Your reflections on the reading
Again, I learned a lot reading this weekâs chapter on sculpting. I learned that there are four traditional ways of sculpting; carving hard materials, modeling soft materials, casting molten materials that will harden, and assembling materials that can be joined. Then thereâs even more ways, like using light and shaping the earth. I didnât realize all the different ways and work that went into sculpting. I took a clay class in high school, but we didnât learn too in depth about the different techniques. I also used to work a lot with polymer clay, which is a form of clay that can be baked in the oven! I used to go all out with it, buying gloss finishes and a little hand crank machine that flattens the clay into sheets, though I never made anything too big or took it too seriously. I enjoyed it though, and still would, I just have not used it for quite a while because of school, work, and other priorities.
Your reflections on the videos/media
I thought the video on Kara Walker was very interesting because of the work and thought that goes into the pieces, as well as simply how much she cares and enjoys her artwork. Thereâs a lot I want to say about the video, but mainly I was surprised by how much research she did, and how many initial sketches and sculptures she created. Like in previous weeks, the amount of research, time, and effort put in by her and some of her helpers is something that always seems to amaze me. I never realize just how much time and work goes into these pieces until it is shown. I think it adds an extra layer of understanding and appreciation when I look at the art created. It was clear how much she loves her work and enjoys the process. I thought the clip where she was blowing and sprinkling the powdered sugar on the slave sculpture making little changes was very genuine and especially showed how much she cares about her work. I think it was clever that she used the subtlety technique, the use of sugar in sculpting for royalty, and sculpted an African woman and slaves collecting sugar. I also thought it was clever that she centered all her work in this abandoned sugar factory that still had molasses dripping down. I love the ephemeral aspect of this artwork, and other artwork in general.Â
Connections/comparisons  Â
I think Walkerâs work is a bit of a mixture of ways of sculpting. They carved the sculpture out of hard materials, as well as modeled the soft sugar over it. She also created her sculpture to be temporary, or ephemeral. The book mentions wood workers laminating layers of wood to and I think this work is similar to what Walker was doing. They are both temporary, but still have layers that may preserve the shape for the most part. It is mentioned in the chapter that preserving the art is an issue that curators and conservators worry about. I think creating Walkerâs sculpture inside a building was a good decision, because I would think it would help ease this problem of preservation, as well as the curatorâs questions of how and when they should show it. I think this because, being inside, wildlife and weather would not affect it as easily. Of course, I imagine it would still âdecayâ after some time, but I think being protected from outside forces and being built on top of something a little more permanent would make it last a long time.
o   Connections to another artistâs work
I chose Robert Smithson as my relevant artist this week. Looking through his art, I was really intrigued as to how he makes his sculptures. He uses mirrors in the majority of his work, creating illusions or simply making a small pile of material appear to be a big pile â to the point where you donât realize immediately that there even are mirrors. He uses a variety of natural materials like soil and shells. He also does a lot of earth work, even going as far as to create a floating, travelling island! I enjoyed looking at these earth works, particularly the ones that are such large scale sculptures. Smithson seems to use natural materials and utilize the earth in much of his work. Again, showcasing the ephemeral aspect of art, like Walkerâs sculpture. Though, Smithson doesnât seem to be as concerned with the longevity of his earthwork. Regardless of how long they last, I think his work is very worth it and is still beautifully done.