Corto video sobre Bulla en el Barrio

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PUT YOUR BEARD IN MY MOUTH
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@bullaenelbarrio
Corto video sobre Bulla en el Barrio
Bulla en el Barrio performing at the Bronx River Art Center
Music. July 26. Live music begins at 6:30 p.m. Rooted in Colombia and based in New York, Combo Chimbita lives in the future. After playing together for years, these first-generation New Yorkers—powerhouse vocalist Carolina Oliveros, synth player and bassist Prince of Queens, guitarist Niño Lento, and drummer Dilemastronauta—began experimenting with di erent traditional musical styles during their late-night residencies at Barbès in Brooklyn. Exploring the connections between visual identity and improvisational long-form trips, Combo Chimbita came together as a four-piece band after Oliveros stepped forward to tighten the rhythm with her guacharaca, the traditional Colombian percussion instrument. Although the band members’ backgrounds are in heavy rock, metal, and psychedelic funk and soul, they gleefully fuse elements from cumbia, 1970s funaná from Cape Verde, and kompa from Haiti, as well as salsa, reggae, and futuristic-yet-retro synth sounds. Carolina Oliveros, vocals; Niño Lento, guitar; Prince of Queens, bass and synthesizer; Dilemastronauta, drums Every Thursday in July and August, 5:30–8:00 p.m. Live music begins at 6:30 p.m. Regular Museum admission applies. Performances take place in the Sculpture Garden. In the event of rain, the Garden will close, and music will take place in Theater 1. Please note: Sculpture Garden and indoor seating are limited and on a first-come, first-served basis. The musical component of Summer Thursdays 2018 celebrates musicians living and working in New York City. Organized in collaboration with PopRally (https://www.moma.org/calendar/programs/38), the series hosts a variety of sounds that explore the City’s expansive musical landscape. Each evening, unique sonic flavors fill the Sculpture Garden with a range of blended genres such as dream punk, Afrofuturist soul, funk fusion, hip-hop, experimental, and lo-fi baroque pop.
Bulla en el Barrio with our family Combo Chimbita at the MoMA! La Cachimba Brava!!!
Ceferina Banquez es una de las últimas voces de la tradición afro del caribe colombiano
"Ceferina es una de las mujeres que personifica la resistencia de los pueblos afro y la importancia de la mujer en la construcción de memoria."
Conoce más acerca del trabajo de esta gran maestra del Bullerengue en Facebook y en Instagram.
Vallenato Negro: A documentary by Proyecto Juglares highlights a group of master accordion players from the region of María la Baja who interpret what is commonly known as the “Sabanero” style. These masters not only have a great knowledge about this music, but also about nature, agriculture and fishing. They also interpret old styles which are no longer part of the Vallenato tradition of today and consequently they are getting lost. María la Baja is also one of the places in Colombia where the Bullerengue tradition is very strong, and it is an immense part of everyday life. It is an inevitable influence on the life of these accordion Maestros.
Transnational Bullerengue is an annual initiative by Bulla en el Barrio dedicated to connecting Bullerengue Masters in Colombia with the active musical and cultural scene in the USA, documenting the process and furthering the conversation about Afro-Colombians, their immeasurable heritage and contributions to Colombian society, and their cultural expressions. It is our goal to create a deep connection between NYC and the Bullerengue community in Colombia. In August 2017 Bulla en el Barrio had the opportunity to bring the living legend Emilsen Pacheco (singer and tambolero from San Juan de Urabá), to NYC (Lincoln Center, among other venues in NYC), and Washington DC (Tropicalia and Kennedy Center). Emilsen Pacheco is an extremely important figure in the tradition, and during his visit he shared his ancestral knowledge about Bullerengue through storytelling. Bullerengue has been built on stories and its practices continue to be passed on through a strong oral tradition. This is a little trailer of a larger archive which documented the entire process.
Video footage: Victor-Andres Cruz, Ricardo Matute, Some images by Juan Jimenez, Dayansiita and Beatriz Lopez.
Video edit: Victor-Andres Cruz (Duende Rodamonte)
Translated by Victor- Andres Cruz
This Saturday April 7th Bulla en el Barrio will be back to Brooklyn Folk Festival for the second time! We go on at 8:45 pm. For full lineup and details visit: https://www.facebook.com/BrooklynFolkFestival
An interview with Grupo Tonada, a young and urban Bullerengue group from Barranquilla, Colombia. In this video they share how they first became interested in this tradition, what that experience has been, and how they are now considered the most outstanding Bullerengue group in Barranquilla.
Video by Camilo Rodríguez “Niño Lento” from Casa Jaguar.
From last year’s trip to the XXIII National Bullerengue Festival in María la Baja, Colombia with Bulla en el Barrio. A brief conversation with Pello Escudero and Darlina Saenz. December 2016.
Video by Camilo Rodríguez “Niño Lento” from Casa Jaguar.
Morocco and Colombia Unite in this celebration of traditional music
8pm - Doors 8:30pm-9:15pm - BullA en el Barrio 9:30pm-10:30pm - Innov Gnawa
Innov Gnawa is a young musical collective dedicated to exploring Morocco’s venerable gnawa music tradition in the heart of New York City. Formed in the summer of 2014 by Moroccan expat Samir LanGus, the group draws on the considerable talents and expertise of Hassan Ben Jaafer, a Maâlem, or master gnawa musician, originally from Fes, Morocco. Under the guidance of Ben Jaafer, Innov has delved deep into the roots and rituals of gnawa music, and made a big splash in NYC, playing some of the city’s most prestigious rooms including Lincoln Center, Music Hall of Williamsburg, Brooklyn Bowl and the storied backroom of Brooklyn’s Barbès.
For the uninitiated, gnawa music is the ritual trance music of Morocco’s black communities, originally descended from slaves and soldiers once brought to Morocco from Northern Mali and Mauritania. Often called “The Moroccan Blues”, gnawa music has a raw, hypnotic power that’s fascinated outsiders as diverse as writer/composer Paul Bowles, jazz giant Randy Weston and rock god Jimi Hendrix. The music is utterly singular, played on an array of unique instruments — from the lute-like sintir that the Maâlem uses to call the tune, to the metal qarqaba (castinets) with which the kouyos (chorus) keep time and pound out clattering, hypnotic rhythms.
Hailed by Brooklyn Magazine as one of the "5 Bands You Need to Know in Brooklyn's Arabic Music Scene", Innov Gnawa make great use of this traditional repertoire, and add their own, contemporary spin with additional African and Latin percussion. Taken as a whole, this exciting new outfit works hard to fuse a centuries old North African tradition with the pulse and attitude of New York City now.
Bulla en Barrio is a New York-based collective established to create a space for the practice and learning of Bullerengue, a traditional form of music and dance from the Colombian Caribbean region. The collective’s goals are to teach communities the traditional cultural and artistic practice of Bullerengue, to harvest communal spaces for people to meet and exchange culturally, and to encourage individuals to pursue and strengthen their own artistic and social talents and skills. Bulla En El Barrio has performed at Pioneer Works, Brooklyn, NY; Corona Plaza, in collaboration with Queens Museum, Queens, NY; Terraza 7 Bar, Queens, NY; and as resident artists at Barbes Bar, Brooklyn, NY. Bulla En El Barrio has also been invited to perform for the Little Sisters, New York, NY. Bulla En El Barrio’s lead singer, Carolina Oliveros, was born in Barranquilla, Colombia. In 2006, she studied Music in Atlantico University, specializing in opera singing and choir. Since then, Oliveros has recorded with musicians and producers to create jingles and vocal backgrounds, and been lead singer of the group Agua e Yuyo. Oliveros has won traditional music contests of the Colombian Caribbean region such as Gaita Festival in Ovejas, Sucre; National Bullerengue Festival in Puerto Escondido, Córdoba; and the Maria La Baja Bullerengue Festival in Bolívar. Currently Oliveros lives in New York City where she initiated Bulla En El Barrio and her band La Banda De La Nación.
Hablando con Emilsen Pacheco. (San Juan de Uraba Feb.2017)
Video by Camilo Rodríguez “Niño Lento” from Casa Jaguar.
Afro-Inspira presents: Elevarte: Bulle-Bomba! Join us in a very special night of Afro Roots music traditions from Colombia and Puerto Rico. El Barrio DRUM swap is an initiative to build bridges of solidarity among afro-descendants communities in the diaspora to support each other and share the love for our culture. We give special thanks to CAMARADAS El Barrio for always opening their space for this amazing "juntes" to happen. A bombia' y pa' la rueda de bullerengue! Ubuntu love! Camaradas El Barrio 1st between 115th st and 116th 9:30pm Entry fee $10 and all the love you can give!
Mr. Emilsen Pacheco, one of the greatest and most important figures in the Bullerengue tradition of the Caribbean Coast of Colombia, will be performing in the US for the first time!! Follow the tour dates and don't miss this opportunity to see a living legend sharing his ancestral knowledge with all of us!
Portrail by: Juan Jimenez.
Bulla y Tambó – Al Son de María la Baja
From the mesmerizing sounds of the Caribbean Sea and a deeply rooted tradition, uprisen as the legacy of a profound African ancestry in Colombia. Jhonny Reuters Martínez and his group Bulla y Tambó, pay homage to one of the places in Los Montes de María where this music has emerged from and has given birth to some of the most outstanding cantadoras (singers), tamboreros (drummers) and tonadas (songs) in the Bullerengue tradition. The town of María la Baja, Bolivar.
Bulla y Tambó from the town of Chigorodó, Antioquia in the region of Urabá, is a group of young men and women dedicated to rediscover, promote and share their culture and traditions –– dancing, drumming and singing lived and expressed as one of the greatest legacies inherited from their afro-descendant elders. El Bullerengue.
Keep your eyes peeled for this wonderful group which carries the strength and fire of tradition, interpreted and experienced through the vision of a new generation of Bullerengueros in Colombia.
To learn more about Bulla y Tambó click here
Tomorrow Friday! At 9:00 pm after Quantic Show at Prospect Park . Bulla en el Barrio at Barbes Gente Bella!!! Mañana Viernes Bullerenguero en Barbes!!! Help us to keep this beautiful tradition alive here in NYC. Come, sing and dance Bullerengue with us. Let's celebrate the legacy of the Bullerengue Cantadores (singers), those who already passed away and those who are still alive. Because thanks to them and to all the generations of entire families who have shared their melodies and stories, this ancient and powerful afro tradition from Colombia now exists in NYC. Que viva el Bullerengue !!! El Bullerengue will never die
Bulla en la Radio! Thanks to the magic of the radio, all of New York City will have the pleasure to hear Bullerengue ! Bullerengue Lovers, we will be performing LIVE on air at WNYU on 89.1 fm at 9 pm, all you need is the right tuning. Enjoy! Que viva el Bullerengue!
Dear Austinites! Get ready to learn about this beautiful tradition from the Caribbean regions of Colombia called Bullerengue. This is the first time such workshop is presented in the city of Austin, TX so please don't miss out! See you there!