Loved the Billy Idol doc.
i don't do bad sauce passes

★
wallacepolsom
"I'm Dorothy Gale from Kansas"
let's talk about Bridgerton tea, my ask is open

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Kiana Khansmith

@theartofmadeline

Love Begins
Cosimo Galluzzi

tannertan36
AnasAbdin

titsay
Cosmic Funnies
trying on a metaphor
Misplaced Lens Cap

roma★
will byers stan first human second

oozey mess
ojovivo
seen from Germany
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seen from United States
seen from Malaysia
seen from United States

seen from United Kingdom

seen from Germany

seen from Malaysia
seen from Brazil
seen from United States
seen from United States

seen from Japan

seen from United States
seen from United States
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seen from Austria

seen from United States

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seen from United States
@bulletproofcool
Loved the Billy Idol doc.
1970 / Armadillo World Headquarters (Austin).
Poster art by Jim Franklin.
Joan
John Lee Hooker 1951
Freddie King & Leon Russell
Joe Poe’s Tavern, New Athens, Illinois, 1970s.
Hanna Barbera Icons
As much as I adore The Lovin’ Spoonful, nothing beats John Sebastian solo+acoustic. My teenage years in a nutshell here.
Friday Night
A kitten is surrounded by milk bottles bigger than he is (1964)
Chet Baker, Photo by William Claxton, 1954
Sunglasses, Photo by Yale Joel, 1963
Bo Diddley at the Diamond Club, Dayton, Ohio.
“From the early ‘60s through to 1974, Barbara Brown, along with her sisters, recorded a series of sessions in Memphis. Although they appeared as infrequent singles, taken as a body of work they represent music as good as any ever recorded in that great city of soul.”
Saturday Night Soul
"Things Have Gone to Pieces" // Barbara & the Browns
Nestled within the rich tapestry of Memphis' musical heritage is the enigmatic figure of Barbara Brown, a vocalist whose powerful voice remains a hidden gem in the annals of southern soul history.
Alongside her sisters Roberta, Betty, and Maurice, she formed a gospel quartet known collectively as "Barbara & the Browns." The familial ensemble would venture from the confines of sacred song to secular music in 1964 after legendary producer Chips Moman persuaded the group to record "Big Party" for the one-off Wil-Mo label. Leased to Stax later that year, the effort gained enough regional popularity to crack the Top 100 R&B Charts.
Two more Stax singles would follow before the group signed to the fledgling XL label, recording a series of sides released on labels such as Cadet, Tower, Atco, and on XL itself. By 1974, Barbara and her sisters seemingly deserted any dreams of stardom, and many of their recordings remained in the can until 2007 when Kent Soul released "Can't Find Happiness: The Sounds of Memphis Recordings." Several of the 20 tracks released in the late aughts were previously unissued, including a demo of the Leon Payne penned "Things Have Gone to Pieces."
A top-10 hit for George Jones in 1965, the ballad masterfully captures the essence of heartbreak and the tumultuous aftermath of a lost love.
The faucet started dripping in the kitchen And last night your picture fell down from the wall Today, the boss said, sorry, I can't use you anymore And tonight, the light bulb went out in the hall
Things have gone to pieces since you left me Nothing turns out half-right now it seems There ain’t nothing in my pocket But three nickels and a dime But I’m holding to the pieces of my dream
While Jones's song delivery, imbued with his signature emotional depth and twang, brings an authentic sense of longing and despair, Barbara Brown's powerhouse vocal adds a layer of soulful resonance to the narrative of grief and hopelessness initially laid out by the Possum.
Barbara Brown died in Detroit, Michigan, on Feb. 3, 2010. Half a century after their debut in the music world, she and her sisters remain largely hidden treasures. Yet, Barbara's interpretation of "Things Have Gone to Pieces" shines brightly as a quintessential piece of southern soul music, a performance so compelling it's easy to imagine the Possum himself would have admired it. — M.H.
I let eight years pass without waxing southern soul on my main channel.
Biram never disappoints.