was, but i was not as unaware as i let myself seem. i was not as careless as i made it look. i knew she was in that room before she crossed it. i always knew.
i donโt know what to call it, i said. i donโt think either of us knew what to call it.
and that was true. it was also not the whole truth. the whole truth is that some part of me had always understood, dimly, inarticuately, the way you understand things youโre not ready to name. that what was between us had weight. had consequence. that she was not interchangeable and that i had treated her as though she were, not because i believed it, but because believing the alternative would have required something from me i wasnโt sure i could give. i gave it too late.
iโm giving it here, in a room sheโll never read, which is probably exactly as it should be.
ใ
the record comes out in three weeks. track seven is called what i knew. people will read it as a confession and they will be right. it is also the worst song on the album. i left it on anyway because i thought taking it off would have been another kind of cowardice, and i have been cowardly enough. i think the music sounds very different now. less electronic. more like an attempt at honesty than an attempt at being heard. which might be the same thing.
or might, finally, be different.
ใ
i donโt know her sentence. i looked it up once and then wished i hadnโt. i carry that number around now the same way i carry the other things, the weight of it, in the pocket, always there when i move.
i think about that sentence she wrote once. she didnโt write it to me, i read it somewhere i shouldnโt have, during a period when i was doing a lot of things i shouldnโt have been doing. she wrote, the moon does not apologize for the tide. she was writing about me. i think about it now and i think, she was wrong about who the moon was. i think we were both the tide. i think we were both pulled by something neither of us understood, toward a shore that was always going to break us, and the tragedy of it is not that it happened but that we were both too young and too damaged and too proud to stand on the beach and say, simply, i think this is dangerous, i think we should step back.
we didnโt.
we walked into it like it was the whole ocean.
and wren, wren had nothing to do with any of it. and she is dead. thatโs the thing i canโt arrange into music. thatโs the thing that has no other side to it.
wren had nothing to do with any of it.
and she is dead.
I never realized how gone Roman is in this
2hollis looks beautiful and glorious
more december gloom <3
when my life was cold and empty in the winter in new york
๐๐๐๐๐ ๐๐ ๐๐๐ pt1
2hollis x fem reader
contains: drugs, addict!hollis smut (p in v)
a/n: someone needs to get their shit tgโฆthis for @hollisedd ๐
pt2
you shoulder through the thick throng of sweaty bodies, wincing at the loud bass that reverberates throughout the mansion. The chandelier in the foyer shakes and threatens to collapse. it would be both tragic and beautiful if it were to fall. The party would be over, just like that, and you could leave. You could hold off on doing this until the next party. Until he misses up again.
It wouldnโt take too long, you realize now. you might as well get it over with, not that you want to.
The thought of his face when you break the news makes your chest tighten, nothing about this decision is easy. But heโs making being with him harder and harder.
You didnโt tell Chessa, what youโre doing tonight. As you march up the stairs, you wonder what her reaction will be. Youโve been dating Hollis for the last 2 years sheโs been with you with the up and downs of yours and Holliโs relationship.
As you move upstairs to find your boyfriend, you imagine all the things youโll be losing by doing this.
Hollis is upstairs in someoneโs bedroom. His usual posse is around him like accessories, accessories he must have at every party.
Roman glances over, and his face lights up. Youโre not a fan of his, or any of Hollisโs friends for that matter. And Ryan knows this, which is precisely why he calls you out.
โYo! look who it is.โ everyone except for Hollis glances over. โNot so boring after all. Want a line, sweetheart?โ
He gestures to Hollis, whoโs got his finger pressed to one of nostrils. You hear his loud, long snort as he cleans the mirror theyโre using to do coke on.
He blinks, rubs his nose, and finally looks over with bleary eyes and says โDonโt fucking call my girlfriend sweatheart, fucking douche.โ
Roman glances at you, nervously. Hollis hands the straw and mirror over to him then stands from the squeaky desk chair and strides across the room towards you. His hands slide to your waist. Heโs just about to pull you in for a sloppy, slow kiss when you step back.
Hollisโs brow furrows.
โI need to talk to you.โ
Behind him, the guys giggle, but when you look at them, theyโre not paying attention.
The corner of Hollisโs lip twitches. โOkay..?โ
โAlone.โ
His hands fall from your waist. Your heart pounds as Hollis stares you down with that familiar coke-fueled gaze. Without moving his eyes from yous, he says โAlright, thatโs it guys. Back downstairs.โ
The guys whip their heads over, eyes wide and alert. The enthusiasm from Romanโs face falls. โCome on, man. We were up here first-โ
โGoโ Hollis presses, when he sees that youโre not letting up.
They mumble and gather their things.
Roman purposely bumps his shoulder into Hollis as they move around the both of you. He glares as you from the corner of his eyes. Both he and Ryan, like youโve just ruined the whole night just before they slip out the door.
But even after theyโre gone, you and Hollis continue to stare at one another, like at any moment one of you may attack. And then Hollis lets out a big breath and walks backwards to the bed. You follow him, and he pulls you between his legs with his hand wrapped around your finger.
โIs everything okay?Did something happen?โ
You shake your head. You feel sick. Now with his friends gone, you have no choice but to tell Hollis.
"You look pretty," he says, and he reaches a tentative hand up to your stomach to feel your dress. This light touch sends a current of electricity coursing through you.
"Hollis..." You push his hand down. You'd feel bad about it, but he's high and doesn't notice. You don't want this to be worse than it already is.
"So, what is it?" Both of his hands slide up your bare legs and just start to slip under the hem of your dress when you shove them away and step back.
"Okay, look." Hollis looks like you've just slapped him, but what you're about to do is much worse. But now that you're here, it's happening, you don't know how to start.
"How much coke have you done tonight?"
He blinks. "What?"
"How much coke... have you done tonight?"
He shrugs. "I don't know."
You nod. It's worse than an actual number.
If he doesn't know, it must have been a lot.
"You've been doing a lot of coke, Hollis."
"Yeah, so? It's summer. We're at a party."
"No, I mean, not just tonight. Not just here at this party. Every party. For months." You catch your breath, your heart practically in your throat. The stunned, darkening look on Hollisโs face tells you this may not go so smoothly.
"What are you saying?" His voice is dark.
You take a deep breath, ready to dive in, head first. โItโs too much. The partying. The coke, the drinking. And itโs not only at parties. Romanโs. The studio. My house. With my friends there.โ
"It's too much," he says, slowly. His eyes wander, but he's too high. The realization that this may not be easy because of the coke makes you more annoyed.
โYes, Holli, itโs too much. And iโve told you that i donโt like when you get really high. You get obnoxious, especially around Roman and Nate. I canโt have a real conversation with you, everything is a joke or itโs โno big deal.โ On our datesโ- remember? you got high before you picked me up, you could barely walkโโ
Hollis shakes his head
โExactly. you donโt remember. You should.โ
Hollis leaps from the bed so he towers over you. His thrashing heart against yours, his body heat searing. โIโve got a lot of shit iโm dealing with. My parents, My album-โ
โI know.โ You let out a breath. โI know. But i canโt handle it anymore. You donโt listen to me. Youโre not attentive. I need someone-โ
โWhat are you sayingโโ
โโ i need someone to be attentive.โ
Hollis moves, and you flinch. He growls like an angry, caged animal. Tears have filled your eyes and blur your vision, but now that itโs coming out, it gets easier and easier.
โYou donโt even know whatโs going on in my life anymore. You havenโt asked. You donโt give a fuck, youโre too busy always yelling at Angelo for not paying you back. You donโt take our dates seriously, you barely hold my hand. Youโre notโฆ youโre just not there Hollis.โ
His breaths heavy. His chest rapidly rises and falls, heโs panicking.
โHolli-โ
โNo. No, this isnโt happening.โ He presses the heel of his palm to his forehead and whines. โThis isnโt happening.โ
โIโm sorry.โ
He looks at you like you've suddenly said something in a language he can understand.
But then his eyes darken, his lips grow taut over his teeth. He scoffs. "No, you're not."
A stab. But you don't argue with him, it won't do any good.
"I can't do it anymore," you say.
Hollis collapses on the edge of the bed and buries his face in his hands. You stand before him, unsure of your next move. It's quiet and still for a long while, except for the muffled noises of the party carrying on downstairs. Someone shouts with glee, and this whole break up suddenly seems ridiculous. Hollis is high, and youโre putting him through this.
โHollis, iโm sorry.โ you reach out to him, but he recoils, and you lean back.
When he lifts his head, his face is flushed, his hazel eyes are bleary and dark. This. This is what youโre doing to him.
โYouโre not fucking sorry,โ he mumbles. Another stab. He runs his sweaty palms down his jeans. โGod, fuck this.โ
โHollis-โ
โThis is what you want?โ he croaks. His watery eyes are so desperate. โYouโre giving up on me.โ
"No, I'm not." When you reach for him this time, he lets you. You get on your knees in front of him.
He nods. "Yeah. You are."
I love you is on the tip of your tongue, you can physically feel the weight of it, but to say it now would erase what progress you've made in this decision. You can't back down now, no matter how much it hurts.
At your silence, Hollis breaks down. Just to take off a little pressure, you tell yourself it's the coke. And then you feel bad
Hollis cries for a while. You let him. Maybe that will make him easier to talk to before you leave. One of you will eventually have to leave first. Surely, because of this, it won't be Hollis. And then you worry, have you just sent Hollis further into his drug addiction?
"I'm sorry."
"Stop saying that," he snaps.
You flinch. But you are sorry. Really, truly.
He takes a shaky, deep, wet breath and sighs. "This is bullshit."
"I should go."
You stand and turn for the door when Hollis clamps his hand around your wrist. You don't dare move, and for a moment, he doesn't say anything.
"Stay," he whispers. "Please."
Only because once you walk out of this room, Hollis will no longer be yours, you decide to stay. But you don't rush to comfort him that would be falling into your old ways.
It surprises you when Hollis cups his hands around the back of your thighs and tugs you between his legs again. He presses his forehead against your stomach. He's hot.
You imagine pushing his hair back like he's a little kid with a fever, but that would be sending the wrong signal.
When he looks up, you notice his dark eyelashes are wet. He sniffles and pushes your hair behind your ears. Your eyelids flutter, you almost give in.
โHollis..โ
He presses his lips firmly against your stomach, over your dress, and breathes in.
"God, please. Please don't do this."
"I can't."
Hollis grabs your face, pulls you down, and kisses you hard. "One last time. Please. Just one last time."
You relax into him, let him kiss you slowly and purposefully. His hands slide down your body, and he pulls you closer then flips you over so you're lying on the bed, and he's on top in between your thighs. He crawls over you, his breath gliding over your body.
Hollis sniffles as he lets his body fall on top of yours. You feel him everywhere, especially his hips as he moves against you. Slowly and subtly at first with heavy breaths. His eyes shut. He groans, only loud enough for you to hear, and even though you fight against this in your head, it wakes your body up. It wants this.
Hollis moves his knee up between your thighs until it's pressed against your core. "You're warm." He cups you with his hand and watches as your back arches. "You still get wet for me, yeah? Even though you don't want this anymore."
You're about to argue that when he forces your panties aside and slides both of his fingers inside of you. You gasp and clutch the sheets.
"You think you'll be wet like this for another guy?" He leaves kisses down your neck, across your collarbone. "Cause that's what you want, right?"
You squirm and whine, "No."
Somewhere between crying and climbing on top of you, Hollis has gotten hard. He scrambles to pull himself out, and then he forces himself inside of you. When he's all the way in, he lets out a satisfied groan.
You'll miss the way he fills you up, the perfect curve of his cock, his body heat making you hot and turned on. You're not ready to hook up with another guy, you don't even want to.
He nibbles on your earlobe, bites your jaw, pulls your bottom lip out before devouring your mouth. He massages your breast and rocks faster, concentrating on you, on your facial expressions.
You wrap your legs around him. Hollis props himself on his forearms and goes faster so the bed shakes and the springs squeak. He throws himself deep inside of you, angry, wanting you to know it. But, just as it's starting to build a knot in you, he falls on top of you again. Back to tender, needy kisses.
But you start to panic. โHollis, maybe we should stop. We should talk.โ
He grunts and moves inside of you, slowly.
Painfully slow. He doesn't want to risk losing you just yet. You've sprung this on him so suddenly, he should be able to keep you for as long he wants tonight.
โHollis-โ
"No." His voice cracks, wet with saliva. He curls his fingers into a tight fist and pulls at your hair. Your shoulder becomes wet, and you realize he's crying again.
If this is what he wants from the break up, fine. One last time, and then you leave, and you grieve on your own.
He pulls your leg up over his shoulder, so suddenly, you gasp. But when he pushes in all the way this time, without apology, you quiver all around him. This. You wouldn't get this with another guy. Breaking up with him, you won't get sex like this again.
The thought turns you into a puddle, and Hollis takes advantage. He takes his time, torturing you, but he pushes in hard and deep so you feel it everywhere. He presses his damp forehead against your collarbone, his hair tickling your skin.
He sounds drunk. "You're mine." Delrious.
"You're mine, you're mine, you're mine."
A moan slips out of you. You don't mean to encourage him, but he lets out a shaky breath like he's close and trying not to let go just yet. His lips graze your skin. And then he unsticks himself from you, stands by the side of the bed, and yanks you close to him by your legs. You make a startled noise and look up to see his eyes are red and puffy. He looks broken, the way his lips ever so slightly wobble, and he avoids your gaze.
When he starts again, he goes hard until it's painful. But you don't dare tell him. He probably wouldn't care, anyway. He'd say you deserve it. Hollis has never been forgiving, not with anyone. Breaking up with him, you're afraid, is unforgivable.
Hollis growls. "You like it when I fuck you on drugs, don't you? It's a problem til I'm inside you."
The bed rattles, and cries slip out of you, even though you didn't intend for them to, as Hollis holds on hard to your hips, so hard his fingers leave impressions in your flesh.
Your legs spasm, your hips buck. Hollis watches, focused, excited and vengeful.
The knot builds inside of you, faster and faster. You don't want to come just yet, but you've lost your voice.
"You're still gonna cum for me, yeah?" He laughs as he squeezes up your inner thigh.
You're clenched around his cock as he violently digs into you, forces you into the bed and makes it move. His breath hitches.
You lift your leg up just as you teeter over the edge, and Hollis grabs your calf, desperate, as if he's trying to hold on.
"Holllis."
He breaks down. His hips spasm, and his hot cum suddenly leaks out inside of you.
You cry out, loud enough for anyone in the hall to hear. But he keeps pushing into you, deeper and deeper, lifting your hips up with the force of his own. Every time more spurts out, he lets out a grunt.
"Oh, Godddd," you whine. Your walls spasm around him, and your legs continue to shake. Hollis collapses on top of you, panting, his heart against yours, both pounding.
With his face in the crook of your neck, he lies still. You wait for him to say something, anything, even something cruel. He's silent.
He stirs, pulls his hand up into your hair and grabs a fistful. It hurts, but you only wince. And you wait.
His shoulders shake, and you know he's crying again.
"We shouldn't have done this," you say. Not when Hollis is this fragile.
But when you try to get up, he tightens his fist in your hair and sucks in a sticky, wet breath. He rubs his face against your bare shoulder, leaving streaks of tears on your skin. When he lifts himself, his face is flushed, but he looks absolutely miserable.
His eyes fall to your body, like if he looked you in the eyes, he'd be forced to realize that you're leaving him, not just your body. And that might kill him.
You sit up, dizzy and a little sore. Hollis is out of breath and now acting drunk. On his knees, between your thighs, he slides his hand up around your breast, and over the fabric of your dress, he teases your nipple with little bites. He moans, breathy and tired, then actually starts to pinch your nipple with his teeth.
"Ow." You push him away.
His eyes are dull; a pale, lifeless hazel.
Shoulders slumped, shirt wrinkled. He stuffs himself back inside his pants, does his jeans back up, and sniffs. "You gonna go now?"
You can feel him in between your legs, sticky and warm. For some reason, you can't be honest with him yes, you are going to leave. Instead, you say, "It doesn't change anything."
Hollis licks his lips. "If I see you with another guy, I'll kill him. You know that, right?" His voice cracks. And even though his eyes get teary again, you know he means it. When Hollisโs heart is broken, he can do a lot of damage.
You cup the back of his head. He closes his eyes and rests his forehead against your stomach. You stay like that for a long while, and then you kiss his head and say, "Let me go."
He grabs your waist, not tightly like he's forcing you to stay, but firmly. Begging you not to go as tears stream down his cheeks.
"Please," he cries, his voice barely above a whisper. "Please don't leave. I'll do better, I promise."
You tilt your head at him, heartbroken and doubtful. "I'm sorry, Hollis."
His hands fall. He gives up, tears still trickling down. He looks in pain you've never seen him break down like this. It's the coke. But he's like a child, abandoned, his voice coarse and squeaky.
He snatches your lacy thong from the floor, balls it up in his fist, and stuffs it in his jeans pocket. He's kept some of your underwear before, so it's no surprise. But it hits you all at once; this is the last time. And before you can really sink into the realization, you stand from the bed, unsteady on your feet. Hollis, on his knees, watches you slip past him and towards the door.
"You're gonna regret this," he says.
You glance back at him with your hand around the doorknob. Even though it stabs you to see him like this, you know it's for the better. "Goodbye, Hollis."
You haven't heard from Hollis in a week. His silence feels like white noise. Even though you need space, and you need not to think about Hollis, you wonder about him constantly. And you imagine the worst case scenarios; him drunk driving and smashing his car into a telephone pole; him doing even more coke and ODing on it at a party while his friends carry on, unaware.
It's like you're coming off withdrawal from him. Every time you think about reaching out, just to check on him, you distract yourself either by going for a run, stuffing your face with junk food, blasting music until you can't think.
And when you're not trying to distract yourself from him, you're crying.
Anything these days can set you off, too.
Falling into a deep sleep at night is easy after a good, long cry and a pounding headache. Of course, it takes several ice cubes every morning to de-puff your eyes.
But after a week of all this, you decide to actually go out.
To be alone within a group of strangers. Maybe that will distract you, you thought.
You're at a party in Beverly hills. Not a big one, not one of the popular parties going on right now across the city surprisingly, which is what you want. Although you're bored without anyone to talk to, you know Hollis won't be here. His friends wouldn't come to this party where the coke doesn't flow easily, and Hollis doesn't go to any party his friends won't attend.
But, so far, without the chaos you've dealt with from Hollis over the last few months, you've grown bored very quickly.
Standing by the kitchen island with a wet, mostly-full drink in hand, you watch everyone around you mingle and dance and flirt. Having fun.
For a moment, you'd give anything to look over and see Hollis walk through the front door, towering over everyone, those hazel eyes, so startling, finding you.
"Hey."
You whip your head over. Not because you think he's talking to you, but because it's the clearest you've heard someone speak since you got here.
He stares at you, this stranger. He has hazel eyes, too, but not like Hollis.
A smile grows across his face once he has your attention.
"You look bored out of your mind."
You take a swig of your drink and press your lips together to hide your distaste. You shrug.
"You waiting for someone?" He stuffs his hand in his pocket and steps in front of you.
Your heart pounds. Again, Hollis. All of the old familiar alarms start going off inside of you. You half-expect Hollis to appear with that scowl, ready to send this stranger scurrying away. And then you realize Hollis isn't here. And even if he was, it's no longer his place to tell any guy to fuck off.
"Um, no," you answer, numbly.
"I'm Ethan," he says.
You give him your name and smile politely and hope he gets the hint.
He nods in the opposite direction. "Wanna go somewhere quiet?"
"No." And before you can watch his expression morph, you whirl around and push through the crowd.
You're home one night in bed reading under your lamp when a spray of sharp, tiny rocks clatters against your window. You startle, half-expecting to see an intruder in all black crash through the glass and roll across your floor.
It's still for a moment, and then it happens again. They explode like a firework then fall like rain. You push your book aside, slide off the bed, and creep towards your window, afraid to find what's down below.
A tall, dark figure staggers back, wobbles as he bends down for another handful, and just as he's coming back up, you open the window and lean out.
"Hollis" you hiss your roommates are sleeping across the hall.
He glances up, mouth open, eyes wide, hand full of the gravel from your drive.
"What are you doing?"
"I needed to see you," he slurs.
You should tell him to go home. You're trying to detox. But you can tell from two stories up that Hollis is drunk. You imagine he's just came from Romans or a party, the only thought of you on his brain, the alcohol coursing through his body as he stumbles about.
"Hold on," you tell him. You grab a cardigan from your desk chair and sneak downstairs.
You find Hollis around the corner of your house, swaying in place with his gaze still upwards. "What are you doing here?"
He whips his head over. If he's surprised to see you, it doesn't show. His eyes are dull and glossy. "You came down."
"Did you drive here?"
"I walked." He hiccups, and when he moves, his foot drags against the gravel.
You sigh. "Hollis, you can't be here."
His brow furrows. "I wanted to see you." He starts to reach for you with a smile, but you shake him off.
"Seriously. You need to leave."
His shoulders slump, defeated. "I thought.." He throws his hands up. "I missed you."
I miss you, too, "But we broke up."
His head drops. "Fuck. I know." He runs his hands down his face, drags his feet through the gravel some more, and lets out a breath.
"I know."
You pull your sweater tighter around yourself. "You should go home. Go to sleep."
"I can't go back there."
"Look," he says, breathlessly, "I'm trying.
I'm trying to do better."
"I know--"
"No. I know you don't believe me." He steps back and nearly loses his balance.
"I do believe you." Even as you say it, you feel a pang of guilt. Clearly, Hollis isn't doing any better. But at least he's not high and manic. "But it's late, and it's cold. You should go to bed." It kills you not to offer him a ride, but he's not your responsibility.
He's not going to get better being back here.
"Go home."
Hollis stares at you, in pain and disbelief. He shouts at your retreating figure, "What am I supposed to do?"
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when he starts going through my phone and opens tumblr
Never seen anything more real
Seen on and Credit to @wildfirec6p on instragram
๐โ.ห
wingscal on ig
People criticize the way Chalamet talks about his movies, but if I had a run like this before turning 30 Iโd never shut up either
Heโs the greatest male actor in this generation, and one of the greatest of all time
real
as my final act of love, I will swallow every "please stay" and turn it into silence so you don't feel trapped by my ache
I feel like a rotting corpse thatโs still breathing.
One day I will kill myself. It's just a matter of time before I stop hesitating and finally follow through.